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| Volltext: | 332 C r e d i t s Versions of these essays have appeared previously: "On the Museum's Ruins." October, no. 13 (Summer 1980). "The Museum's Old, the Library's New Subject." Parachute, no. 22 (Spring 1981). "The End of Painting." October, no. 16 (Spring 1981). "The Photographic Activity of Postmodernism." October, no. 15 (Winter 1980). "Appropriating Appropriation." In Image Scavengers: Photography (Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1982). "Redefining Site Specificity." In Richard Serra: Sculpture (New York: Museum of Modern Art, 1986). "This Is Not a Museum of Art." In Marcel Broodthaers (Minneapolis: Walker Art Center, 1989). "The Art of Exhibition." October, no. 30 (Fall 1984). "The Postmodern Museum." Parachute, no. 46 (March, April, May 1987). Page numbers in italics indicate illustrations. Activist art, 21-23, 241-243 Adams, Ansel, 68, 71-72 Adorno, Theodor, 44 Advertising, and art, 122, 135, 267-269, 280n Aesthetics. See Idealist aesthetics; Materialist aesthetics Aesthetics (Hegel), 301-302 Afier Daguerre: Masterworks from the Bibliothèque Nationale (exhibition), 79 AIDS, and art, 21-24 Altamira cave paintings, 91, 97, 98 Altenstein, Karl von, 292 Altes Museum, Berlin. See Berlin Museum Althusser, Louis, 185n, 266, 279n American Painting: The Eighties (exhibition), 88-91, 89, 114 Anderson, Laurie, 111 Andre, Carl, 64n, 155, 157 "Appropriating Appropriation" (Crimp), 6, 10 Appropriation, 4-10, 27, 58, 118-124, 126-136, 260 Aragon, Louis, 84 Architecture, 168 and postmodernism, 127-129, 282-318 Art autonomy of, 13-16, 19-20, 75-78, 84, 98, 240, 250-251, 256, 303 history, 13, 48, 98, 111, 263-265, 292, 320-321n (see also Revisionism) human element of 69, 91-95, 113, 117, 157 in situ, 97-98, 103 (see also Site specificity) and politics, 85, 88, 156, 169-173, 182, 256-260, 267, 275, 284, 287 and social practice, 17-27, 30-31n, 241-243, 247-250, 256, 287 "Art and Architecture" (Lüpertz), 284 Art & Ideology (exhibition), 261, 277n "Art and Politics" (Kramer), 261 Artistic genius (art historical concept), 69-70, 272, 284-286 Artists Call against U.S. Intervention in Central America, 258, 273 Artists' studios, 210, 294-295 Art of the Twenties (exhibition), 66-68, 61, 77 Asher, Michael, 155 AT&T, 272 Atget, Eugène, 113 Aura, 58, 95, 111-117, 134, 248 of photographs, 112-117, 124 Authenticity. See Aura Avant-garde, 19-21, 69-71, 261-269, 279n, 303 Barr, Alfred, 66, 261-269, 279n Barthes, Roland, 115, 119, 126 Bartlett, Jennifer, 90 Baselitz, Georg, 286 Baudelaire, Charles, 212 Baumgarten, Lothar, 286 Bazin, André, 66 Beardsley, John, 174 Beato, Felice, 74 Becher, Bernd, 286 Becher, Hilla, 286 Benjamin, Walter, 18, 21, 56, 108, 111-115, 201-205, 210-214, 216, 218-220, 230n, 238, 248 Berlin Block for Charlie Chaplin (Serra), 184n, 282, 285 Berlin Museum, 18, 289, 290-302, 291, 298, 299, 316, 321n Between 4 (exhibition), 214 Beuys, Joseph, 232n Bicycle (Rauschenberg), 58 Bird of Paradise (Mapplethorpe), 132 Bisson Frères, 74 Boice, Bruce, 69-70, 78 Borges, Jorge Luis, 