| Volltext: | Index Aagaard-Morgenstem, L. 24, 28 abstract art 17. 19 and socialist realism 447-8 and truth 28( -l action and beauty 56 active discovery in aesthetic experience 166, 167 Adorno. TAV. 459-64, 469 aesthetic, origins of word 112 aesthetic appreciation and Institutional Theory 30-2 a e s t h e t i c a t t i t u d e 9 . I l l aesthetic concepts ix, 63 aesthetic descriptions 49 aesthetic experience viii, xi-xiii, 9, 111-78 and contemplation theory 117-25, 132-3 and disinterestedness 134-44 form and 'significant form' 144-50 history of 112-14 nature of 115-17 and psychical distance 156-65 and will-lessness 125-32 aesthetic expression Tolstoy on 185 see also expression aesthetic grounds authentic performance of a work on 88-9 aesthetic judgements 356-7, 358, 362-5 objectivity and subjectivity in 369-70 and perceptual judgements 370-2 xcc also value judgements aesthetic judgements 356-7, 358 aesthetic perception ix, 64, 65, 67, 112-13, 152 aesthetic qualities ix-x. 41-73, 113 of imitations 103 and non-aesthetic qualities 63-7 in ready-made works 35, 36 of reproductions 100 aesthetic reasoning xxi-xxii, 357-9 aesthetic significance and judgements of beauty 52-3 aesthetic value 326-8 and dcconstruction 431 Eagleton on 469-70, 471 see also value alienation effect, in epic theatre 457 and modernism 454 Althusser. Louis 444, 464-5, 470 Alton Locke (Kingsley) 229 America (Baudrillard) 436 Analysis of Beauty (Hogarth) 42-3 animals and the concept of beauty 6, 41-2 Annas, J. 250 anti-aesthetics and deconstruction 433-4 and post-modernism 434—6 appreciation and Institutional Theory 30-2 Aquinas, Thomas vii, 120-1, 122, 123, 124, 127, 130, 134, 144, 156 architecture and formalism 58 materials used in 193 Aristotle vii, 10,112, 121,127, 134, 144, 156, 280, 281, 294 and aesthetic experience 125, 133 on beauty 41-2 and the concept of art 5-6 and contemplation theory 118-21 on representation 239-41, 250-61 Art, an enemy of the people (Taylor) 328-32 Art (Bell) 1, 19, 53, 59, 148 Art and Illusion (Gombrich) 224 Art and the Aesthetic (Dickie) 30-1 Art as Experience (Dewey) 150-6 Art of Poetry, The (Aristotle) 6 artefacts beauty in 53 works of art as 20, 21 artistic creation Tolstoy on 185-6 artists and expression 221-5 personal qualities of 391-2 separation from works of art 383-95 'artkind instance' 166 'attention', concept of and psychical distance 161 Auden, W.H. 349, 385 audiences 473 and aesthetic experience 118, 120 and the authentic performance of a work 88 mass 331, 332 and musical performances 91, 92 and Shakespeare's plays 93 see also spectators Augustine, Saint on beauty 41 Austen, Jane 281, 390 Austin, J.L. 22-3, 433 authenticity and aesthetic appreciation x-xi, 106-10 in fiction 302 of performances x, 88-93 authors Macherey on 466 as outmoded concept 422-3 avant-garde art 21-2, 29, 32-3 awards in the artworld, acceptance of 329-31 Bach, J.S. 69, 87, 89, 92 Bacon, Francis 171 Balibar, E. 465 Barrell, John 308, 310 Barthes, Roland 419-23, 426, 430, 455 Batteux, Charles 7-8, 9 Battle of San Remo, The (Uccello) 60 Baudrillard, Jean 435-6 Baumgarten, A.G. 112, 113, 114 Beardsley, Monroe xiii, 9, 30, 31, 171, 172 on aesthetic experience 165-70 on criticism and interpretation 384, 387, 389, 390, 391, 392, 396, 397, 