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| Katkey: | 7559146 |
| Volltext: | INDEX ABOUT, EDMOND, 232 Accessories in portraiture, 243 Acquired method of vision, 193 et seq. Acting and actors, 59 " Admiral Pnlido-PaTeja " (Velasquez), 241, 265 Adventurers in Art, 298, 299 Aerial perspective, 163.^Esthetic motives, 37, 296 •Esthetic qualities, 26, 30, 36, 39 " Age of Brass " (Rodin), 131 " Alchymist " (Ost&de), 233 Allegory, 215 et seq.; in portraiture, 239 " Ambassadors " (Holbein), 243, 244 " Amint&s and Sylvia " (Boucher), 93 Anderson, Hans, 150 Anecdote, 25 Angelico, Fra Giovanni, 227 " Angelus " (Millet), 14 t Apollo (Reinach), 279 " Apollo hilling the f ython " (Turner), 118 " Arcadian Shepherds " (Linnell), 162 Archaisms, 80, 221, 284 et seq. Art for art's sake, 26, 36, 294 Artists' mothers in portraiture, 243, 264 Assyrian reliefs, 90, 212 Autochrome transparencies, 41, 17? " Avenue, Middelharnis " (Hob-bema), 92, 93 Backgrounds in portraiture, 258 et seq. Balance in composition, 112 " Banker and his Wife " (Massys), 230 Barbizon artists, 296 Baughan, E, A., 299, 300 Beaumont, Sir George, 9, 94 Beauty in sitters, 247 Belgium, 6 " Bittern Hunter " (Rembrandt), 249 " Blind Girl " (Millais), 119 Boecklin, Arnold, 140 et seq., 152, 217, 226, 238 Bonvin, François Saint, 55 Boucher, François, 93 " Boy Singing " (Rembrandt), 249 "Bride, The" (Rossetti), 34 Brueghel, Bieter, 230, 231 Brueghel, " Hell, " 296 Byzantine mosaics, 212 Calvocoressi, M. D., 299, 300 Caravaggrio, Michelangelo, 51, 55, 57 " Carlyle " (Whistler), 264, 265 Caricature, 133 " Cenotaph " (Constable), 94, 95 Central mass in composition, 102 et seq. Character in sitters, 247 et seq. Charcoal, 202 Chardin, Jean Baptiste Simeon, 233, 235 Chavanness, Puvis de, 47, 219, 220 Chiaroscuro, 57, 68 " Christ and the Two Disciples " (Caravaggio), 54 Church, the, 158 Classicism, 144, 215 et seq. Claude, Gellée, 8, 143, 131 Clausen, George, 236 Close point of view, 45, 46 Coleridge, Samuel Taylor, 293 Colour: appreciation, 82, 83; cool and warm, 73 et seq., 209; decorative, 78 et seq„ 226, 227; disin-tegratioB of, 175 et seq.; as a factor, 19, 70 et seq. ; gradation, 78; landscape a school for, 81; light primaries, 177; modern development of, 166, 173, 174, 184 et seq.; of the Orient, 210; pigment primaries, 1771 primitive, 76; quality in, 204; -sense, 22, j85 ; of 3ate works of Turner, 183 THE APPEAL OF THE PICTURE Composition, 85 et seq. ; balance, 112; central mass, 102 et seq.; decorative, 105; even distribution, 106; Japanese, 88; primitive ideas of, 86 et seq. ; radiation, 109; value of space, 105; symmetry, 87 et seq. ; unity, 106 et seq. Constable, John, 9, 94, 95, 160, 173 Contours, 200 Corot, Jean Baptiste Camille, 9, 42, 45, 160, 172, 201 Costume, 217 '* Cradle, The " (Rembrandt), 139 Criticism: cone of, 17; types of, 22; professional, 298 " Cupid and Psyche" (Rodin), 131 Daguerreotypes, 267 Dante, 