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Volltext:INDEX Abstraction, see Analogy Addison, J., 8 n. Adhémar, J., i n. Aesthetic attitude and judgement, 58-60, 89-91, 121-4 contrasted with judgements of literal interest, 56-60, 78, 87-91, 102 contrasted with judgements of gratifica­tion, 20-1, 77 contrasted with logical or cognitive judgement, 8 n., 20, 22, 25-8, 41, 90, 118-20, 122 ; and see Concepts, exclusion from aesthetic judgement intersubjectivity of, 8-9, 12, 17-20, 21, 43-5 Alberti, L. B., 1 n. Alewyn, A., 49 n. Analogy, 3, 5, 9, 17, 20, 21-2, 24, 30-1, 44, 56-60, 61-9, 82-9, 118, 124; and see Vorstellungen and ambiguity, 31, 61, 70-1, 74-6 related to abstraction, 25-7, 74, 90, 100, 118-19; and see Aesthetic attitude and judgement contrasted with logical or cognitive judgement, and Perception Apperception : impact of past experience on present, 65-6 transcendental, 12-17, 47-8 Architecture, 23, 106 Arcimboldo, G., 76 Aristotle, 4, 7, 45 Art: abstract, 5, 23 coherence of the category, 53, 57, 59-60, 72. 123-4 criteria for demarcation of its interest, 1-6, 102, I2i ; and see Aesthetic attitude and judgement human importance of, 9, 28, 38, 47, 53, 121-2 special use of perception, see Perception, special use in art, and Analogy subject matter, 1-3, 6, 9, 104; essence of work as, 109-10; inanimate nature as, 42-6; opposed to formal order, 23-5, 43, 45; related to perception, 28-32, 42-6, 101-3; related to perception and attitudes, 32-4, 52, 53-60, 89-91 Attitudes in art related to perception and subject matter, 5, 32-4, 53-60, 89-91, 121-4; and see Aesthetic attitude and judgement Barchudarian, J., 68 n. Baudelaire, C., 102, 124 Bäumler, A., 7 n., 49 n. Baxandall, M., 1 n. Beauty, 2 n., 8 n., 10-11, 16 n., 27, 37, 74, 77, 108; as image of self-determination, 39-41, 105-6 Beck, L. W., 7 n. Bell, C., 124 n. Bergson, H., 102 Biemel, W., 26 n. Boulton, J. T., 9 n., 18 n. Brett, G. S, , 64 n. Buchdahl, G., 14 n. Bunyan, J., 8 n. Burke, E., 8-9, 18 n., 28, 44, 89 Burke, J., 8 n. Canova, A., 43 Castagnary, J. A., 2 Causal laws, 15, 95, 97-8 Cézanne, P., 1 Concepts: exclusion from aesthetic judge­ment, 21-7, 32, 39-41, 99-103, 123; and see Aesthetic attitude and judge­ment, contrasted with logical or cogni­tive judgement linked to pragmatic attitude, 101, 122-3 related to perception (in Schopenhauer), 95, 101, (in Fiedler), 113-14 Correggio, A., 8 n. Croce, B., 123, 125 Cubism, 76 Daumier, H., 103 Decorum, 1-3, 7, 23-4, 109-10 Detachment, 5, 46, 49, 52, 53-60, 77-79, 89-91, 122 Diderot, D., 1 n., 2, 8, 58 Dobai, J., 40 n. Donatello, 88-9 Dramatic irony, 4, 77-8 Elliott, R., 17 n. Elton, W., 124 n. Empathy, 105-8 Euclid, 8 n. Faensen, H., 111 n. Félibien, A., 1 n. Fichte, J. G., 48 n., 51 n. 128 I N D E X Fiedler, K., 81, 82, m-20 Finke, U., 6 Flaubert, G., 122 Freedom : as coincidence of receptivity and spontaneity, 42, 44-6, 49-60, 121 as reason opposed to nature, 33, 36-9 metaphors of, 39-41, 43, 45 of imagination unconstrained by con­cepts, 22-6, 28-32, 39-41 susceptible to curtailment from both reason and nature, 42, 49, 121 Freud, S., 34, 108 Fry, R., 102-3, 124"., 125 Gaddi, A., 89, Plate VI Gardiner, P., 92 n. Goethe, J. W., 56, 58, 59, 78 Gombrich, E. H., 86 n., 124 n. Hampshire, S., 123 n. Harmony: musical, 5, 7, 62, 64, 66, 72, 105 ; as model for perceptual ordering, 66 of colour, 64, 88 of the faculties (in Kant), 11-17, 30-1 of perceptions generally, 70-2 of personality, 42, 47, 52-60, 61 Helmholtz, H., 84 Herbart, J. F., 16 n., 20 n., 60, 61-79, 80-1, 86, 87, 89, 92, 107, 1x2, 117, 123 Hildebrand, A., 80, 82-91, 111, Plate II Hogarth, W., 8, 40 n. Holt, E. G., 2 n., 7 n. Humboldt, W. von, 113 Hume, D., 8 Ideal forms, 1-2, 7, 29 Ideas : perceptual, see Vorstellungen Platonic, 1 ; in Schopenhauer, 97-9, 104- 5, 109 Illusion in painting and sculpture, 58-9, 81-9 Inhibition and fusion of perceptions, 62-9 Intersubjectivity, see Aesthetic attitude and judgement, intersubjectivity Kant, I., 6, 7-35, 36-7, 39, 49, 51 n., 61, 89, 100-1, 119, 121-3, 124 n., 125 contrasted with Schiller on aesthetic ideas, 45-6 contrasted with Schiller on moral ideal, 42, 45-6 contrasted with Schiller on relation of moral