400-1, 401-2 and the evaluation of art 352, 353-5, 362, 364 Beautiful in Music, The (Hanslick) xvi, 58 beauty and aesthetic experience 114, 120-1, 122-4, 130, 135-6, 137, 138-9, 139-10, 143, 172, 173, 174 and art ix, 10, 44, 53-6 causal theories of 48-50 and the concept of art 12 concepts of 6, 9 decline of 53-6 and feeling 9, 44-8 in music 211 normative accounts of 50-3 Plato on 306 and proportion 41-4 and psychical distance 159 regularity concept of 42-3, 44, 45 and truth 281 Beauty Restored (Mothersill) 56 Beckett, Samuel 454 Beethoven, Ludwig van 60, 61, 70, 71, 84, 88, 97, 98, 106, 232, 463 Bell, Clive ix, xvi, 1, 19, 24, 34, 36, 53, 54, 104, 350 and aesthetic experience 144—50,156, 157 Dewey on 152-3 and formalism 57, 59-60, 61 Benjamin, Walter 446, 456, 457, 460, 461, 470 Berlioz, Hector 222 Binkley, Timothy 24,28-9,30-1,34,114 Bloom, Harold 427, 431 Bloom, John (alias Joe Bob Briggs) 333-5, 339 Booth, Wayne 386, 400 Borges, Jorge Luis 223—4 Bove, Paul A. 431 Boyers, Robert 336, 337, 338 Bradley, A.C. 184 Brecht, Berthold 287, 446, 456-9, 461, 470 Brentano, Franz 216 'Briggs, Joe Bob' (John Bloom) 333-5, 339 Brillo Box (Warhol) 22,29,31,32,34,35, 63 Bronner, Stephen Eric 463 Brown, Thomas 281 Bruegel, Pieter 366 Budd, Malcolm 206-7, 214, 218 Bullough, Edward xiii, 9, 30, 158-61, 162-5 Burger's Daughter (Gordimer) 337-8 Burke, Edmund 43-4, 48, 49, 54 Cage, John 4, 37 Canterbury Tales (Chaucer) 94 cave-paintings, pre-historic 26, 27, 29 censorship in literature 287 Plato on 243-4 and socialist realism 452 in Stalinist Russia 441-2, 445 Chandler, Raymond 414 Chaucer, Geoffrey 94 474 INDEX Chester, L. 344 Chinese music 199 Chopin, F. X, 85-7, 89, 90, 92, 94 Christian art and religious art 314-16, 318-19 Christianity and the Forms 247-8, 251 Christie, Agatha 414 class struggle in Marxism 444—5 Coleridge, Samuel Taylor 106 Collingwood, R.G. vii, 9, 53-4, 77-8, 221, 225 on emotional expression in art xiv-xv, 186-94 Collinson, D. xi, xii, xiii colour and form 145, 147 Ozenfant on 201 and representation in pictures 265-6, 273^1 colour language and aesthetic language 375-7 and objectivity 372-5 Composers and authentic performances 88-90 performances of own work 85-7 computers xi concept of art 1—40 defining vii-ix, 1-40 historical background 4—9 and institutional theory 19-32 restrictions on 9-10 concepts and aesthetic experience 131-2 history of 2-3 Conservationist, The (Gordimer) 337 Constructivism 446-7, 458 contemplation theory 117-25, 132-3 Cooke, Deryck xv, 195-202, 204, 205, 208, 209, 220, 227, 228 'correct response' view of Collingwood 190-1 counterfeit art 317-18; see also imitative art craft Collingwood on 187, 191-2, 194 creative thought, process of 222-5 Crime and Punishment (Dostoevsky) 287, 288-91, 293 critical realism 446, 453-6, 469 criticism and aesthetics 405-6 and deconstruction 433-4, 437-8 and interpretation xxii-xxiii, 381-403 and structuralism 423, 424 critics and criticism 365-6 disagreement between 352, 364, 371-2 terms used by 387 Critique of Judgement (Kant) 51-2, 134-44, 144 Croce, Benedetto 77, 368 Cubism 447-8 Culler, Jonathan 395, 408-9, 414, 426 culture high vs low 328-35 post-modernist 435-6 Currie, Gregory 104—5 danger and the sublime 44 Danto, Arthur 20, 21, 22, 24, 26, 32, 