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| Katkey: | 7571282 |
| Volltext: | Abell, W., 116 Abstract expressiveness, 139-40 Aesthetic experience, 3-28, 158-63 Aesthetic union, 15, 24-25 Aim of art criticism; see under Art criticism Alexander, S., 57 n. Ames, V. M., 215 n. Analysis of perception; see under Perception Appreciation of art; see under Art Aquinas, 5 Archimedes, 78 n. Aristotle, 5, 47, 215, 219 Arnold, 209 n. Art: appreciation of, 11-12, 19-20, 25, 27, 38, 51-52, 102-6, 118-19, 121-22, 131-32, 153, 158-63, 181-86, 188-89, 208-17, 228- 29, 236-39; broad cultural contributions of, 212-17; decadent, 224; directive, 204- 6, 208, 227; future of, 235-46; history of, 122-23; ideal of, 222-46; imaginative method in, 206-8, 227; national, 235-40, 244-45; philosophy of, xi-xiv, 173, 192- 93; presentational level of, 115-17, 137, 206; primitive, 29, 158, 223-24; recent, 230-46; in Russia, 82, 237-38, 242; as a social force, 204-17; and social life, 201- 46; specific cultural contributions of, 208- 12, 217; as a spiritual asset, 202-3; in the United States, 238-40, 242 Art criticism, 122, 161-63, 173-200, 201, 228-29, 236-37; aim of, 186-88; canon of, 176-200; phases of, 173-75, 191-92, 193, 194-95, 198-200; universal agreement in, 180-88, 199-200; uses of, 188-93 Asymmetry, 110, 114 Austen, Jane, 178 Bach, 121, 123, 125, 199, 224, 225 Baillie, R. A., 74 Balance, 110-14, 117, 131, 132 Barnes, A. C., 189 n. Baumgarten, A. G., 4 Beauty, 4, 45-49, 150-51 Beethoven, xi, 27, 48, 96-97, 100, 121, 122, 141, 185, 210, 214, 220, 224 Bell, C., 45, 116, 133, 148-49, 230-31 Bentley, E., 231 n. Bercnson, B., 91, 212 Bergson, H., 8 Berlioz, 93, 191, 236 n. Bizet, 157, 215 Blake, V., 120 n., 139 n. Blom, E., 74 n., 97 n., 123 n., 142 n., 143n. Bodmer, F., 244 n. Bogan, L., 142 n. Bowen, C. D., 66 n., 67 n. Brahms, 142 Broad cultural contributions of art; see under Art Bullough, E., 5-6 Camoin, C., 215 n. Canon of art criticism ; see under Art criticism Carlyle, 230 Casson, S., 74, 98 n. Cellini, 147 Centrality, 112-14, 117 Cézanne, 27, 62, 68, 79 n., 103, 150-51, 191, 215 n. Chambers, F., 43 n. Chandler, A. R., 98 n., 209, 231 n. Chopin, 191 Classicism, 41, 43 n., 168, 193-94, 198, 224- 25 Cognitive theories, 7-12, 151 Coleridge, 59, 60, 61 n., 93, 123, 208 Collingwood, R. G., 35 n. Conscious self-deception theory, xi-xiii, 35-37, 168-69 Constructivism, 231 Contrast, 110, 114 Corot, 125 Correggio, 47 Craven, T., 73 n., 231 n. Creative process, 27-28, 54-83, 93-94, 123 - 25, 190-91, 202, 213 Critical control, 65-69, 190-91 Croce, B., 8, 17, 41-46, 55-57, 75, 76 Dadaists, 43, 231 Dante, 11, 48, 68, 121, 205 251 252 A R T A N D T H E S O C I A L O R D E R Darwin, 212 n. Daumier, 205 David, 100 