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| Katkey: | 7376523 |
| Volltext: | INDEXES NAME INDEX Allen, Grant, 17n Aquinas, St. Thomas, 51, 167 Aristotle, 29, 51, 90, 159, 160, 174, 193 Arnold, Matthew, 89, 133 Avicenna, 9 Bach, J. S., 8, 18n, 27, 37, 78, 89, 96, 123, 143, 145, 162, 188, 191 Baldwin, James, 132 Beethoven, Ludwig van, 3, 8, 27, 75 84, 143, 175 Bell, Clive, 18n, 50 Benton, Thomas Hart, 8 Berenson, Bernard, 101 Berg, Alban, 157 Bergson, Henri, 158, 160 Berkeley, George, 86 Blake, William, 163, 166 Bloch, Ernst, 192 Boas, George, 67-69 Böcklin, Arnold, 166 Bosch, Hieronymous, 167 Bouguereau, Adolph, 88 Brahms, Johannes, 12, 31, 35, 89, 104, 160 Breughel, Peter, 3 Browning, Robert, 89, 129, 142 Bruckner, Max, 14, 143 Buddha, 16, 110, 187, 190f Bullough, Edward, 12, 87, 88, 94n Burke, Edmund, 161 Burns, Robert, 35 Butler, Joseph, 131 Byron, Lord, 166 203 204 PHILOSOPHY OF ART Cage, John, 141 Calder, Alexander, 111 Camus, Albert, 132, 182 Caravaggio, M., 35 Carlyle, Thomas, 35 Carrère, Jean, 132 Carroll, Lewis, 32, 159 Casals, Pablo, 37, 62n Cezanne, Paul, 103 Chatterton, Thomas, 164 Chaucer, Geoffrey, 86, 123 Cocteau, Jean, 129 Coleridge, S. T., 6, 73, 125, 129 Collingwood, R. G., 38n, 53 Corinth, Lovis, 88 Cot, Pierre, 87 Crane, Stephen, 132 Croce, Benedetto, 52f, 67, 83, 156, 157 Cunningham, Merce, 87 Dali, Salvador, 85, 98 Dante, 37, 78, 161, 191 Danto, Arthur, 38n Daumier, Honore, 26, 102, 181 Da Vinci, Leonardo, 67, 191 Debussy, Claude, 166 de Chavannes, Puvis, 88 Decroux, Etienne, 147 Defoe, Daniel, 132 Degas, Edgar, 106 Delacroix, Eugene, 102 Delius, Edward, 34 Dessoir, Max, 34, 104 Dewey, John, 2, 23, 54f, 58, 60n Dickens, Charles, 132, 175 Dickie, George, 25 Dickinson, Emily, 50, 133 Donatello, Niccolo, 107, 109 Dostoevsky, Feodor, 82 Dreiser, Theodore, 132 Duchamps, Marcel, 101 Duncan, Isadora, 149 Dryden, John, 86, 181 Dwight, John, 67 Edman, Irwin, 55, 139 Eliot, T. S., 129 Facett, James, 15 Fechner, Gustav, 28 Felicien-Rops, L., 176 Fellini, Frederico, 136 Fields, Eugene, 84 Fokine, Michel, 149-50 Forster, E. M., 152n French, Daniel, 110 Freud, Sigmund, 39n, 158 Fry, Roger, 50, 78, 79, 103 Galsworthy, John, 14, 132 Gauguin, Paul, 32, 98 Gilson, Etienne, 34, 39n, 79, 174 Ginsberg, Allen, 158 Goethe, J. W., 9, 10, 78 Goodman, Nelson, 88, 94n Gorky, Maxim, 54 Gotshalk, D. W., 55 Graham, Martha, 149-50 Greene, Theodore, 88, 117, 124, 146 Grey, Thomas, 164 Griffes, Charles T., 145 Groos, Karl, 48 Grosz, George, 156, 159 Grünewald, Matthias, 98 Guest, Edgar A., 84 Hartshorne, Charles, 5, 17n Haydn, Franz J., 158 Hazlitt, William, 135 Hegel, G. W. F., 51, 160, 193f Heidegger, Martin, 51 Heine, Heinrich, 128 Herbert, George, 125 Hirn, Yrjö, 56 Hochhuth, Rolf, 181 Hocking, W. E., 190 Hogarth, William, 157, 166 Holmes, Oliver W., 77 Homer, Winslow, 97 Honegger, Arthur, 6 NAME INDEX 205 Hugo, Victor, 125 Hume, David, 80-81 Humphrey, Doris, 151 Ibert, Jacques, 89 Ingres, J, A. D., 102 Jesus, 110, 188 Joyce, James, 4, 132, 157, 178 Jung, Carl, 74 Kandinsky, Wassily, 104 Kant, Immanuel, 49-50, 99, 158, 161 Keats, John, 16, 30, 50, 77, 129 Kilmer, Joyce, 