35-6, 37, 104 Dawson, Sheila 162 Decoen, J. 102 deconstruction 412 and anti-aesthetics 433-4 and criticism 433-4, 437-8 Derrida on 424—31 Yale School of 431-3 Defoe, Daniel 455, 467 delight and aesthetic experience 135-6, 139, 170-2 and the concept of art 13-14 denial of the will 126-7, 128, 129 Derrida, Jacques xxiv-xxv, 378, 379, 402, 405, 411, 415, 424, 432, 434, 437 and deconstruction 424-31 Desai, Anita 286 Descartes, René 393-4, 395 detached effect in aesthetic experience 166-7 Dewey, John 150-6 diachrony in structuralism 409-10 Dickens, Charles 286,287,315,335,336, 452 Dickie, George viii, xiii, 20, 21-2, 23-4, 25, 27, 30-1, 34 on aesthetic experience 167-8 and psychical distance 161-4 différance, Derrida's concept of xxiv, 427, 429 475 Diffey, T.J. 173—4, 176 Dilman, Ilham xviii, 287-92, 293-4, 295 discomfort and discontent Wittgenstein on 49 discourse theories of art 326 disinterestedness 134-44 disjunctive definitions of art 12 dissonance in music 459 and authentic performance 91-2 distance see psychical distance Doctor Faustas (Marlowe) 171 Dorsen, Norman 345 Dostoevsky, F.M. 173-1, 287, 288-91, 293 drama and aesthetic experience 118-20 and psychical distance 159-60,162-3 Dubuffet, Jean 4 Duchamp, Marcel 21, 24, 25, 34 Dutton, Denis 102, 105 Dziemidok, Bohdan 172 Eagleton, Terry 335-6, 379, 457, 458, 468, 469, 469-70, 470-1 Eco, Umberto 414 Egypt, ancient funeral art 27 Ehrlich, V. 360 Eliot, George 386, 387, 392 Eliot, T.S. 86 Elliott, R.K. xviii, 233, 276, 278, 284, 285, 286, 292-3 emotion and aesthetic experience 147, 149 and the concept of art 13-14 expression of, in art 179-238 and expression in music 194-220 Engels, F. 321, 443, 444 engravings ontology of 95 epic theatre 456-9 Euclid 45 Eudemian Ethics (Aristotle) 118-19, 125 evaluation of art xxi-xxii, 349-80 experience and aesthetic experience 150-6 experts and the concept of art 18-19 expression as a defining property of art xiv-xv, 180-94 and music ix-x, 67-71, 194-220 expression theory Barthes on 422-3 expressive qualities in music ix-x, 67-72 Fall of Icarus, The (Bruegel) 366, 374 fear and aesthetic experience 119-20,121 feeling and aesthetic experience 142 and beauty 9, 44-8 causal theories of 48-50 and the concept of art viii, 11 and expressive qualities 67-72 and formalism 57 felt freedom in aesthetic experience 166, 171 fiction and knowledge 301-2 and truth 282-3 Findlay, J.N. 115 fine arts and mechanical arts 7-8 Finnegan's Wake (Joyce) 420 folk-art 26 forgeries 97-110 form in aesthetic experience 144-50 and the concept of art 11, 13 Ozenfant on 201 in Plato 245-6 formalist theories of art ix, 24-5, 57-63 Forms, Theory of 247-8, 258 in Plato 308, 309 Foucault, Michel 326, 393 Fountain (Duchamp) 25,34,35-6,37,63 French Impressionists 32-3 French intellectual tradition structural analysis of 409-10 Frescobaldi, G. 90 Freud, Sigmund 287, 288, 289-90 Fried, Erich 35 Fröhlich, F. 35 Fry, Roger ix, 33, 34, 59, 60 Gadamer, H.G. 175 game, concept of 14-15, 16, 20, 38 Gardner, Howard 409-10, 414, 415 Gay News 339 genius and aesthetic experience 139-40 Gilbert, W.S. 92 Giotto 32, 33 Goethe, J. von 8, 105 Golden Section xxii, 367-8 Gombrich, Ernst xvii, 224,264,266,268, 476 INDEX 270, 271, 272, 274, 275-6, 278, 279 Good, The in Plato 305-7 