222 Bouguereau, Adolphe William, 45 Boullée, Etienne-Louis, 127 Bouvard and Pécuchet (Flaubert), 50-54 Brancusi, Constantin, 66 Braque, Georges, 102 Breakthrough (Rauschenberg), 58 Broadness and Diversity of the Ludwig Brigade (Haacke), 276n Brodovich, Alexei, 267 Broodthaers, Marcel, 20, 200-201, 205-228, 231-232n, 233n, 234n, 248, 287 Bürger, Peter, 19-22, 302 Buchloh, Benjamin, 207, 231n, 232n, 244, 261-266, 279n Buren, Daniel, 64n, 84-88, 86, 92, 94, 103-105, 104, 155-156, 210, 244, 287 Cabinets des curiosités, 18, 225, 323n Caillebotte, Gustave, 63n Capa, Robert, 74 Capitalism, 304-305 Carjat, Etienne, 74 Cartier-Bresson, Henri, 75 Categorization, 52-54, 74, 77-79, 220-223, 265 Centennial Certificate, Metropolitan Museum of Art (Rauschenberg), 58, 60, 61 Charles (Mapplethorpe), 9 Charnay, Désiré, 74 Christian Democrats (Germany), 169-175, 183n, 184-185n, 313 Cincinnati Contemporary Arts Center, 7 Circuit (Serra), 160, 161 Cladders, Johannes, 207 Collaborative Projects, Inc. (Colab), 241 Collections, 18, 200-205, 223-226, 295, 323n Collectors, countertype of, 201-205, 216 Commodification, 122-123, 155, 159, 164, 167, 212, 231n, 253, 272 Conceptual art, 85, 87, 270-271. See also Broodthaers, Marcel Connoisseurship, 111-117, 263-265, 278-279n Coppola, Francis Ford, 273 Corcoran Gallery of Art (Washington, D.C.), 7 Courbet, Gustave, 209 Crocus (Rauschenberg), 58 Dada, 263, 325n Danny (Kybartas), 24 Darboven, Hanne, 286 David, Jacques-Louis, 209 Davis, Douglas, 76, 82—83n Davis, Mike, 304-305 Déjeuner sur l'Herbe (Manet), 50 Degas, Edgar, 2—5 Delacroix, Eugène, 74 Delaroche, Paul, 92 Delineator (Serra), 160 Delta series (Ryman), 94 Deutsches Architekturmuseum (Frankfurt), 284 Diamond, William J., 183n, 186n Dior, Christian, 74 "Discourse of Others: Feminism and Postmodernism" (Owens), Disdéri, Adolphe-Eugène, 79 Documenta 5 (exhibition), 212, 226-228 Documenta 6 (exhibition), 169 Documenta 7 (exhibition), 5, 238-241, 244-250, 269 Donato, Eugenio, 52, 63n Double Negative (Heizer), 165 Drexler, Arthur, 273 Du Camp, Maxime, 53-54 Duchamp, Marcel, 66, 69-71, 92, 105, 218, 220, 263, 265 Duchenne de Boulogne, Guillaume, 74 Earthworks, 87, 165, 271 Eight Contemporary Artists (exhibition), 84, 86, 90 Elevator (Sem), 160, 161 El Salvador, 281 n Engels, Friedrich, 230n Ernst, Max, 319n Evans, Walker, 5 Exhibition spaces. See also Museums autonomy of, 240-241, 244-247, 286, 300 critique of, 160-164, 247-248, 253, 256, 263 337 5" CL O X Expressionism, 286, 307 Fashion Modi (New York), 239, 241 Feininger, Andreas, 119 Feminism, 5, 13, 29n Flaubert, Gustave, 50-34, 56 Flavin, Dan, 99, 157 Foucault, Michel, 50-52, 95-97, 200, 218 archcologic.il method of, 22-23, 27, 47-48, 63n, 220-222, 234n, 287 Foumai (Duchamp), 218 Frankfurt School, 21, 30n Frank Stella: 'Flic Black Paintings (exhibition), IM Frederick II, monument to, 236, 237, 245, 248 Fried, Michael, 62n Frith, Francis, 74-75 Front Ihre to There (Lawler), 49 Fuchs, Eduard, 201 Fuchs, Rudi, 238-241, 244-250, 255, 270 "Function of the Museum" (Huren), 87 Galerie Saint-Laurent (llrusscls), 200 Galleries, function