73 Kreisler, Fritz, 164 Lange, Konrad, 56 Langer, Susanne, 53, 151 Langfeld, H. S., 12 Lear, Edward, 32, 159 Le Corbusier, Charles, 117 Lee, Vernon, 47, 60n Leibniz, G. W., 160 Lessing, Gotthold, 12 In Lipatti, Dino, 10 Lipps, Theodor, 10, 47 Liszt, Franz, 84, 166 Longfellow, Henry W., 89, 127 Longinus, 161 Longman, Lester, 169, 170n, 185n Lowell, Amy, 6 MacLeish, Archibald, 7 Maeterlinck, Maurice, 93n Mahler, Gustav, 142 Malraux, André, 120n Mann, Thomas, 11 Marceaux, Marcel, 147 Maritain, Jacques, 51f, 58, 90 Matisse, Henri, 24, 38n, 39n, 88, 102, 192 Maugham, Somerset, 66, 183 Mendelssohn, Felix, 78 Meredith, George, 158 Messiaen, Olivier, 192 Michelangelo, 42, 67, 68, 106, 110, 156, 187, 188, 191 Miller, Arthur, 69 Milton, John, 13, 35f, 81, 129, 131, 161, 178, 191 Mondrian, Pieter, 102, 104, 157 Moore, Gerald, 16 Moore, Henry, 111 Morris, William, 23, 183 Mossolov, Alexander, 6, 175 Mozart, Wolfgang A., 6, 35, 142, 159 Munro, Thomas, vi, 39n, 56, 62n, 162 Murillo, Bartolome, 102 Mussorgsky, Modeste, 24, 145 Nash, Ogden, 77 Niemeyer, Oscar, 116 Nietzsche, F, , 35, 160, 166 Ogilby, John, 81, 86 Oldenburg, Claes, 30, 111 Orozco, J. C., 103 Ortega y Gasset, José, 13 Paganini, Nicolo, 84 Passmore, J. A., 58 Pepper, Stephen, 14, 15, 18n, 80 Pevsner, Antoine, 111 Picasso, Pablo, 24, 79, 103 Pinter, Harold, 8 Pissarro, Camille, 98 Plato, 53, 90, 140, 144, 160, 173-75 179, 193 Plotinus, 193-94 Pollock, Jackson, 100, 157, 175 Ponti, C., 113 Pope, Alexander, 6, 66, 127, 165 Praxiteles, 110 Prokofiev, Sergei, 54, 164 Proust, Marcel, 132 Rachmaninoff, Sergei, 89 Ravel, Maurice, 144 Read, Sir Herbert, 50, 62n, 101 206 PHILOSOPHY OF ART Reger, Max, 166 Rembrandt, 102, 103 Renoir, P. A., 34 Rilke, Rainier Marie, 104 Rimsky-Korsakov, N., 24 Rivera, Diego, 99, 103 Rodin, Auguste, 3, 107, 109, 110 Rostand, Edmond, 135, 159 Rouault, Georges, 51 Rousseau, J. J., 165 Rubens, Peter Paul, 35 Ruskin, John, 23, 32, 70, 196n Sachs, Curt, 146 Saint-Saëns, Camille, 79 Santayana, George, 45-47, 57, 58, 90, 160, 174 Sargent, John Singer, 99 Sartre, Jean-Paul, 111, 132 Schiller, Friedrich, 56, 170n Schönberg, Arnold, 140-41 Schopenhauer, Arthur, 139, 160, 193 Schubert, Franz, 142, 143, 145, 166 Scott, Geoffrey, 118 Service, Robert W., 77 Seurat, Georges, 11 Shakespeare, William, 22, 27, 31, 37, 69, 78, 80, 96, 126, 127, 135, 159 Shelley, Percy Bysshe, 128 Sheridan, Richard B., 137 Sinclair, Upton, 132, 181 Smith, David, 108, 111 Smith, Lillian, 181 Sousa, J. P., 15 Sparshott, Francis, 157 Spencer, Herbert, 56, 132 Spenser, Edmund, 128 Stockhausen, Karlheinz, 141 Stowe, Harriet Beecher, 175 Strauss, Richard, 31, 104, 145, 157 Stravinsky, Igor, 24, 66, 138, 150, 166 Swift, Jonathan, 159 Swinburne, Algernon, 84 Tchaikovsky, Peter I., 4, 85, 166 Tennyson, Alfred Lord, 85, 127, 129 Thackeray, W. M., 157 Thorwaldsen, Bertel, 110 Tolstoy, Leo, 53, 55, 58, 70, 89, 90, 92n, 175, 182 Trollope, Anthony, 132 Turner, J. M. W., 31, 167 van der Rohe, Mies, 117 Van Gogh, Vincent, 13, 56, 75, 102 Varese, Edgar, 141 Vaughan-Williams, Ralph, 166 Verdi, Giuseppe, 86, 180 Verlaine, Paul, 89 Vermeer, Jan, 22, 101 