Goodman, N. xviii, 100, 101, 103, 106, 108, 265-7, 268,270, 271, 272, 274, 279 goodness in art 5 Gordimer, Nadine 335, 336-8 Goya, Francisco de 55 Greece, Ancient concept of aesthetics 112 concept of art in 4—7 concept of beauty in 54 Marx on art and literature of 442-3 musical 'modes' 58 Grosz, E.A. 436 Guernica (Picasso) 278-9, 280 Hamlet (Shakespeare) 93, 168, 366, 383 Hampshire, S. 354 Handel, G. 90, 92 Hanslick, Eduard 58, 198 on musical theory xvi, 207-20, 227, 233 Hard Times (Dickens) 286, 287 Hardy, Thomas 336 harpsichord music 89 Hartman, Geoffrey 427, 430, 431-2 Headlong Hall (Peacock) 37 Hercules 310 Hermeren, G. 366 Herodotus 256 Hindemith, P. 197 Hirsch, E.D. 396 history and tragic poetry 255-6 Hogarth, William 42-3, 55 Homer 242, 249, 253, 304 Housman, A.E. xxiii, 400-1 Howard, Richard 420 Hugo, Victor 315 Hume, David vii, 44-6,47,48,49, 50-1, 52,57, 370, 372, 373, 376, 422,423,431 humour changing 'ear' for 92 and the evaluation of art 353—4, 362, 363 Hursthouse, Rosalind xvii, xviii Ibsen, Henrik 33 Idea, the in Schopenhauer 130-2 and will-lessness 127-8, 129 ideology Althusser's theory of 464—5 Macherey's theory of 466-9 imagination and aesthetic experience 137-8, 139, 140, 142, 153^1, 155, 175 and emotional expression in art 188, 189-90, 193 imitative art x-xi Aristotle on 252-3 Plato on 300-1, 302-5 Tolstoy on 316-17 Impressionist painters/paintings 144-5, 275 improvized music 78 Ingarden, Roman 9, 79, 83, 85-7, 93 innocent eye, myth of xvii, 264-8, 265, 276 innovation in art 3-4 institutional theory of art viii-ix, xiii, 19-32 instrumentalist views of art xviii-xx intellectual content and the concept of art 10 intention of the artist 28-9 intentional fallacy x-xi interpretation in deconstructionist aesthetics 425 and meaning 393^1, 395—401 Invisible Sculpture 4 irony 391, 400-1 Isenberg, Arnold 62, 71, 283 James, Henry 206 James, William 202 jazz 328-9, 331-2, 335 Jonson, Ben 469 Joyce, James 17, 106, 121-4, 134, 372, 420, 421, 431, 454 Judgement of Hercules, The (Xenophon) 310 judgement of taste in Kant 134-44 judgements of beauty 50-3; see also aesthetic judgements Kafka, Franz 454, 455, 456, 468 Kant, Immanuel vii, 44, 51-2, 53, 54, 202, 265 on aesthetic experience 134-44, 156, 157, 165, 176 Keats, John 164, 281 Kennick, W.E. 12, 17-19, 24, 27 Kenyon, Nicholas 352 477 Khatchadourian, Haig 20 King Lear (Shakespeare) 162, 171, 176, 357 Kingsley, Charles 229 Kiss, The (Rodin) 76 Kivy, Peter 68-9, 70 Klingender, Francis 446 knowledge and aesthetic experience 127-8, 137-8 and beauty 56 Koestler, Arthur 106-8 Kristeller, P.O. 7, 8 Kubla Khan (Coleridge) 106 Lady Chatterley's Lover (Lawrence) 339, 341, 386 Landor, Walter Savage 469, 470 Landowska, Wanda 89 Langer, Suzanne xv, 202-7, 208, 217, 220, 221, 227 language and music 195-202 philosophy of 22-3 Saussure on 406-13 Larkin, Philip 115-17, 133, 225 Lascaux paintings 26, 27 law of art and the law of politics 445-7 Lawrence, D.H. 386, 387 Lear, Edward 61 Leavis, F.R. 386, 387, 392, 400 Lectures on Aesthetics (Wittgenstein) 49 Lee, Laurie 171 Lee, Vernon 231 Leitch, V. 426 Lenin, V.l. 447, 462 Leonardo da Vinci 262 Lessing, Alfred 102, 103-4, 105, 106, 107 Lévi-Strauss, С. xxiv, 392, 393, 407, 414-19, 431 Levin, Bemard 351-2 Lewis, C.S. 133 life, and