150 " Dark" painters, 51, 54, 56 Davies, Dr. H. Walford, 14 Da Vinci, Leonardo, 193, 260 " Death's-head Moth, The " (Hol-man Hunt), 119 Decomposition of Light, 23, 175 et seq. Decorative art, 47, 78 et seq., 80, 91, 105, 127, 212 et seq., 226, 227, 286 et seq. Defregger, Franz de, 232 De Hoogh, Pieter, 25 Demoralisation in art, 291 et seq. " Derby, The " (Géricault), 275 " Derby Day " (Frith), 29, 42 Design, 86 Details, 16 Diffusion of interest, 47 " Dignity and Impudence " (Land-seer), 35 Donatello, 115 Dou, Gerard, 243 Dramatic effect, 49 Drawing, 23, 182, 183, 195, 291 et seq. Drawings by old masters, 203 Dürer, Albrecht, 23, 106, 238, 240, 242, 250 Dutch houses, 44 Dutch painting, 25, 45, 123 156, 169, 193, 231, 233 et seq. Dyce, William, 269 Dyck, Anthony van, 11, 241, 252 Early Church, pictures of, 34 Edridge-Green, Dr. F. W., 196, 198 Effect: tonal, 19, 61 et seq.; pictorial, 67, 68 Egyptian reliefs, 90, 2x2 Elizabeth, Queen, 21 " Eliza Farren " (Lawrence), 262 " Embarking for Cythera " (Watteau), 29, 108. Emotionalism, 25, 50, 51 Empirical painting, 2, 3, 6, 14, 15, 21 English schools, 156 " Entombment " (Caravaggio), 57 Etching, 202 Even distribution in composition, 106 Everdingen, Allart van, 159 Experimental painting, 2, 3, 6, 14, 15, 21 Exploiters, 297 Eyck, Jan van, 133, 205, 206 Eye-to-eye gaze in portraits, 254 et seq. Facial expression in portraiture, 246 et seq. Falsification of tones, 55 et seq. Feeling, 135 et seq., 202, 292 " Fighting Téméraire " (Turner), 31 Figures to invoke a mood, 138 et seq. Fire as used on the stage, 74 " Fisherman's Hut " (Corot), 201 Flat treatment in decoration, 221 et seq. Flaxman, John, 285 Flemish painters, 230 " Flood, A " (Corot), 201 " Flora " (Titian), 239 Foreground objects, 45 et seq. Form, 82, 183 et seq. " Fountain, The " (Sims), 35, 36 Fra Angelico, Giovanni, 227 " Franciscan Monk " (Zurbaran), 56 Frith, William Powell, 27 et seq., 42, 96, 233, 234 Future of art, 305 Fuzziness, 170, 194, 199, 200 Gainsborough, Thomas, 160, 241, 246 Gamut of tones, 51 et seq. Genre, 18, 229 et seq. Géricault, Jean Louis André Théodore, 275 et seq. German colour, 83 German painting, 233 German school (early), 37, 238 Gesture in portraiture, 248 INDEX 311 Gilbert, Sir John, 138 Glare of sunlight, 53, 55 Goethe, 130 " Gold-changers, The " (Marinus), 230 " Gold-weighers, The " (Massys), 230 Good, Thomas Sword, 235 " Governors of St. Elizabeth's Hospital " (Hals), 251 Goyen, Jan van, 159 Gradation, 16, 67; of colour, 78, 207 " Grand Style, " 122, 214, 221, 239 Greeks, ancient, 214, 217, 224, 247 Guardi, Francesco, 195 Hals, Franz, 125, 205, 207, 242, 251, 252 Hampton Court Palace, 214 " Handling, " 204 et seq. High key, 48 et seq. " High Life and Low Life " (Land-seer), 35 Hill, David Octavius, 268 " Hireling Shepherd, The " (Hol-man Hunt), 119 Historical painting, 212 et seq. Hobbema, Meindert, 92, 93 Hogarth, William, 27, 28, 116, 