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| Volltext: | viti CONTENTS 12 Decorative, Narrative, and Popular Image Painting and Installations Miriam Schapiro, "Notes from a Conversation on Art, Feminism, and Work, " in Working It Out, New York, 1977 246 Miriam Schapiro, "How did I happen to make the painting Anatomy of a Kimono?", Statement prepared for her exhibition, Reed College, Portland, Oregon, 1978 247 Cynthia Carlson, Statement prepared for her exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, 1979 249 Robert Kushner, Interview by Robin White, View, February-March 1980 250 Neil Jenney, Statement in New Image Painting, Whitney Museum of American Art, New York, 1978 258 Nicholas Africano, Statement in New Image Painting, Whitney Museum of American Art, New York, 1978 260 Jonathan Borofsky, from an unpublished letter, August 1980 262 Judy Pfaff, Statement in Directions 1981, Hirshhorn Museum and Sculpture Garden, Washington, D.C., 1981 264 ILLUSTRATIONS 267 INDEX 269 INDEX Abstract Expressionism, 1, 14-19, 26, 72, 81, 82, 116, 225 Abstract Expressionist criticism, 10, 13 Abstract Expressionist painting, 1 Abstract Expressionists, the, 1, 10, 19, 27, 42, 186 conviction, 14 some aesthetic beliefs, 13, 14 Acconci, Vito, 232, 235 Action painters, 31, 79 Action painting, 1 Africano, Nicholas, 260-262 Air brush, use of, 146, 158 Alloway, Lawrence, 79 Amarillo Ramp (Smithson), 169 American Indian art and calligraphy, 2, 4 Anatomy of a Kimono (Schapiro), 246, 247, 249 Anderson, Laurie, 240-244 Andre, Carl, 36, 128, 191, 196 interview with Phyllis Tuchman, 120-123 Andrew Dickson White Museum, 169 Anthologist, the, 59 Antin, Eleanor, 260 Aperto 80 exhibition, 258 Archaic art, 10, 13 Archives of American Art, 36 "Art After Philosophy" (Kosuth), 134 Art as Art, The Selected Writings of Ad Reinhardt (Rose), 31 Artforum, 50, 52, 113, 120, 123, 125, 184, 189 Art in America, 146, 151, 164 Art International, 31, 146 Artist Seated (Hanson), 146 Art-Language group, 125 Art News, 57, 58, 59, 113 Art of This Century Gallery, 1, 27 Arts and Architecture, 1 Arts Magazine, 52, 105, 225 Arts Yearbook 8, 105 Art Talk: Conversations with Twelve Women Artists (Nemser), 189 Attie, Dottie, 260 Audrey Flack on Painting (Flack), 157 Avalanche, 169, 179, 225, 226, 232 Aycock, Alice, 210, 221, 222 Maze, 223 Baziotes, William, 10 Bear, Liza, 232-235, 236 Bechtle, Robert, 145, 146 on being a Photo-Realist, 151 interview with Brian O'Doherty, 151-157 on photography, 152 on realism, 152 on subject matter, 156 use of light, 155 Betty Parsons Gallery, 14 Black Mountain College, 59 Bochner, Mel, 123, 125, 137 systemic theory and solopsism, 127-134 Borofsky, Jonathan, 262-264 Brecht, Bertolt, 86, 130 British Art-Language group, 134 Brody, Sherry, 247 Burden, Chris, 235-240 Cage, John, 4, 59, 72-79, 89 Calder, Alexander, 39 California College of Arts and Crafts, 151 California Funk artists, 258 Car Crash, The (Dine), 67, 68 Carlson, Cynthia, 245, 249, 250 Caro, Anthony, 36 Castelli, Leo, 91 Casts double mold system, 