art 147-8, 150 Lipps, Theodor 231 literary art and formalism 61-2 literature amended knowledge theory of 291-6 dramatic speakers in 389-91 escapist 294 and knowledge 301-2 and moral judgement/education 313-14 narrative codes in 419-23 and neoclassicism 451 no-knowledge theory of 285-91 no-truth theory of 281-5 Ozenfant on 201 reader-response theories 397-8 stmctural analysis of 413-14 truth in 280-96 Locke, John 75, 81, 412 logical form 203-4, 205, 206-7 logocentricity 425-6, 427 Love Songs in Age (Larkin) 115-17, 133 Lukács, G. 446, 453-6, 458, 459, 462 Lully, G. 92 Lyas, Colin xxii-xxiii Lyotard, Jean-François 434—5, 437 Macbeth (Shakespeare) 354, 363 Macherey, Pierre 443, 444, 464, 465, 466-9 Madame Bovary (Flaubert) 323-4 Mallarmé, S. 182 Man, Paul de 431 Mandelbaum, M. 20 Mann, Thomas 454, 455, 456, 468 Marcuse, Herbert 463 Margolis, J. 16, 26, 27, 28, 34, 100 Marlowe, Christopher 171 Marx, Karl vii, 321, 350, 442-3, 444-5 Marxism 384, 434 and aesthetics 441-71 base/superstructure model 443-5 structuralist 446, 464-70 Matthews, J.R. 18 McLellan, David 443 McLuhan, Marshall 436 Meager, R. 115 meaning and deconstruction 428, 429, 431 and interpretation 393^4, 395-401 Meaning of Art, The (Read) 48-9 mechanical arts 7-8 Meegeren, Hans von 98-9, 100, 101-2, 103, 105 memory, works existing only in 79-80 Mendelssohn, Felix 88-9 Meno (Plato) 311-12 mental entities works of art as 77-80 mental objects works of art as 191-2 478 INDEX merit and the evaluation of art 362-4 metaphors 281-2 metronomic directions in music 84-5 Mill on the Floss, The (Eliot) 386 Miller, J. Hillis 429, 431 Milton, John 61-2, 79, 117, 189 mimetic poetry Plato on 300-1, 305 mimetic views of the arts xvi-xvii, 241 Mitias, M.H. 143 'modern system' of arts 7-9 modernism 453-4, 462-5 Moll Flanders (Defoe) 455, 467 Mona Lisa 95-6, 97, 98, 108-9, 382 moral education, and emotion Plato and Aristotle on 251-2 moral goodness and aesthetic experience 142 moral judgement and art 312-13 moral qualities beauty of 53 moral truths Plato and Aristotle on 240-1 morality in art Tolstoy on 314-21 and the authentic performance of a work 87-8 Mother Courage (Brecht) 287 Mothersill, Mary 56, 352 Mozart, Wolfgang 78, 89, 105, 222, 225, 235 murder mysteries 413-14 music and aesthetic experience 133, 175 aesthetic expression in 227 aesthetic properties of 226 in ancient Greece 240, 243 authentic performances of 88-93 autonomist theories of 195, 207-20 composers' performances of own work 85-7 and the concept of art 10-11 dissonance in 91-2 effects of 49-50 and the expression of emotion xv-xvi, 194-220 expressive qualities in ix-x, 67-71 and formalism 58, 60-1 heteronomist theories of 195-207 identity problems 82-7 imitation in 109 as mental entity 77-9 novelty in 4 ontology of X and psychical distance 157-8 representation in 239, 261 schema and performance in 83-5 status of 7 as a symbol of emotion 202-7 Tolstoy on 182, 183, 185 and truth 280-1 uniqueness of 97, 98 myths, and structuralism 414-19 narrative codes in structuralism 419-23 nature aesthetic experience of 145-6 art as imitation of 260-1 beauty in 53 Nausea (Sartre) 124-5 necessary condition of art beauty as 54—5 Negative Capability 164 negative judgements 53 Nehamas, Alexander 303-4, 305 neoclassicism 450-1, 