Debussy, 62, 100, 103, U7 Decadent art; see under Art Delacroix, 62, 183 Delia Robbia, 47, 100, 125 Development, 113-14, 117 Dewey, J., 214-15 Dickens, 43, 78 n., 178, 230 Dimensions, 38, 40, 49-50, 83, 87-169, 184 Directive art ; see under Art Doerner, M., 92 n. Donatello, 101, 140 Dostoevski, 48 Dreiser, T., 143, 178 Drew, E., 59 n., 144 n. Ducasse, C. J., 17 n., 35 n., 45 Edman, I., 215 n. El Greco, 48, 99, 121 Eliot, T. S., 67, 77 n., 234 Ellis, H., 214-15 Empathy, 14-17 Environment, xiii, 78-83, 201-46 Equilibrium, 110-11, 114, 132 Escape theory, xi-xiii, 35-37, 167-68 Euripides, 48 Expression, xiii, 33, 38-41, 41-44, 45, 74- 75, 89, 99-101, 105-7, 127-29, 136, 137- 56, 163-65, 182-83, 185-86, 198, 209-10; of personality, 140-43 Expressionists, 38-41, 41-44, 168, 231 Eyck, Jan van, 131 Feeling, xiii, 15, 18-20, 23, 39-41, 41-43, 45, 55, 90-91, 132, 137-40, 153, 164, 179, 185, 195-96, 199, 204, 210, 212-13 Fielding, 123, 178 Flaubert, 43 Form, 38-41, 41-42, 61, 74-75, 98-99, 105- 7, 108-36, 137-38, 145-46, 152-53, 154- 55, 156, 163-64, 177, 182-83, 184-85, 198, 200, 206-8, 210-11, 223-25, 243 Formalists, 38-41, 115-17, 147-49, 152-53, 168 France, A., 195 n. Freud, S., 37 Fry, R., 8, 116, 135 n. Function, xiii, 38-39, 64-65, 75-76, 101-2, 105-7, 129-30, 137-38, 146, 155, 156-69, 182-83, 185, 198-200, 218-22 Functional theory, xiii, 35-38, 166-69 Future of art; see under Art Futurism, 231 General-welfare state, 227-30, 235-46 Genetic theory, xiii, 35—38 Genius, 55, 67-68, 194 Gide, A., 234 Giorgione, 99 Giotto, 101, 110, 112-13, 120, 127, 145, 184, 225 Goethe, 47, 79 n., 149-51 Goldsmith, 178 Gorky, M., 237 Gotshalk, D. W., 109 n., 193 n. Goya, 48, 205 Gradation, 110, 114 Greene, T. M., 8, 96 n., 114 n., 126 n., 139 n. Griepenkerl, 191 Grosse, E., 29 n. Hardy, G. H., 31 n. Harmony, 109-14, 117 Harte, 119 Haydn, 30, 63, 103, 121, 125, 141 Hegel, xii Heidegger, M., 139n. Hemingway, E., 209 Hesiod, 209 Hierarchy, 113-14 Hogarth, 93, 205 Homer, 100, 209 Hook, S., 213 n. Hopkins, G. M., 133 Housman, A. E., 73 n. Hume, 193 Hutcheson, 193 Huxley, A., 68 n., 205 n., 209 Ideal of art; see under Art Imagination, 15, 18-20, 23, 45, 59-68, 91- 92, 132, 133, 137-39, 140, 152, 179, 195- 96, 204, 212-13 Imaginative method in art; see under Art Imagists, 43, 231 Imitation theory, xii, 32-35 I N D E X 253 Impressionists, 43, 168 Instrumental values, 26-27, 50, 97-102, 105-7, 126-30, 135-36, 145-46, 163-65, 176, 183-84, 189, 198, 223-24 Intellect, 17-20, 23, 45, 92-93, 132, 133, 204, 212-13 Intuition, 17-20, 23, 41-42, 45, 90, 132, 133 Jarrell, R., 43 n., 231 n. Jeffer y, G., 191 Jones, 28 Jordan, E., 217 n. Joyce, J., xi, 245 Kant, 5, 15, 17, 61, 133, 193-94 Keats, 104, 123 Knowledge, 7-12, 23, 31-32, 