146 single mold system, 146 Cézanne, Paul, 6 Chang, Ching-Yu, 197, 198, 200 Chareau, Pierre, 4 Chase, Linda, 146-151, 160-168 Chinese art, 5 Christo, 196-200 "Church of Human Energy, An Interview by Willoughby Sharp and Liza Bear, " 236 269 270 INDEX Close, Chuck, 145 change in style, 160 color, 164 composition, 162 interview with Chase and Feldman, 160- 164 subject matter, 161 use of photographs, 161, 162 Coates, Robert, 113 Collage, 94 College Art Association, 102 Color Audrey Flack and, 157-160 Chuck Close and, 145, 164 David Smith and, 38 Donald Judd and, 111 Jules Olitski and, 50 Kenneth Noland and, 50 "Color field" painting, described, 47 Conceptual art Agnes Denes, 137-141 Joseph Kosuth, 134-137 Mel Bochner, 125, 127-134, 137 Minimal art and, 125 Robert Irwin, 141-145, 210 Sol LeWitt, 125-128, 133, 137, 255, 256 Conceptual Art, 134 Contemporary Arts Center, 264 Craftsmanship, 2 Critic, the, 13 Criticism, 10, 13, 128, 134, 135. See also Abstract Expressionist criticism Cubism, 21, 45, 47, 55 Cubists, the, 6, 17 Cunningham, Merce, 89 Dada, 89, 94 Dada demonstrations, 59 Daniels, Pamela, 246 David Smith by David Smith (Gray), 36-39 Dawns and Dusks, 39-46 De Andrea, John, 165 Decorative/pattern painting, 245, 250-258 Deep Water (Pfaff), 264, 266 De Kooning, Willem, 19-23, 91, 196 Delacroix, Eugène, 14, 15 Denes, Agnes, 137-141 Diebenkorn, Richard, 146, 152 Dine, Jim on Abstract Expressionism, 81 on "happenings, " 65-68 on Pop Art, 79, 81 Directions, 1981, 264 Documents of Modern Art (Motherwell), 27 Dove, Arthur, 81 Drawing Eva Hesse, 184, 194, 195 Franz Kline, 23, 26, 27 Jules Olitski on, 52 Louise Nevelson on, 41 Duchamp, Marcel, 59, 136, 191 Durkee, Stephen, 79 Dwan Gallery, 169 Earth and Process art Christo, 196-200 Dennis Oppenheim, 179-182 Eva Hesse, 184, 188-196 Michael Heizer, 169, 179-184 Robert Morris, 36, 111-113, 184-188, 210- 215 Robert Smithson, 169-179, 180, 182, 184 E.G. (Whitman), 68 18 Happenings in Six Parts, 59 Emmerich, Andre, 247 Estes, Richard, 145 as figurative painter, 147 interview with Chase and McBurnett, 146- 151 on Pop and New Realism, 150 use of photography, 147-149 Etchings, 41 Eva Hesse (Lippard), 188 "Evolution and the Creative Mind" (Denes), 137 Fauvists, the, 17 Federation of Modern Painters and Sculptors, 10 Feldman, Robert, 160-164 Feminism, 247 Feminist Art journal, 189 Film. See Performance Art Finch College, 196 Flack, Audrey, 145, 146 on color and light, 157, 158, 160 still lifes, 146 technique, 155 Flavin, Dan, 113, 123, 128, 130 Formula Atlantic (Pfaff), 264, 266 Frankenthaler, Helen, 47, 52 methods, 54, 55 on nature, 52 INDEX 271 Fried, Michael, 47 Futurist demonstrations, 59 Geldzahler, Henry, 52 Glaser, Bruce, 113-120 Goings, Ralph, 151 Goldberger, Paul, 250 Goldin, Amy, 253 Goossen, E. C., 210 Gorky, Arshile, 47, 196 Gottlieb, Adolph, 10, 16 Graham Gallery, 191 Gray, Cleve, 36 Greenberg, Clement, 16, 47, 135 Grooms, Red, 59 Guggenheim, Peggy, 1, 27 Guggenheim Museum, 79 Guston, Philip, 258 Hairy Who group, 258 Hanson, Duane, 145, 146 casting, 165 