456, 460 Nicholson, William 171 Nietzsche, F. 379 no-knowledge theory of literature 285-91 no-truth theory of literature 281-5 Norris, Christopher 433, 434 novels and authentic experience 94 and formalism 62 numbers, concept of 15-16 O'Connor, Flannery 323-4 object directness in aesthetic experience 166 objectivity and aesthetic appreciation 369-70 in the evaluation of art 369-70, 377 offence and aesthetic purpose 344-6 and pornography 338^42 Oliver Twist (Dickens) 336 ontology, definition of 75 ontology of art x-xi, 75-110 Ortega y Gasset, José 155 Orwell, George 322 Othello (Shakespeare) 160,162,171,377 Ozenfant, Amédée 200-1, 202, 209, 227 479 Paddington Station (Frith) 59, 146 pain in art 54-5 and the sublime 44 painting/paintings and aesthetic experience 133, 147, 153, 155 aesthetic expression in 227 and formalism 59-60, 61 French Impressionism 32-3 as mental entities 77 ontology of X, 94-7 originals and copies 95-7 Plato on 304—5 pre-historic 26, 27, 29 representation in 239 reproductions and forgeries 97-105, 106-9 Tolstoy on 182 paradigms and the concept of art 38-9 Paradise Lost (Milton) 117 particulars and types and tokens 81-2 works of art as 75-6, 96-7 passivity and aesthetic experience 132-3 Passmore, John 55 pathetic fallacy, doctrine of 229 Paul, Saint 247 Peacock, Thomas Love 37 Peirce, Charles 80 perception aesthetic ix, 64, 65, 67, 112-13, 152 and aesthetic experience 131-2 and expressive quality 68-9 performances, musical authentic x, 88-93 by composers, of own work 85-7 and schema 83-5 as types and tokens 80, 81, 82-3 performative statements 22-3 perspective and representation in pictures 271-3 perversion of art 317-18 Peter Pan (B arrie) 162 Petrushka (Stravinsky) 460 Phaedrus (Plato) 7 photography and representation 273 physical objects works of art as 75-6 Piaget, Jean 407 Picasso, Pablo 106-7,147,150,153,176, 225, 270, 382 pictures representation in 259-79 Pitcher, G. 20 pity and aesthetic experience 119-20, 121 Plato vii, 127, 144, 156, 223, 233, 423, 445, 462 and the concept of poetry 6-7 on representation 239-52, 256, 257, 258, 259-60, 261, 276 on the social and moral role of art xviii-xxi, 298-314 and socialist realism 449-50 plays, ontology of 93 pleasure and aesthetic experience 143 Plekhanov, G.V. 444, 447-8 Pliny 262 Plotinus 308 Poetics (Aristotle) 240, 250-1, 252-9, 276 poetry and aesthetic experience 133 Aristotle on 250-3, 294 and authentic experience 94 and the concept of art 10, 19 concepts of 6-7 evaluation of 360-1 and formalism 57-8, 61-2 irony in 400-1 as mental entity 79 ontology of x Plato on 241-50, 299-301, 304-5 ready-made 35 Tolstoy on 182 and truth 285 Wordsworth on 221-5 political purposes, art for 321-2 politics law of, and the law of art 445-7 poor quality, art of 13, 14 Pope, Alexander 19, 281, 360 pornography xx-xxi, 244, 339-44, 451 Portrait of the Artist as a Young Man (Joyce) 121—4 post-impressionism 33, 144-5 post-modernism 434—6 post-structuralism 424-36 Potter, Dennis 342, 343 Powys, John Cowper 174 presentational symbols 203—J, 205 480 INDEX Principles of Art (Collingwood) 53^1 profile in music 83 profound, music described as 71 projection and aesthetic expression 229-32 proportion and beauty 41—4 Propp, V. 407 Proudfoot, M. 170 psychical distance