59, 149-52, 183-84, 191-93, 204, 219-20 Krikorian, Y. H., 134 n. Krutch, J. W., 128, 178 n. Laissez faire, 235-36, 239 Lanchester, E., 59 n. Langer, S., 29 n. Lawrence, D. H., 68 n. Lee, H. N., 11 n. Lee, V., 17 Leonardo, 55-56, 58, 64, 103 Lescaze, W., 168 n. Lewis, S., 143 Linton, R., 57 n., 80 n. Liszt, 125 Littlejohns, J., 59 n. Lowes, J. L., 59, 79 n., 208 Lubbock, P., 177 n. Lucretius, 205 Mann, T., 226 n, Marshall, M., 189 n. Marxists, 79, 195 Materials, 38-39, 54-57 , 69-79, 87-107, 108, 126-27, 137-38, 145, 154-55, 156, 163-64, 181-82, 185, 198-200, 210-11, 227, 242-46 Matisse, H., 98, 234 Maugham, W. S., 59 n. Mecb, B. von, 66 n., 67 n. Mechanical aspect of perception; see under Perception Medicinal values, 47, 218-22 Mencken, H. L., 195 n. Mendelssohn, 47 Mestrovic, L, 74, 234 Michelangelo, 14, 48, 62, 74, 100, 125, 127, 135-36, 140, 147 Milton, 68, 72 Modulation, 110, 114 Monet, 103 Moore, G., 194 Morris, B., 186 n. Morris, W., 230 Mozart, 58, 66, 68, 78 n., 103, 122, 135-36, 141, 147, 185, 210, 214 Münsterberg, H., 15 Mnnro, T., 130 n., 189 n., 212 Nahm, M., 213 n. National art; see under Art Nature, 31-35 Newman, E., 121 n. Nietzsche, 47, 157, 215 Nonaesthetic functions, 157-58, 164-69, 185, 218-22, 225-26, 228-29, 236, 239 Object centrality, 4-5, 15-16, 24 Objective phase of creation, 69-78 Offenbich, 47 Ogden, C. K., 133 n. Oud, 100 Over-all design, 117-20, 131-36 Palladio, 193 Parker, De W., 89 n., 114 n. Parkhurst, H. H., 24 Partisan perception; see under Perception Pater, 194 Pepper, S. C., 8, 114 n., 186 n. Perception; analysis of, 17-23, 50-53; mechanical aspect of, 17-21, 23; partisan, 13-14, 17; physiology of, 21; tefic aspect of, 17, 21-23 Personality, 22, 23, 61-65, 137-38, 140-43, 178-79, 212-13 Phases of att criticism; see under Art criticism Phidias, 227 Philosophy of art; see under Art Picasso, P., 234 Plasticity of materials, 95-97 Plato, 8, 33-35, 134, 214-15 Play theory, xi-xiii, 35-37, 168 254 A R T A N D T H E S O C I A L O R D E R Poe, 62, 79 n., 104, 119 Polyclitus, 193 Pope, 62 Posit) vists, 149-52 Postimpressionists, 43 Practical activity, 5-7, 29-31, 166-69, 218- 22 Prall, D. W., 8, 114 n., 180 n. Praxiteles, 145 Pre-Raphaelites, 43 Presentational level of art; see under Art Primitive art; see under Art Psychical distance, 5-6, 88 Psychoanalysis, 37, 79, 195 Psychologism, 169 Pushkin, 82, 237-38 Putnam, B., 59 n., 74 n. Pythagoreans, 215 Raphael, 48, 99 Ravel, 127, 199, 234 Read, H.s 230-31, 236 n. Realists, 43, 232 Recent art; see under Art Recurrence, 110-14 Relational theory, xii-xiv, 29-53, 106, 168- 69, 201-2, 232 Rembrandt, 92 Renoir, 103, 105, 116 Repetition, 110-14 Representation, 33, 115-17, 140, 147-49 Rhythm, 111-12, 132 Ribot, Th., 59 