interview with Chase and McBurnett, 164- 168 on painting, 165 technique, 165, 167 "Happenings, " 58, 211, 225 art and environment, 63 and chance, 64 contrast with theater, 61, 63, 64 description, 59, 60 nature of, 60, 61 Happenings: An Illustrated Anthology (Kir-by), 65 " 'Happenings' in the New York Art Scene" (Kaprow), 58, 59 Heizer, Michael, 169 discussions, 179-184 Hesse, Eva artists related to, 191 color and light, 193 drawings, 184, 194, 195 interview with Nemser, 189-197 materials, 189, 191 motifs, 192 on process art, 188, 189 repetition, 192 Hirshhorn Museum and Sculpture Garden, 264 Hofmann, Hans, 10 Holly Solomon Gallery, 264 Holt, Nancy, 169 Hopper, Edward, 81 Hutchinson, Peter, 260 "Ideographic Picture, The" (Newman), 14 Indiana, Robert on Abstract Expressionism, 82 on Pop Art, 82 Installations, 262-267 Ionesco, Eugene, 191 Irwin, Robert, 141-145, 210 "Jasper Johns: Stories and Ideas" (Cage), 72 Jeanette (Matisse), 36 Jenney, Neil, 258-2Ô0 Jewell, Edward Alden, 10, 15 Jewish Museum, 72, 105 Johns, Jasper, 72-79 on art as social force, 92 on attitude, 89 on commentary, 91 on Pop Art, 89 on subject matter, 90 on transformation of subject, 91 Johnson, Ellen, 127, 262 Johnson, Philip, 202 Jolie Madame (Flack), 145 Judd, Donald, 36, 105, 135 on color, 111 on composition, 114, 115 interview with Glaser, 113-120 materials, 108 on minimal art, 113 painting vs. sculpture, 105, 106 on rationalistic system, 115 on three-dimensional work, 106, 108, 109, 111 Kaprow, Allan, 57-65, 67, 97 Kardon, Janet, 258 Karp, Ivan, 167 Kelly, Ellsworth, 255 Kepes, Gyorgy, 169 Kirby, Michael, 65 Kline, Franz, 196 drawing, 23, 26, 27 interview with Sylvester, 23-27 paint, 24 Klüver, Billy, 79 Kosuth, Joseph, 134-137 Krasner, Lee, 1 Krauss, Rosalind, 207 272 INDEX Kushner, Robert, 246 interview with White, 250-258 Kwakiutl artist, 14, 15 "Legacy of Jackson Pollock, The" (Kaprow), 57, 58 Leider, Philip, 47 LeWitt, Sol, 128, 133, 137, 255, 256 as father of conceptual art, 125 "Sentences on Conceptual Art, " 125-127 Lichtenstein, Roy, 79 on aesthetic sensibility, 103 on Pop Art, 84, 86, 102-104 on subject matter, 103 on transformation of subject, 84 Lippard, Lucy R., 113, 135, 188 Lithographs, 41 Location, 21 Louis, Morris, 47, 255 MacKown, Diana, 39 Man with Pipes (Hanson), 145 Marshall, Richard, 258 Martha Jackson Gallery, 97 Matisse, Henri, 36 McBurnett, Ted, 146-151, 164-168 McClintic, Miranda, 264 McLean, Richard, 146, 151, 153 McShine, Kynaston, 105 Merritt Parkway (de Kooning), 22 Metro 2, 72 Meyer, Ursula, 134 Minimal Art, 47, 186 Carl Andre, 120-123 common elements with Pop, 105 Dan Flavin, 113, 123, 128, 130 Donald Judd, 105-111, 113-120 Frank Stella, 113-120 Robert Morris, 111-113 "Specific Objects, " 105 Minimalism, 213 Mirò, Joan, 4, 17 Miss, Mary, 210 Modern Art appreciation, 6 importance of the unconscious in, 6 Modern Art and the Object (Johnson), 127 Modern Artists in America (Motherwell and Reinhardt), 27 Modern paintings, problems of, 4 Mondrian, Piet, 1, 17 Monk, Meredith, 226 Monte, James, 185 