state to play of perception, 53, 122 faculty psychology criticized by Herbart, 61, 67, 81 Knowledge, 10, 12, 69; linked to art, 7-9, 37, 99. m, 113-14; and see Aesthetic attitude and judgement, contrasted •with logical or cognitive judgement, Perception, veridicality of, and Systema-ticity Körner, C. G., 39, 40 Lange, F., 94 n., 119 Language, use in literature, 77-9, 119-20 comparison with vision, 115-20 limitation of, 101, 113-15, 117 iMocoon, 43 Laughter, 33-4 Lee, R. W., 1 n. Leibniz, G. W., 29, 61, 63, 68 n. Lenz, J. W., 8 n. Leonardo da Vinci, 75, Plate I Lichtenstein, R., 76 n. Lipps, T., 107 Literature, see Language, Tragedy and Dramatic irony Locke, J., 61 Logical subject, 10, 17, 50-1 n., 62, 64, 66-9, 93-4 Lomazzo, G. P., 7 n. Lotze, H., 20 n., 108 n. Macbeth, 3 Mallé, L., x n. Mantegna, A., 75, 76 Margolis, J., 124 n. Matthisson, F., 42 Mendelssohn, M., 18 Metaphor, see Freedom, metaphors of Meyer, Herman, 49 n. Michelangelo, 8 n. Milton, J., 8, 28, 89 Monet, C., 88, Plate V Morality and art, 7, 8, 28, 33, 36-42, 43, 108; see also Aesthetic attitude and judgement, contrasted with moral judgement, and Freedom Multiplicity in unity, see Analogy and Unity Music, 23, 43, 57-9, 103, 105-6, 108-9 Nivelle, A., 7 n. Nochlin, Linda, 2 n. Oedipus Rex, 56 Ogilby, J., 8 n. Painting, see Art, subject matter; Percep­tion, special use in painting and sculpture; Illusion in painting and sculpture Palestrina, G. P., 119 Panofsky, E., 1 n., 7 n. Parent, A., 40 n. Parthenon frieze, 83, Plate III I N D E X I29 Perception : general account by Kant, 12-15, by Herbart, 61-71; by Schopenhauer 92-6, 104; by Fiedler, 111-12; see also Vorstellungen of space, 62, 80-8, 95, 10} special use in art, 3-5, 9, 27-35, 42-6, 47, 49-53 56, 72-9, 81, 112-15; related attitude and subject matter, 32-5, 46, 53-60, 89-91; with reference to litera­ture, 56-7, 77-9, 119-20; with reference to painting and sculpture, 58-9, 82-9, 102 veridicality of, 68, 70, 95 Perfection, see Teleological judgement Peters, R. S., 64 n. Picasso, P., 76 n. Piero della Francesca, 88-9, Plates VII & VIII Plato, see Ideas Poe, E. A., 110 Poussin, N., 7 n. Presentations, see Vorstellungen Principle of Sufficient Reason, 94-6, 97-9, 103-4, 106-7 Psycho-physical parallelism, 94 Purposiveness, see Teleological judgement Raphael, 7, 8 n., 119 Relief sculpture, 82-7, 88-9 Rembrandt, 87, 103, Plate IV Reynolds, J., 7 n. Richard III, 38 Schiller, F., 34, 36-60, 61, 89-91, 117, 121-2 Schopenhauer, A., 91, 92-110, 111, 119, 121-4 Schrecker, P. and A. M., 29 n. Serpentine line, 39 n., 40, 107 Seurat, G., 88 Seznec, J., 1 n. Sibley, F., 124 n. Somer, R., 7 n. Spieltrieb, 49, 53, 57, 73; see also Analogy and Freedom, coincidence of receptivity and spontaneity Steinthal, H., 112-13, i15~x7 Strawson, P. F., 14 n. Subject matter, see Art, subject matter Sublime, the, io-n, 17 n., 27-33, 44 55 Substance, see Logical subject Systematicity, ideal of, 15-16, 18, 30, 63, 68-9, 114 Taste, see Aesthetic attitude and judgement Teleological judgement, 18 n., 22-3, 37, 39 n., 41 ; see also Systematicity Thoré, T., 2 Titian, 1 Tragedy, 3, 4, 5, 36-9, 57 Transcendent entities, 11, 28-9, 93, 117, 122; and see Ideas, Platonic Tristram Shandy, 87 Unity : of experience in general, 12-16, 20 n., 48, 68-9; and see Systematicity of presentations in the mind, 63-6, 68-9 of works of art, 3-6, 17, 25-7, 30-1, 41, 85-7; and see Decorum Urmson, J. O., 124 n. Vasari, G., 7 n. Vernet, Horace, 102 Veronese, P., 2 Vischer, R., 107 Volkelt, J., 108 Vorstellungen (ideas or presentations) : as starting concept for inquiry into the mind, for Kant, 9-10, 12-13; for Herbart, 61-3 ; for Schopenhauer, 92-4; for Fiedler 111-12 heterogeneous and homogeneous, 63-4 interaction of, 64-79, 8o_9 whether qualities or objects, 64, 66-9 Wahrscheinlichkeit, 52 Walzel, O., 48 n. Wark, R. R., 7 n. Weiler, G., 116 n. Wiese, B. von, 36 n. Wilkinson, E. M., 47 n., 54 n. Willoughby, L. A., 47 n., 54 n. Wittgenstein, L., 125 Wolff, R. P., 17 n. Wollheim, R., 86 n. Wordsworth, W., 44 Wundt, W., 80, 82, 94 n., 107, 112, 117 n. Zimmermann, R., 16 n., 20 n., 68 n. Zimmerman, R. L., 17 n.
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