of, 160-164 Gchry, Frank, 126-129, 130 Geist ilcr Kochkunst (von Rumohr), 291 German Art in the 20th Century (exhibition), 286 Gérôme, Jean Léon, 45, 79 Gilly, Friedrich, 295 Goethe, Johann Wolfgang von, 97-98 Goldstein, Jack, 111 Gopnik, Adam, 30-3ln Goya y Lucicntcs, Francisco José de, 45 Gramsci, Antonio, 325n Grandvillc, Jean-Ignacc-Isidore-Gérard, 209-212, 213, 231n Granite (Normandy) (Ruckriem), 282, 285 Graves, Michael, 126-129, 131 Grcenberg, Clement, 75 Guirlandes, Les (Huren), 245 Haacke, Hans, 20, 155, 232n, 247-253, 258-260, 276n, 286, 287 Haus der Deutschen Kunst, Das (Munich), 314, 317 Hausmann, Raoul, 319n Heartfield, John, 286, 307, 319n, 323n Hegel, Georg Friedrich Wilhelm, 203, 290—292, 295, 300—302, 306, 320n Heizer, Michael, 165 Helicopters, 273-275, 281n Helms, Jesse, 6-7, 10, 12, 28n Hennessy, Richard, 93-96, 102 High and Low: Modern Art and Popular Culture (exhibition), 30-31n Hine, Lewis, 74 Hirt, Alois, 231n, 290-302 passim, 321n Historical materialism. See Materialist aesthetics History of Sexuality, The (Foucault), 27 Höch, Hannah, 319n Hodsell, Frank, 278n Holzer, Jenny, 239, 241 Homeless people, 241, 276n Homoeroticism, 6-7, 12-13 Homosexuality, and art, 7-13, 25, 28n Huillet, Danièle, 126 Humboldt, Alexander von, 295 Humboldt, Wilhelm von, 298 Huyssen, Andreas, 22 Idealist aesthetics, 13-17, 154-155, 212, 301-304, 307, 320n Information (exhibition), 270 Ingres, Jean-Auguste-Dominique, 209 International Survey of Recent Painting and Sculpture, An (exhibition), 269-272, 280n Invention du cinéma (Sadoul), 215 Isolation Box, Grenada. See U.S. Isolation Box, Grenada Italienische Forschungen (von Rumohr), 291 James, Henry, 109, 111 Jameson, Fredric, 302-307, 318, 324-325n Jeu de Paume (Paris), 215 Joachamides, Christos, 250-253, 256 Johnson, Philip, 314-318 Judd, Donald, 99, 151, 157, 258, 260 Kardon, Janet, 10 Kiefer, Anselm, 286 Klucis, Gustav, 267 Knowledge and power, 48, 71, 153, 226, 228, 233n, 234n Koch, Edward, 242 Kohl, Helmut, 313 Kramer, Hilton, 12-13, 25, 29n, 44-47, 54, 90, 255-263, 266-269, 273, 277n, 279n Krauss, Rosalind, 30n Krims, Les, 119 Kunstgewerbemuseum (Berlin), 250-251, 252 Kunsthistorishes Museum (Vienna), 225 Kunstmuseum (Düsseldorf), 215 Kunst- und Wunderkammern der Spätrenaissance (von Schlosser), 223-225 Kuspit, Donald, 313 Kybartas, Stashu, 24 Lachaise, Gaston, 29n Lamartine, Alphonse de, 93 Large Glass (Duchamp), 66 Lawler, Louise, 4-5, 12, 20, 27, 116, 120, 134, 239, 241, 287 Lebeer, Irmeline, 88 Le Corbusier, 314 Ledoux, Claude-Nicolas, 127 Leider, Philip, 102 Lenin and Philosophy (Althusser), 261 Leo Castelli Gallery (New York), 150, 162 LeSecq, Henri, 74 -Levine, Sherrie, 5-7, 27, 118-119, 126, 128-134, 287 LeWitt, Sol, 99 Libraries, 50-52, 73-74, 78 Lieberman, William S., 66 Lifson, Ben, 29n Lipman, Samuel, 257, 278n Lissitsky, El, 269 Lo Giudice Gallery (New York), 157 Longo, Robert, 111, 272 Lonidier, Fred, 279n Louvre (Paris), 44, 97, 112, 215 Lowell, Edward J., 236 Lüpertz, Markus, 284—290, 307, 313 Lynes, George Platt, 129 Ma collection (Broodthaers), 216 McShine, Kynaston, 