Monuments, 201, 202 Morley, Malcolm, 151 Morris, Robert, 36 "Anti form, " 185-188 interview with E. C. Goossen, 210 on Minimal Art, 111-113 Nine at Leo Castelli, 184, 185 "The Present Sense of Space, " 210-21 Morton, Ree, 245 Motherwell, Robert, 4, 27, 29, 81 Mountains and Sea (Frankenthaler), 47 Museum of Modern Art, 86, 125 Namuth, Hans, 5 Narrative painting, 245 Nature, 17, 52 Nauman, Bruce, 184 interview with Sharp, 225-232 Nemser, Cindy, 52-55, 189 Neo-Dada, 82, 89 Nevelson, Louise materials, 41 nature and, 41, 45 on new materials, 44 on openings, 43, 44 out-of-doors, 44 painting vs. sculpture, 41 periods of work, 45 on work, 42, 43 New Decade, The, 27 New Image Painting, 258, 260 Newman, Barnett, 10, 14-19, 23, 27, 47 New Realist painting. See Photo-Realists, New Realists, 79 New Yorker, The, 113 New York School, 1 New York Times, The, 10, 47 Nine at Leo Castelli, 184, 185 Noland, Kenneth, 47, 50 Nominal Three—to Wm. of Ockham (Fl vin), 130 O'Connor, Francis V., 1 O'Doherty, Brian, 151-157 O'Hara, Frank, 23 Oldenburg, Claes, 59, 65, 79, 184 on art, 97-102 on "happenings, " 68-70 interview with Carroll, 201-207 Olitski, Jules, 47, 50, 52, 135 One and Three Chairs (Kosuth), 134 0-9, 125 INDEX 273 "On Robert Rauschenberg, Artist, and His Work" (Cage), 72 Oppenheim, Dennis, 179-182 "Painting in Color" (Olitski), 50 Panofsky, Erwin, 14 Parsons, Mrs. Betty, 15 Pasadena Art Museum, 207 Pennsylvania Academy of the Fine Arts, 249, 250 Performance Art Bruce Nauman, 225-232 Chris Burden, 235-240 film, 225 Laurie Anderson, 240-244 video, 225 Vito Acconci, 232-235 Performance Corridor (Nauman), 226, 227 Pfaff, Judy, 264, 267 Photography, 6, 145 Photo-Realists, the Audrey Flack, 145, 146, 157-160 Chuck Close, 145, 160-164 Duane Hanson, 145, 146, 164-168 Richard Estes, 145-150 Robert Bechtle, 145, 146, 150-157 Photo-Realists, The: 12 Interviews, 146, 151 Picasso, Pablo, 4, 36 "Poetry of Scale, The" (Carroll), 201-207 Pollock, Jackson, 10, 23, 47, 52, 186, 196 Allan Kaprow on, 57, 58 on American Indian art, 2, 4 birth, 1 on craftsmanship, 2 film on, 5 influences, 2 large vs. small canvases, 9 on modern painting, 4, 5, 9 "my painting, " 4, 5 painting on plate glass, 9 Putzel questionnaire, 1-4 study, 2 Wright interview, 5-10 Pop Art, 72, 76, 167, 264 Andy Warhol, 86, 89 Claes Oldenburg, 97-102 influences on, 102 James Rosenquist, 94, 95, 97 Jasper Johns, 72-79, 89-92 Jim Dine, 79-81 Robert Indiana, 82 Roy Lichtenstein, 84, 86, 102-104 Tom Wesselmann, 92, 94 Popular Image, The, 79 Popular Image painting, 245, 258-260 Portfolio Magazine, 250 Possibilities, 4 Post-Cubists, the, 6 Preliminary sketches, 8 "Present Tense of Space, The" (Morris), 210- 215 Primary Structures: Younger American and British Sculptors, 105 Process Art, 111 Proposals for Monuments and Buildings, 201 Putzel, Howard, 1 Quintana Boo (Pfaff), 264 Rainer, Yvonne, 191 Rape of Persephone, The, 10, 13 Rauschenberg, Robert, 72, 94 Ray Gun Theater (Oldenburg), 69, 98 Realism, 65, 145, 152, 156 Reinhardt, Ad, 14, 134, 135 "art-as-art, " 31-35 