123, 234 Holbein, Hans, 23, 242 et seq., 249 Hoogh, Pieter de, 25 " Hope " (Watts), 33, 34, 36 Horizon, 97, 225, 226; in portraiture, 261 Hugo, Victor, 143 Humanism, 17 Hunt, William Henry, 235, 236 Hunt, William Holman, 117, 119 Idealism, 113 et seq., 190 Impressionism, 116 et seq., 191 et seq., 284; in portraiture, 240 et seq. Impressions, 51, 53, 58 " Industrial Arts of War " (Leigh-ton), 219 " Inside of a Stable " (Morland), 49 Instantaneous photography, 274 et seq. Instinctive method of vision, 193 et seq. Intellectual painting, 50 Interior backgrounds, 263 et seq. Iphigenia (Goethe), 130 Iris, human, 48, 52 et seq. " Jean Arnolfini and his Wife " (Van Eyck), 205 Julius II., Pope, 213 Keene, Charles, 35 Key of colour, 71 Key of tone, 48 et seq. " King of Poland " (Rembrandt), 253, 254, 259. 261 Knaus, Louis, 232, 234 Kuhla Khan (Coleridge), 293 " La Fontaine " (Chardin), 235 " La Gioconda " (Leonardo da Vinci), 125 Landscape, 37; as school for colour, 81, 158 et seq. ; backgrounds, 263; scenic character in, 152 Landseer, Sir Edwin Henry, 34, 35 " Laughing Cavalier " (Hals), 125 Lawrence, Sir Thomas, 262 Lawson, Cecil, 46 Layman, 23 et seq. Leigh ton, Sir Frederick, 81, 219 Lely, Sir Peter, 239 Lenbach, Franz yon, 246 Leonardo da Vinci, 193, 260 Leyden, Lucas van, 230 Liber Studiorum (Turner), nr Light: concentration and diflusion of, 56; decomposition of, 23, 175 et seq. ; transmitted and reflected, 177 et seq., 209 Light and shade in portraiture, 249, 250 Likeness in portraiture, 240 Limelight of stage, 57 Linnell, John, 161 Literalism, 117, 133 Literary motive and interest, 26, 30, 3L 237 ' Loading, ' 205, 206 " Lord Heathfield " (Reynolds), 248, 263 " Losing and finding " in portraiture, 254, 259 " Love and Life " (Watts), 216 Low key, 48 et seq. " Low Life " (Landseer), 35 Lucas van Leyden, 230 Mabuse, Jan Gossart de, 10 Maeterlinck, Maurice, 130 Makart, Hans, 226 Malory, Sir Thomas, 150 THE APPEAL OF THE PICTURE Manet, Edouard, 6, 166, 173, 188, 192, 296 Marinus van Romerswaelen, 230 Masaccio, Guidi Tommaso, 10 Massed efiects, 64 Massys, Quinten, 230, 234 Mathematical proportions, 97 " Mediaeval Castle " (Hugo), 143 Mediaeval work, 224 Medical faculty, analogy of, 3 Mediums, 42 Medusa, 296 Meissonier, Jean Louis Ernest, 16, 43, 44, 115, 119 Menzel, Adolf, 3 Metsu, Gabriel, 234, 236 Michelangelo, 94, 122 et seq., 126, 214 Millais, Sir John Everett, 117, 119 Millet, Jean François, 25, 36, 125, 140, 141, 233, 236, 238 " Miraculous Draught of Fishes " (Raphael), 126 " Misers, The " (Massys), 230 " Miss A. M. Alexander " (Whistler), 265, 266 Mist as a qualifier of colour, 208 et seq. Modelling in portraiture, 250 Modern life as subject-matter, 219 Monet, Claude, 3, 6, 192, 296 Mood, 65 ei seq., 135 et seq. Morality in subject-matter, 25, 33 Morland, George, 49, 59 Moroni, Giambattista, 245 Morot, Aimé, 279 Mothers of painters in portraiture, 243, 264 Motive in art, 