269-272, 280n Magritte, René, 18, 220 Malevich, Kasimir, 265 Malraux, André, 54-56, 58, 98 Mandel, Ernest, 304-305 Manet, Edouard, 45, 46, 48-50, 62n, 74, 79 Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects (Weiner), 246, 247 "Mapping the Postmodern" (Huyssen), 22 Mapplethorpe, Robert, 6-7, 10-12, 25-27, 29n, 126-129 Marey, Etienne-Jules, 74 Marilyn Monroe—Greta Garbo (Serra), 160 Marx, Karl, 30n, 184n, 231n, 290, 295, 313-314 Materialist aesthetics, 2, 17-18, 153-157, 204-205, 238, 302-304, 324-325n Matisse, Henri, 265 Meier, Richard, 284 Meissonnier, Jean-Louis-Erneste, 209 Meninas, Las (Velazquez), 95-97 Mercer, Kobena, 27 Merinoff, Dimitri, 134 Merz, Mario, 251 Metropolitan Museum of Art (New York), 44-45, 54, 58, 60, 79 Aiichael Reed (Mapplethorpe), 9 Michals, Duane, 119 Michelangelo Buonaroti, 54 Michelson, Annette, 227n Mies van der Rohe, Ludwig, 282, 314-315 Miller v. California, 28n Minimal art, 16-17, 85, 92, 108, 114, 154-155, 157 Miré, Joan, 66 Modernism, 20-22, 45-46, 87, 97, 108, 260-263, 271, 303-307 and architecture, 127-128 and photography, 2-6, 76 Mona Lisa (Leonardo), 112 Mondrian, Piet, 66 Monogram (Rauschenberg), 62n Moonrise, Hernandez, New Mexico (Adams), 68 Morley, Malcolm, 255 Morris, Robert, 99, 150 Munch, Edvard, 307 Murray, Elizabeth, 69, 78 Musée d'Art Ancienne, Département des Aigles, Galerie du XXème Siècle (exhibition), 228 Musée d'Art Moderne, Département des Aigles (exhibition), 205-228, 231-232n Section Cinéma, 215-216 Section des Figures, 216-226, 219, 221, 224 Section XIXème Siècle, 205-215, 208 Section XVIIème Siècle, 208, 214 Section Financière, 216, 217 Section Littéraire, 211, 212-214 Section Publicité, 226 Musée d'Orsay (Paris), 215 Museo del Barrio (New York), 273 Museum Fridericianum (Kassel), 18, 238, 247, 250 Museum für Kunsthandwerk (Frankfurt), 284 Museum of Modern Art (New York), 24, 30n, 66-68, 77, 84-85, 263-275, 264, 268, 274, 279n Museums development of, 223-235, 290-300 exclusionary practices of, 7-13, 256, 263-272, 281n, 287, 303 function of, 17-18, 44-50, 85-87, 97-98, 164, 204, 210, 215, 248, 287, 293- 294, 320n and heterogeneity, 14, 52-58, 134-135, 295 Museum without Walls (Malraux), 54-56, 58, 59 Museum Wormianum (Copenhagen), 227 Muybridge, Eadweard, 74 Nadar, Gaspard-Félix-Tournachon, 74 Nahl, Johann August, 245, 248 National Endowment for the Arts, 7, 28n, 257, 277-278n Nazism, 313-315 Neue Nationalgalerie (Berlin), 282 Neue Staatsgalerie (Stuttgart), 282-288, 283, 288, 307-314, 308, 310-312 New Criterion, 257 Newman, Barnett, 286 New Museum of Contemporary Art (New York), 261 New York Public Library, 73-74, 78 Nixon, Nicholas, 24-25 Nochlin, Linda, 301 Oelgemaelde, Hommage à Marcel Broodthaers (Haacke), 247-248, 249 Offenbach, Jakob, 212 Olympia (Manet), 48, 50 "On the Museum's Ruins" (Crimp), 2, 14, 134, 282, 287 Order of Things, The (Foucault), 27, 95, 220-222 Other Criteria (Steinberg), 47 Overcast III (Rauschenberg), 58 Owens, Craig, 5 Pablo Picasso: A Retrospective (exhibition), 68-69 Painting, 84, 87-88 essence of, 91, 97-98 hegemony of, 66, 248, 269-270, 319n and postmodernism, 