background, 31 Renaissance Art, 2, 5 Reuben Gallery, 59 "Rhythm as Form, " (Tacha), 215 Rhythmic Stamping in the Studio (Nauman), 229 Rose, Barbara, 31 Rosenberg, Harold, 4 Rosenquist, James, 264 on critics, 94 use of images, 95, 97 Rothko, Mark, 10, 16 Royal Flush (Flack), 146 Ruddick, Sara, 246 Running Fence (Christo), 197, 200 Ryder, Albert Pinkham, 2 Saret, Alan, 184 Sartre, Jean-Paul, 133 Schapiro, Miriam, 245-249 Schopenhauer, Arthur, 133 Sculpture, 36-46, 106, 120-123, 250. See also Site and Architectural Sculpture Duane Hanson, 145, 146, 164-168 Donald Judd, 113-120 Nine at Leo Castelli, 184 Segal, George, 146 "Serial Art Systems: Solipsism" (Bochner), 123, 127 274 INDEX Serial Systemic Art, 219 Serra, Richard, 184, 188, 189 work in site sculpture, 207-210 "Set of Questions" (Irwin), 141 Shapiro, Joel, 212 Sharp, Willoughby, 225, 236-239 Shields, Alan, 245 Shift (Serra), 207 Shining Bed, The (Dine), 68 Sidney Janis Gallery, 79 Site and architectural sculpture Alice Aycock, 221-223 Athena Tacha, 215-221 Claes Oldenburg, 201-207 George Trakas, 210 Mary Miss, 210 Richard Serra, 207-210 Robert Irwin, 141-145, 210 Six Painters and the Object, 79 Smiling Workman, The (Dine), 67 Smith, David, 36-39 Smith, Tony, 206 Smithson, Robert, 169-179, 180, 182, 184 Smithsonian Institution, 137 Social Realism, 81 Soft Light Switches (Oldenburg), 105 Solomon, Alan R., 72, 79 Sondheim, Alan, 221 Spiral Jetty (Smithson), 169-179, 197 Spiral Jetty, The (Kepes), 169 Stain painting, 47 Stamos, Theodore, 14 Stein, Gertrude, 22 Stella, Frank, 135 on artist's tools, 116 on composition, 113, 114, 115 interview with Glaser, 113-120 minimal doctrine, 113 Still, Clyfford, 10, 13, 16 Still life, 146 Store, The (Oldenburg), 69, 97 Structure Jasper Johns on, 76 Kenneth Noland on, 50 systems of, 47 Studio International, 134 Subject matter, 5, 6, 103 Surrealism, 47 Surrealists, the, 1, 17 Swenson, G, R., 79, 89-97 Sylvester, David, 21, 23-27 Symbolism, 14 Syrian Bull (Rothko), 10, 13 Systemic Art, 47, 125. See also Conceptual Art Tacha, Athena, 210, 218, 220, 221 importance of time, 219 step constructions, 215, 216 Technique, 2, 10 interpretations of new, 5 Television, 94 "The Club, " 27 Tiger's Eye, 10 Tracks, 225 Trakas, George, 210 Tuchman, Phyllis, 120-123 Tucker, Marcia, 185, 258 Valley Curtain (Christo), 196, 197, 200 Vaudeville Show, The (Dine), 67 Video. See Performance Art View, 225, 240, 250 Warhol, Andy, 79 on commercial art, 87 "Death" pictures, 87, 89 on Pop Art, 86, 89 Washington Gallery of Modern Art, 79 Wesselmann, Tom, 92, 94 "What Is Pop?" (Swenson), 89-97 White, Robin, 240-244, 250-258 Whitman, Robert, 59, 65, 68 on "happenings, " 70-72 Whitney Museum of American Art, 27, 185, 258, 260 Wildenstein Gallery, 10 Williams, Emmett, 98 Wittenborn, Schultz, Inc., 4, 27 Womanhouse (Schapiro), 245, 246 Women (de Kooning), 21, 22 Working It Out (Ruddick and Daniels), 246 Wrapped Walk Ways (Christo), 198, 200 Writings of Robert Smithson (Holt), 169 Young, Peter, 245 |
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