xiii, 156-65 psychologism in aesthetics 163 pure arts 9-10 Purism 200-1 qualities aesthetic and non-aesthetic 63-7 expressive 67-72 intrinsic and extrinsic 59 in formalism 57-8 rational ideas and aesthetic experience 140-1 Ravel, M. 386 Paw and the Cooked, The (Lévi-Strauss) 414, 416-17 Read, Herbert 48-9, 55, 57 readerly texts 420-1 'ready-made' objects exhibitions of 35-6 as works of art 17, 25, 26 realism critical 453-6, 469 and Marxism 446 socialist 447-56, 469 reality conventionalist view of representing 269-75 deception model of representing 262-4 see also representation of life reason inferential and explanatory senses of 66-7 in the production of art 6 reflection theory 444, 447-8, 456-7 regularity concept of beauty 42-3,44,45 religious art 14, 26 Tolstoy on 314-16 representation in pictures 259-79 Plato and Aristotle on 239-59 representation of life and the concept of art viii, 10-11 representational art Collingwood on 187 Republic, The (Plato) xix, 241-50, 298-301, 307, 449-50 restraint, obligation of and social involvement 338—42 Rhys, E. 221 Rite of Spring, The (Stravinsky) 460 Rodchenko, A. 446-7 Rodin, Auguste 76 Rose, Margaret A. 447, 448, 449 Rousseau, Jean-Jacques 42 Roxana (Defoe) 455, 467 Ruskin, John 229 Russell, Bertrand xv, 76 Russian formalism 360, 407 sad music 68-71 Santayana, G. 46-8, 52-3, 191, 232 Sartre, Jean-Paul 124-5,130,396-7,399, 452-3 Sartwell, Crispin 96 Sarup, Madan 426-7, 429, 434 Satanic Verses (Rushdie) 325, 339 Satie, E. 197 Saussure, Ferdinand de xxiv, 406-13, 428, 432 Savile, A. 352 Saving the Text (Hartman) 431-2 schema and performance in music 83-5 Schoenberg, Arnold 459-61, 462-3, 468 Schopenhauer, A. vii, 115,134,144,156, 175, 176 and form 144, 146 and will-lessness 125-32, 133, 157-8 Schubert, Franz 27, 105, 222 science and ideology in Althusser 464-5 Scruton, Roger 217 sculpture materials used in 193 ontology of 95, 97 Segal, Dmitry M. 418-19 self-regulation in structuralism 407, 408, 415 semiology 406 sensation and judgements of beauty 50-1 Sense of Beauty, The (Santayana) 46-8, 229-31 sense perception and aesthetic experience 112-13 481 Shadowlands (Nicholson) 171 Shaftesbury, Lord 6, 41, 42, 53, 309-10, 311 Shakespeare, William 87, 88, 93, 225, 235, 284, 294, 383, 385 Sheppard, Anne 60, 93 shock, evocation of 13-14 Shostakovitch, Dmitri 441-2, 459 Sibley, Frank ix, 63-7, 71, 100, 113 and the evaluation of art 352, 354, 355-9, 362, 363, 366, 370, 371, 372, 373 Sidney, Sir Philip 451 significant form and aesthetic experience 144-50, 152-3, 157 art as 19, 24, 57 signs, linguistic 408-9 Sim, Stuart 350, 351, 377, 378, 379, 398, 402 Singing Detective, The (Potter) 342, 343 social class and art 324—5, 335-6 and the evaluation of art 351 social engineering, art as 448-53 social function of art Plato on 298-314 Tolstoy on xiii-xiv, 181-2 socialist realism 447-56, 469 sociology of art 325-8 Socrates 142, 299 Solzhenitsyn, A. 335 Sorell, Tom xix, xx, xxi, 350 specificity theories of art 326 spectators and emotional expression 188-9, 228-34 see also audiences Stalin, Joseph 448, 452 Starkenburg, Heinz 444 status, conferring of and the concept of art 20-2, 25-9 Stein, Gertrude 279 Stephen Hero (Joyce) 124 Steme, Laurence 420, 421, 455 Stevenson, C.L. 19 Stokes, Adrian 155 