44-48 references to and sources of, 48-50, 254 revival of, 16, 87-91, 93-95, 102-105, 114 status of, 99-105 Palais des Beaux Arts (Brussels), 205-206 Paris—A Rainy Day (Caillebotte), 55 Pasolini, Pier Paolo, 150 Passagen-Werk (Benjamin), 201-202 PASTA MOMA (union), 279n Patronage. See also National Endowment for the Arts corporate, 228, 272, 319n governmental, 257-258, 286 Pencil of Nature, The (Talbot), 3 Penn, Irving, 74 Pepito (Goya), 45 Performance art, 109 Perreault, John, 90 Philosophy of Right (Hegel), 292 Photography, 92-93, 248 function of, 13-16, 24, 27 meaning and interpretation of, 2-13 as modernist enterprise, 2-6, 14-16, 72-77, 114-117, 128-136, 265-266 and presence, 111-124 as surrogate, 54-56 Picasso, Pablo, 68-71, 265 Picture plane, flatbed, 47-48 "Pictures" (Crimp), 108 Pincus-Witten, Robert, 62n Pluralism, 18, 108 and postmodernism, 78-79 Political Unconscious, The (Jameson), 303 Pollock, Jackson, 91, 97, 98, 286 Porter, Eliot, 119 Portland Public Services Building (Graves), 127, 131 "Positive/Negative" (Crimp), 2-3 Postmodernism, 18-19, 22, 45-48, 108, 271, 304-307, 318 and architecture, 127-128, 282—318 passim and photography, 2-13, 56-58, 76-78, 111-124, 128-136 pluralist view of, 78-79 "Postmodernism, or the Cultural Logic of Late Capitalism" (Jameson), 304 Poststructuralism, 22-23 Praxiteles, 118-119 Presence and absence, 58, 66, 108-111, 119, 124 Primitiuism in 20th Century Art (exhibition), 280n Prince, Richard, 122-124, 123, 135 Prop (Serra), 152 Proust, Marcel, 44 Public, status of, 180-181 Public art, 159-162, 168-182 Puvis de Chavannes, Pierre, 209 Pygmalion and Galatea (Gérôme), 45 Rat Patrol (Rupp), 242, 243 Rauschenberg, Robert, 14, 47—48, 56—60, 57, 77, 114, 134—136 Ray, Man, 128 Re, Edward D., 180-181 Readymades, 70-71, 218, 220 Reagan, Ronald, 247-248, 258, 260 "Redefining Site Specificity" (Crimp), 18 Reff, Theodore, 62n Reinhardt, Ad, 92 Rembrandt van Rijn, 112 Representation, 13, 53, 96, 109-111, 119 Reproduction, mechanical, 54-58, 95, 98, 112-115, 248 Revisionism, 44-45, 79, 114 Richardson, John, 70 Richter, Gerhard, 88, 99 Riis, Jacob, 74 Robert Mapplethorpe: The Perfect Moment (exhibition), 7 Rodchenko, Alexander, 265-267 Rokeby Venus (Velazquez), 48, 58 Rose, Barbara, 84-91, 94-95, 102, 114-115 Rosenblum, Robert, 63n, 253-256 Rosenthal, Norman, 250-253, 256 Rothko, Mark, 102, 286 Rubens, Peter Paul, 48, 54, 214 Rubin, Gayle, 29n Rubin, William, 30n, 85-87, 90, 271, 281n Ruckriem, Ulrich, 282, 286 Rumohr, Carl Friedrich von, 290-293, 302, 320n Rupp, Christy, 241-242 Ruscha, Ed, 78-79 Ryman, Robert, 64n, 94 Salle, David, 126, 253 Salzmann, Auguste, 74 Schinkel, Karl Friedrich, 290-302 passim "Schinkel and Mies" (Johnson), 314 Schleiermacher, Friedrich, 294, 300-301 Schloss Ambras, 225 Schlosser, Julius von, 223-225 Schnabel, Julian, 255 Schwitters, Kurt, 319n Sculpture, 150-182. See also Minimal art and postmodernism, 16-18 Segal, George, 174-175 Sekula, Allan, 29n, 277n, 279n Senkin, Sergei, 267 Serra, Richard, 18, 30n, 150-182, 183-184n, 282, 287 Shards IV (Stella), 101 Sherman, Cindy, 5, 122, 135, 