Vigeland, Gustav, 111 Virgil, 127 Volkelt, Johannes, 47 Von Weber, Carl Maria, 165 Wagner, Richard, 11, 31, 35, 79, 123, 143 Warhol, Andy, 25 Webern, Anton, 152n Weitz, Morris, 43f, 170n Whitman, Walt, 128 Whittier, John G., 80 Wilde, Oscar, 90, 174 Wilson, K. M., 126 Wittgenstein, L., 75 Wordsworth, William, 165 Wright, Frank Lloyd, 116, 119 Yeats, William Butler, 79 Ziff, Paul, 38n Zola, Emile, 132 SUBJECT INDEX 207 SUBJECT INDEX Absolutism, 70f Abstract Expressionism, 102, 104 Abstraction in the dance, 151 in painting, 103-104 in sculpture, 105 Aesthetic experience, 1-18, 113 Aestheticism, 182 Aesthetics, scientific, 25f and analysis, 21 and experimentation, 28-29 as a science of intuition, 52 Analytical philosophy, 2If, 51 Architecture, 31, 112-19 city planning, 116 its limitations, 114 its uniqueness, 114 light in, 116f and mere buildings, 118f religious motives in, 190 technical factors in, 115 Art contrivances in, 85 and crafts, 22-23, 55 its effects on personality, 179-80 humanitarian possibilities in, 90, 184 and metaphysics, 189f, 192-95 moral values of, 53f, 173-75 and psychoanalysis, 56, 62n and religion, 187-89, 190-92 and suffering, 195 and upper class decadence, 53, 54 and the wealthy, 183 Artists moral sense of, 182ff and social criticism, 181 f subtle controls over, 180-82 timidity in face of pressure, 181 Assemblages, 111 Avant-garde, 176, 185n Awe, 195 See also Exaltation Ballet, 77, 148-50 Baroque, 162, 170n, 179 Beauty, 49, 51 as integrity, 51 and religion, 190-92 as a type, 156-58 Biographies of artists as irrelevant, 34-35, 39n, 56-57 Bodily response to art, 9-10, 17n Censorship, 176-79 and other controls, 180-82 Ceramics, 112 Choreography, 149 Cinema, 136-37 Circuses and art, 83f, 85, 93n Classical "orders, " 117 Classicism, 165 Cognitive theory, 50-52 Colors, centrality, 100-101 modes of, 101 in relation to emotions, 5-6 in sculpture, 106-107 Comic, the, 158-59 Contrivances, 85, 87, 112 Crafts, 22-23, 97 Creativity in art works, 34-36, 152n, 176 of artist, 51 in drama, 135 need for freedom in, 54 Cubism, 103 Cultural conditioning, 68-69, 74-75 Dadaism, 38n, 126, 152n, 163 Dance, 146-51 and acrobatics, 147 and music, 150 and religious motives, 190f 208 PHILOSOPHY OF ART Design in architecture, 119 emotional elements in, 103 in painting, 102f and subject matter, 103f Desire, 46, 68, 73 Doggerel, 82 Drama, 133-37 and creativity, 135 Emotion, 4-6, 110 in music, 141 f and observer's response, 89 Empathy, 10-11, 57, 146 as a theory of art, 46-48 Entertainment, 83f, 85, 130, 148, 184 Exaltation, 15-17, 18n Existentialism, 167 Experimentation, 167 Expressionism, 167 Expression theory, 52-53, 58, 61n in the dance, 150 Formalism, 43, 48-50, 57 Freedom and order, 128, 149, 168 Fusion, 14 Gymnastics, 147 Humanitarian interests, 53, 90, 184 Ideas, 7-9 Images, 6-7 Imagination, 177-78 Imagists, 6 Impressionism, 166, 167 Intellectualistic theory, 50-52 Intention, 35-36, 56 Intuition, 52, 58 Judging, 72, 75, 77 dangers in, 94n history of, 78 as independent, 79 as making claims, 76f as more than mere taste, 77 questions relevant to, 85f as temporal, 80 and uniqueness