Stolnitz, Jerome 9, 30 Stone, I.F. 450 Strauss, Richard 182, 197 Stravinsky, Igor 84,85,86,197,460,461, 463, 464, 468 Strawson, P.F. 3, 96, 97, 99 structuralism xxiv-xxv, 398-9, 401-2, 406-24 and deconstruction 426-8 and post-structuralism 402, 405-39 structuralist Marxism 446, 464—70 subjectivist view of beauty ix, 44-6, 47, 50 subjectivity and aesthetic appreciation 369-70 in the evaluation of art 369-70, 377 and formalism 57 sublime, the 57 and beauty 44, 54 sufficient condition of art aesthetic and non-aesthetic qualities 64-5 beauty as 53-4 Sullivan, Arthur 92 Supper at Emmaus, The (van Meegeren) 101-2 Swift, Jonathan 390-1 synchrony in structuralism 409-10 syntagmatic/paradigmatic distinction in structuralism 411-12 Tatarkiewicz, W. viii, 3, 4, 7, 10, 11-12, 13 Taylor, Roger xxi, 328-32 techné and the concept of art 5 'tendency' literature 321 terror in art 54—5 Tightrope-walker (Klee) 354, 356, 358 Tilghman, B.R. 32, 33, 34, 37 tokens X, 80-3, 96 Tolstoy, L. 2,9,11,25,33,191,194,221, 325 and aesthetic expression 226—7 on criticism and interpretation 384—5 on emotional expression in art xiii-xiv, 180-6 on morality in art 314—21 Tormey, Alan 391-2 tragedy and aesthetic experience 119-20, 121-2 Aristotle on 253-8, 294 representation in 239 Transfiguration (Raphael) 59, 60-1 transformation in structuralism 407, 408, 415 Trillin, Calvin 332-4 482 INDEX Tristram Shandy (Sterne) 420, 421, 455 Trollope, Anthony 94 trompe l'oeil pictures 262-4, 274 Trotsky, L. 445 on the Russian Formalists 360 truth in literature 280-96 types X, 80-3, 96, 109 Uccello 60, 61 Ulysses (Joyce) 76, 80, 95, 372, 374 understanding and aesthetic experience 137-8, 139 unity see wholeness universality of art in Tolstoy 316, 318-20 universale and types and tokens 81-2 works of art as 75-6 Urmson, J.O. 68, 69-70, 71 useful arts 9-10 value and art 441-3 and the concept of art viii, 21 in structuralism 410-11 value judgements rejection of 436 and the sociology of art 326-8 Van Gogh, Vincent 35 variety and beauty 42-3 verbal questions about art 2 Vermeer, Jan 98-9,101-2, 103, 105, 108 violence, and pornography 343 Wagner, Richard 197 Warhol, Andy 22 Weitz, M. 16, 17, 19 What is Art? (Tolstoy) 180-6, 314-21 What is Literature? (Sartre) 452 wholeness in aesthetic experience 166, 167-9 in structuralism 407, 408, 415 Wilde, Oscar xx, 322-3, 350, 375 Wilkinson, Robert xiv, xv, xvi will-lessness 125-32, 133, 157-8 Williams Report xx, 339—40, 342, 343 Wimsatt, W. 387-8, 389, 399, 401 Wind, E. 58, 59 Wittgenstein, Ludwig vii, viii, 1, 14—16, 20, 38,49-50, 55, 62, 68, 202, 203, 398, 433, 434 Wolf, Albert 33 Wolff, Janet xxi, 325-8 Wölfflin, Heinrich 59 Wollheim, Richard 31, 76, 80-1, 82, 349-50, 351-3, 357, 367 Woman Weeping (Picasso) 147, 150, 153-4 Woolf, Virginia 16, 17 Wordsworth, William 68, 356, 358, 384, 469-70, 470 works of art and beauty 54—6 effects of 49-50 expressive properties of 225-8 imitations 97-110 indexed as artwork by the artist 28-9 as mental entities 77-80 mimetic or non-mimetic 227-8 as particulars or uni versais 75-6 ready-made 17, 25, 26 separation of artists from 383-95 'unreality' of 164-5 writerly texts 420-1 Yale School of deconstruction 431-3 Young, James O. 89-91, 92 Zhdanov, A.A. 446, 448-53, 456, 458 Zuniga, J. 173 483 |