n., 66 n., 78 n. Richards, I. A., 61 n., 133 n., 212 n. Rimsky-KorsakofF, 100, 103 Rodin, 27, 62, 79 n., 115 Romanticism, 41, 42-43, 47, 79-80, 81, 168 193-98, 199, 214, 224-25, 230-31 Rourke, C., 243 n. Royce, J., 58 n. Rubens, 125, 127, 184 Rude, 146 Ruskin, 12, 191, 230 Santayana, G., 55 n., 73, 96 n., 215, 228-29 Saroyan, W., 79 n. Sartre, J. P., 139n. Schoen, M., 59 n., 72 n. Schoenberg, A., 245 Schopenhauer, 7, 47 Schubert, 191 Schumann, 127 Science, 7-11, 31-32, 149-52, 191-93, 194- 95, 233 Self, 15, 22, 23, 26-27, 202-3, 212-14 Sensation, 17-20, 45, 88-89, 132, 133, 204, 212-13 Sensitivity, 59-60, 61-65, 179, 183-84 Sensual experience, 15-16 Shakespeare, 12, 65, 101, 185, 206, 237-38 Shelley, 147, 220 Significant form, xiii, 39-41, 147-49 Skopias, 48 Smith, L. P., 27 n., 73 n. Social expressiveness, 143-44, 198 Socrates, xii, 33-35, 149-52, 209 Sophocles, 185 Specific cultural contributions of art; see under Art Spengler, O., xii Spingarn, J., 193 n. Spirit, 25-26, 42, 55-57, 72, 93-94, 202 Spiritual value, 25-26, 202-3, 223-26 Stauffer, D. A., 82 n. Stein, L., 8, 15 n., 26, 55 n., 114 n. Steinbeck, J., 189 n. Strauss, J., 48 Strauss, R., 100 Stravinsky, I., 48, 234 Stream-of-consciousness, 43, 231 Subject, 64-65 Subjective phases of creation, 55-56, 58-69, 82-83 Subjectivism, 42-44 Sullivan, L., 93 Surrealists, 43, 66, 68 n., 231 Swift, 205 Symbolists, 43 Symmetry, 110, 114 Taine, 79, 195 Taste, 67-68, 193-94 Technique, 47-48, 71-73, 140-43, 226, 227, 242-46 Temperament in criticism, 182-88, 199-200 Terminal Values, 25-26, 49-50, 102-7, 130- 36, 146-53, 165-66, 176, 181-83, 184-86, 198-200, 223-24 Theme and variation, 110, 114 Tintoretto, 103, 120-21 I N D E X Titian, 98, 121, 147 Tolstoy, 4, 45-46, 72, 147, 205, 206 Tovey, D. F., 133 Truth 11-12, 48-49, 149-52, 185-86, 209- 10 Tschaikowsky, 66-67, 69, 128 Turner, 191 Type designs, 120-25 Unconscious, the, 65-69, 190 Universal agreement in art criticism; see under Art Criticism Uses, of art criticism; see under Art criticism Utility, 29-30, 220-22 Value, 49-53 Van Gogh, 73, 103, 138 Velasquez, 147, 220 Véron, 45, 55 n. Verrocchio, 140, 145 Vivas, E., 134 n. Vorticists, 43, 231 Wagner, 63, 98, 113, 121, 142, 146, 157 n., 210 Wassermann, J., 78 n. Watteau, 11 Webb, B., 238 n. Webb, S., 238 n. Weber, 191 Weismann, 78 n. Wharton, E., 142 Whistler, 73, 230 Whitman, 27-28, 79 n., 98, 104, 121 Wilenski, R. H„ 59 n. Williams, F. E., 238 n. Wilson, E., 78 n., 82 n., 238 n Wish-fulfilment, 37, 51, 157 Wittgenstein, L., 180n. Wolfe, T., 73 n. Wood, J., 133 n. Wordsworth, 104 World art, 240-46 World society, 240-46 Worringcr, Wi, 128 n. Wright, F. L., 234 Yasser, J., 244 Zadkine, 104 |
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