of works, 76f Kinaesthetic response, 9, 48 Laughter, 158-59 Leitmotivs, 11 linear effects in architecture, 117 in painting, lOOf Literature, 124-33 Logic of works, 32-33 Marxism, 54, 175, 184, 189 Mass media, 184 Metaphysical views and art, 189f, 192-95 Moral sense of artists, 182-83 Moral values, 173-75 Music, 137-46 and dance, 150 and poetry, 128-29 pure and program, 143-45 and religion, 191f Nature, 19, 161, 165 Non-objective art, 104, 107, 138, 145 Objectivism, 76-85 Objets trouvé, 22, 25, 58 Onomatopoeia, 126f Op art, 9, 48 Opera, 133, 145, 157, 165, 166 Origin of art, 56f Painting, 96-104 as abstract, 103 centrality of color in, lOOf contrasted with sculpture, 109, 110, 121n design in, 102-103 effect of lines in, 101 f as more than illustration, 97 non-objective, 104 and religion, 191 techniques, 100 types of, 103f Pantomime, 146f, 149 Performances, 36-37 SUBJECT INDEX 209 Play theory, 56 Pleasure theory, 42, 45-46, 60n Poetry, 125-29 compared with music, 128-29 and freedom, 129 meter in, 127f and religion, 191 sound values in, 125f Pointillism, 11 Political effects of art, 54, 69, 175 Polyphony, 144-45 Pop Art, 85 Pragmatism, 54-55 Pre-Raphaelites, 93n Prose, 130-33 its qualities, 131f Psychedelic art, 163 Psychic distance, 12-13, 107, 135 Pythagoreans, 29, 139, 193 Radio and television, 7, 137 Rebelliousness, 167-68, 182 Relativism, 66, 68, 71, 74 Religious motives in art, 190f Religious perspectives, 187-89 Repetition, 86, 87 Representationism, 96-98, 105, 109, 114, 138 Rhythm, 127-29 in the dance, 147-48 in music, 144 Romanticism, 164-65 Scales, musical, 139f Sculpture, 104-12 and color, 106 its limitations, 105 as a minor art, 109 and tactile values, 108 Sensationalism, 84 Sensations, 2-4, 5, 58, 89 organization of, 49 as values, 30, 46 Sense medium, 2-4, 89 Sentiment, 84, 93n Sex and censorship, 178f Significant form, 50, 103, 120n Social utility, 114, 119 Society and art, 70, 183-84 Sounds and noises, 139f Sound values, 2-3, 125-27, 139 Standards of art, 65-91 as allegedly absolute, 70f how derived, 8 Iff as objective, 76-91 perfect clarity of a false ideal, 87 and social conditioning, 68-69, 73f and social conservatism, 69f and various prejudices, 79f Styles, 163-64 Subjectivism criticized, 71-76 defended, 66-70 as a dogma, 91 Subject matter, 88 Sublime, the, 161 Tactile values, 3, 108 Taste, 65-66 "breaches" of, 180 Technical factors in art architecture, 115 sculpture, 105f Techniques of comedy, 159 as obtruding, 87 Theatre, 134-35 Theories of art, 41-63, 58-59 alleged impossibility of, 43-45 Time, 13-15, 123f as a factor in evaluation, 80 in music, 142f Tragedy, 159-61 Ugly, the, 157 Uniqueness of art works, 69, 75-76, 156 Unity (and unifying), 11-12, 31 of effect in appreciation, 114 mind's demand for, 41f, 43 in music, 142f as a question in judging, 88f Utilitarianism, 41f 210 PHILOSOPHY OF ART Work of art, 21-40 approaches to, 25-28 enfranchisement theory of, 25 its "inner logic, " 32f its parts, 23 questions in judging, 87-89 reproductions of, 38 and revisions, 24 traits of, 29-34 as unique, 69, 75f |
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