287 Shiß (Serra), 165 Sight Point (Serra), 168, 184n Simmons, Laurie, 135 Site specificity, 17, 150-182 passim Sketch fora Geography Lesson (Sekula), 277n Slice (Serra), 160, 162, 163 Smith, Roberta, 90 Smithson, Robert, 155, 165 Sobieszak, Robert, 11, 25-27 Social Democrats (Germany), 169, 173, 203-204 Span (Serra), 160 Spectator. See Viewer Spiral Jetty (Smithson), 165 Splashing (Serra), 151-156, 152 Städische Kunsthalle (Düsseldorf), 214, 216 Stedelijk Museum (Amsterdam), 168 Steelmakers (Segal), 175 Steebnill/Stahlwerk (Serra and Weyergraf), 184n Steinberg, Leo, 47-48, 277n Stella, Frank, 64n, 88, 99-105 Step (Serra), 160 Stiechen, Edward, 128 Stieglitz, Alfred, 77, 92 Still, Clyfford, 102 Stirling, James, 282-290, 307-314 Straub, Jean-Marie, 126 Strauss, Franz Josef, 312 Strike (Serra), 157-160, 158 Style (art historical concept), 54-55, 98, 117, 127-129, 255-256, 277n, 306 Subjectivity, 4, 12-13, 25-27, 113 of artist, 15, 17, 24, 70-74, 95-96, 117, 154 of viewer (see Viewer) Sublation, 20-22, 300 Surrender (Longo), 111 Syberberg, Hans Jürgen, 126 Szarkowski, John, 71-72, 74-75, 77 Szeemann, Harald, 226 Tafuri, Manfredo, 324n Talbot, William Henry Fox, 3 Taxonomy. See Categorization Temptation ojSt. Anthony (Flaubert), 50 Tenth Street school, 90 Terminal (Serra), 169-174, 170, 183n Theatricality, 108 Théorie des figures (Broodthaers), 216 Theory of the Avant-Garde (Bürger), 19 Thomas and Amos (Mapplethorpe), 132 Tieck, Ludwig, 295 Tilted Arc (Sem), 30n, 151-154, 175-182, 177-178, 183n, 186n Titian. 48 7i lincircle llese l'l.ire I lexnyieni, Riyln Anlief luvet te J (Serra). If5—lf 7. Trahisen Jes images, /..i (Magritte). 218 Transem (U.iuschcnbcrg). SS Triumph /.-lit /er r/ir l'nhlii, The (I iolt). 203 Troost. l'.uil Ludwig, 214 "Turning Hack the (dock: Art and Polities in 1084" (Kramer). 257 Twentysix C, aseline Statiens (Uuseli.i). 7S, SO-SI Twins (Serra), 160 7'II\ Hemers (Goldstein). III), III Ungers, Oswald Mathias, 2S4 l'ntitleJ (Mapplcthorpe). 2h l'ntitleJ (Sherman), 121 L'ntitleJ (After AlexanJer ReJcItenke:.1) (Lcvine). 155 L'ntitleJ (A fter H.JwarJ H'eslen/ (Levine), .5-6, V L'ntitleJ (After llya CJiasniek) (Lcvine), I.LI l/.S. Isolation Hex, C.tenaJa (Haaekc). 258-260, 259 Valéry. Paul. 44 Van liruggen. Coosjc, 244 Van Gogh, Vincent, 11, 70, 307 Van Haaften, Julia, 73-74 Vamcdoe, Kirk, 30-31 n Velazquez, Diego, 48, 05-07 Teints itl Her Teilet (Rubens). 48 Lentis e/LJrhine ( Titian), 48 Viewer, role of, 17, 25-27, 47. 05-06, 100, 154 Waagen, Gustav Friedrich, 203-204, 301, 321 n Wallace, Scott, 281 n It till te IVall (Serra), 17)0 Warhol, Andy, 64n, 77, 114 Waxing Arcs (Serra), 160 Weiner, Lawrence, 155, 247 Wcslcyan University, 168 Weston, Edward, 5-6, 118-119, 128-129 Whitney Biennial 1979 (exhibition), 99 Wide White Space Gallery (Cologne), 216 Winsor series (Ryman), 55 Woman with a Parrot (Manet), 45 Women's Caucus for Art, 280n Workers, status of, 173-175, 185n X Portfolio (Mapplethorpe), 7-11, 25 Zeitgeist (exhibition), 250-255, 269 Zeitgeist Painting series (Salle), 253 |
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