1, 2, 13, 14, 37, 116 " Mrs. Siddons " (Reynolds and Gainsborough), 248 Mucha, A., 285 Mummery, H. A., 169 Mural painting, 212 et seq. Music, progress of, 4, 5, 299 et seq. " Music Lesson, The " (Metsu), 234 Muther, Richard, 6, 230 et seq. Muybridge, Eadweard, 275 et seq. Naïveté, 80, 225, 288 " Narcissus and Echo " (Claude), 151 Narrative in painting, 22, 25 Naturalism, 50, 58, 88 et seq., 114 et seq., 121 et seq., 221, 296 Near objects, 45, 46 Netherlands, 6, 25, 231, 235 " Night Watch " (Rembrandt), 59 " Norham Castle " (Turner), 92 Nude, 215 et seq. " Officers of the Archers of St. George" (Hals), 251 Old masters: their colour, 10; their decorative work, 222 " Old Woman " (Rembrandt), 242 Orient, colour of, 210 Originality, 7, 8 Ostade, Adriaen Jansz van, 28, 235 Outline, 24; abuse of, 285 Painters' mothers in portraiture, 243, 264 Painting with a purpose, 116 Parallelism, in Parthenon frieze, 277, 278 Paton, Sir Noel, 269 Pattern, 19, 104: in portraiture, 253 Pauline Chapel, 123 Peasants in painting, 36, 37 Peppercorn, Arthur Douglas, 9 Percy, Bishop, 144 Personality in portraits, 239 Perspective violated, 225 Phidias, 115, 277, 278 Philip IV. (head) (Velasquez), 242 Photographs, 41, 52, 128, 129, 267 et seq. Photographs, instantaneous, 274 et seq. Physiological and psychological realism, 55 Pictorial effect, 67, 68 Picturesque, the, 143 et seq. Pigment primaries, 177 Pillar and curtain backgrounds, 263, 264 Piranesi, Giovanni Battista, 46, 155 Placing the head in portraiture, 11, 252, 253 Planes, horizontal and vertical, 164 Pleinairisme, 166, 169, 184, 284; in portraits, 240 et seq. Poetry, art of, 292, 293 Pointillisme, 174 et seq. Popularity of the finest art, 123 et seq. Portraits, 168 ; portraiture, 239 et seq. Post-impressionism, 167 Pre-Raphaelites, 123, 163, 269 Primitive ideas: of colour, 76; of composition, 86 et seq. Primitive man's vision, 197, 198 Psychological painting, 55 Public, the, 1 et seq., 12 et seq., 128 INDEX 313 Puvis de Chavannes, Pierre Cécile, 47, 219, 220 Quality, 202 et seq. Radiation, 109 Raeburn, Sir Henry, 241, 246 " Railway Station, The " (Frith), 29 " Rain, Steam and Speed " (Turner), 168, 170 Raphael, 3, 30, 94, 126, 255 Realism, 9, 55, 80, 113 et seq.; of Frith, 29 Recession of planes, 163 Reconstruction of episodes, 215 Reduced reproductions, 41 Reinach, Salomon, 278, 280 Rejlander, O., 268 Relation of tones, 49, 52, 53 Rembrandt, 3, 23, 51, S3. 54. 56, 59, 139, 233. 238, 241 et seq., 249, 251, 253, 254, 259 et seq., 265 Reputations of pictures, 121 Reynolds, Sir Joshua, 3, 4, 94, 239, 248, 263, 293 Richter, Adrian Ludwig, 231 " Rock of Ages, " 30 Rococo, 155 Rodin, Auguste, 131 Romantic, the, 143 et seq. Romerswaelen, Marinus van, 230 Rossetti, Dante Gabriel, 33, 117, 138, 204 Rousseau, Pierre Etienne Theodore, 10, 160 Royal Academy, 78, 184 Rubens, Peter Paul, 3, 122, 214, 221, 222 "Rübezahl" (Schwind), 153 Ruskin, John, 17, 227 " Saint Francis in Glory " (Sassetta), 89 " Saint Paul preaching at Athens " (Raphael), 255 et seq. Sargent, John Singer, 242 Sassetta, Stefano di Giovanni, 89 Scale, 41 et seq., 162 " Scapegoat, The " (Holman Hunt), 119 Scenic character in landscape, 152 Schoenberg, 299 et seq. Schwind, Moritz, 152, 238 Scriabin, 299 et seq. " Sensations " in art, 5 Sentiment, 22, 25 " Shipbuilder and his Wife " (Rembrandt), 265 " Shrimp Girl " (Hogarth), 26 ' Similarity with a difference, ' 91, 97 Sims, Charles, 35 Sistine Chapel, 213 Sistine " Madonna " (Raphael), 125 Size as a factor, 19, 39 et seq. " Sleeping Bloodhound " (Land-seer), 35 Sketch, the, 190, 191, 207 Skill, 292 et seq. Smooth painting, 205, 206 South Kensington Museum, 6 Space in design, 105 Spectrum, 177 et seq. Spenser, Edmund, 150 Stage fire, 74 Stage limelight, 57 Stags on engraved antler, 278 Stevenson, Robert Louis, 137 Still-life, 168, 230 Storey, George Adolphus, 243 " Street in a Town " (Van der Heyden), 194 Students, 7 Style, 122 Styles of composition, 100 Subject-matter, 19, 26 et seq., 34; of Turner, 32 Supremacy of an object, 87, 89, 90 Symmetry, 87 et seq. " Syndics of the Cloth Merchants " (Rembrandt), 251 " Tailor, Portrait of " (Moroni), 245 Taine, Hippolyte Adolphe, 123, 129, 130 Taste, 14 " Téméraire, The Fighting " (Turner), 31, 34, 36 Teniers, David, 28 Terborch, Gerard, 234 The Two Paths (Ruskin), 227 ' Three-colour work, ' 78 Titian, 71, 185, 226, 227, 239 Tonal effect, 19, 61 et seq. Tone, 48 et seq.; falsification of, S 5 et seq. Tradition, 8, 51 Transitory effects, 190 Truth, 15, 16, 24, 59 Turner, Joseph Mallord William, 3, 31, 32, si, S4. 73. 81, 84, 92. 102, 110, in, 114, us, "8. 133. 134. 166, 167, 170 et seq., 183, 184, 191, 270, 285 THE APPEAL OF THE PICTURE " Two Usurers " (Marinus), 230 Typical spectators and critics, 19 et seq. Ugliness, 37, 38, 294 et seq. " Ulysses deriding Polyphemus " (Turner), 84 Unities in old work, 9 Unity: of effect, 106 et seq. ; of interest in portraiture, 251 Van der Heyden, Jan, 44, 133, 194, I9S Van Dyck, Anthony, xi, 241, 252 Van Eyck, Jan, 133, 205, 206 Van Goyen, Jan, 159 " Vanity " (Titian), 239 Van Ostade, Adriaen Jansz, 28, 235 Vautier, Marc Louis Benjamin, 231 Velasquez, 3, 51, 54, 55, 56, 169, 191, 207, 241, 242, 249, 265 Venetian painters, 122, 222, 226 Verestchagin, Vasili Vasilievich, 116 Veronese, Caliari, Paolo, 226 " View of a Lake " (Turner), 112 " Village Green " (Bonvin), 55 Vision, methods of, 24, 199 Water-colour, 42, 43 Watteau, Jean Antoine, 29, 108 Watts, George Frederick, 32, 33, 43, 115, 204, 216, 220 ' Way out, ' 161, 162, 264 " Wedding Journey " (Schwind), 153 Whistler, James McNeill, 3, 264 et seq. Whitman, Walt, 293 Wilkie, Sir David, 25, 27 et seq., 234 Wilson, Richard, 170 Winckelmann, Johann Joachim, 17 Yellow, characteristics of, 72, 73 Zurbaran, Francisco, 55, 56, 57 |
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