INDEX
AA (Architectural Association), 11,
20, 72
Abramovitz, Max, 259n30
Aerospace Hall (Gehry), 13
Alice Tully Hall renovation, 100,
101, 259n30, 259n31
Allen, Stan, 245n2
Alloway, Lawrence, 1
Andre, Carl, 108, 117, 137-8, 145,
216,217
Ant Farm, 8, 10-1
Archigram, 4, 11, 21
Architectural Association (AA), 11,
20, 72
Art Institute of Chicago (Piano),
53, 66
"The Art of Assemblage"
exhibition, 192
Baker, George, 274n8
Balmond, Cecil, 251-2n39, 253n2
Banham, Reyner
on Archigram, 4, 21
on Futurist and Expressionist
architecture, 74, 86
Independent Group (IG), 1
on Pop design, 5, 248-9nl5,
248nl3
Theory and Design in the First
Machine Age, 2, 3, 65
Bankside (Rogers), 28
Barajas Airport in Madrid
(Rogers), 27-8
Baroque architecture, 160-3, 222-
4,272n73
Baudelaire, Charles, 146-7
Bauman, Zygmunt, 63
Baxandall, Michael, 172
Beauborg (Rogers and Piano),
19-23
Becher, Hilla and Bernd, 115
Beck, Ulrich, ix, 63, 246n3
Beijing airport (Foster), 41-2, 44
290 Index
Bell, Larry, 183
Belleschi, Pietro, 259n30
Benjamin, Walter
on capitalist culture, 286n62
on Henri Bergson, 210
"Paris, Capital of the
Nineteenth Century",
267n24
"Surrealism: The Last Snapshot
of the Intelligentsia",
270n54
"Theses on the Philosophy of
History", 271n62
Bergson, Henri, 210
Betsky, Aaron, 75, 86, 95
Beyeler Museum (Piano), 52-3, 54
Bilbao installation, 233, 235,
263-4n34
"Bird's Nest" stadium (Beijing), x
Blossfeldt, Karl, 123
Blueprint Pavilion (Hadid), 77
Blur Building (DS+R), 99, 125,
263n33
Boccioni, Umberto, 82, 256nl8
Bochner, Mel, 200
Bois, Yve-Alain, 148, 268n37,
268n39
Bordeaux Law Courts (Rogers),
29,30
Borromini, Francesco, 161
Brancusi, Constantin
Bird in Space, 143, 144
influence on Flavin, 193
influence on Serra, 133, 143,
240
analogy with Piano, 55, 60
Broad, Eli, 258n8
Broadwick House (Rogers), 25
Brooklyn Bridge, 152
Brumwell, Su, 20
Buber, Martin, 275nl9
Buchanan, Patrick, 57, 58-9
Buchloh, Benjamin, 144, 145,
267n26,270n52
Buck-Morss, Susan, 285n57
Bunshaft, Gordon, 50, 259n30
Bürger, Peter, 85, 279nl4
Bürgin, Victor, 284-5n54
Calatrava, Santiago, 251-2n39
California Academy of Sciences
(Piano), 54
Calvino, Italo, 62, 263n28
Capp Street Project (DS+R), 93-4
Car Park and Terminus (Hadid),
81
Carré d'Art (Foster + Partners), 43
Cartier Foundation for
Contemporary Art
(Nouvel), 124, 126
CATIA (computer-aided three-dimensional
interactive
application), 14, 270n53
CCTV (China Central Television)
complex, 12, 88, 263-
4n34
Centre Pompidou (Rogers and
Piano), 10, 19-20, 52, 56
Chalk, Warren, 4
Channel 4 Television Headquarters
(Rogers), 25
Charles, Prince of Wales, 252n7
Cheeseman, Wendy, 20
Chiat Day Building (Gehry), 13
Chiswick Park (Rogers), 25
Cincinnati Contemporary Arts
Center (Hadid), 88
City Hall in London (Foster), 37,
38,48
Clark, T.J., 246n3
Coin Street Development (Rogers),
28
I n d e x 2 9 1
Commerzbank Headquarters
(Foster + Partners), 36, 37,
41
Constructivism, 74, 85, 140, 192,
255n2,261nl0, 270n52,
272n75
Contemporary Arts Center
(Hadid), 71
Convoys Wharf (Rogers), 28
Cook, Peter, 4-5
Cooke, Lynne, 110, 115
Corner, James, 103
Crane, Hart, 152
Crompton, Dennis, 4
Crystal Palace (Paxton), 47-8
Dalí, Salvador, 11, 12
Darboven, Hanne, 115-6
Davies, Mike, 28, 31
De Maria, Walter, 112
de Menil, Dominique, 109-10
de Menil, Philippa, 109-10
de Menil Collection, 52, 56-7, 59
Debord, Guy, 125
" Deconstructivist Architecture ",
77
Deleuze, Gilles, 161
Derrida, Jacques, 284n49
Dia Art Foundation, 108
Dia Center for the Arts, 111
Dia:Beacon, 109, 117-9, 122-3,
226, 261nl2, 261nl4,
261nl5, 262nl9
diagrid, 50, 253n4
Diderot, Denis, 146
Diller, Elizabeth, 89, 90. See also
DS+R (Diller Scofidio +
Renfro)
Diller Scofidio + Renfro. See
DS+R (Diller Scofidio +
Renfro)
DS+R (Diller Scofidio + Renfro).
See also postmodernism
about, viii, 257nl, 259n21
approach to site, 259n29
Bad Press, 94
Blur Building, 99, 125, 263n33
Capp Street Project, 93-4
as "creative partners", 258n8
Eyebeam Museum of Art and
Technology, 88-9, 258n5
Facsimile, 98-9
Governor's Island, 260n32
Indigestion, 94
Inertia, 93
Institute of Contemporary Art,
87, 88
interdisciplinarity of, 258nl9
Jet Lag, 94-5
Jump Cats, 97-8
Lincoln Center, 100, 101
on modernist styles, 259n30
media images in, 259n31
Moscone Convention Center
West, 98
Moving Target, 93
neo-avant-garde aspect, 258nl5
Overexposed, 98-9
Para-site, 96-7
The Rotary Notary and His Hot
Plate (Delay in Glass), 92,
93, 99
Slither Building, 285n5
Slow House, 90, 91, 96
Soft Sell, 94
Tourisms, 94
The withDrawing Room, 93—4,
97
Duchamp, Marcel, 8, 92, 144, 235,
264n37
Eames, Charles and Ray, 21, 56
z<?2 Index
Eames House, 21, 56
Eberswalde Technical School
Library (Herzog and de
Meuron), 124
Ecole Polytechnique, 152
Eisenman, Peter, 74, 79, 247n9,
256nl6,272n69
Eliasson, Olafur, 212^1, 286n61
Eliot, T.S., 269n49
Engels, Friedrich, 63
European Court of Human Rights
(Rogers), 29
Expressionist architecture, 5, 74,
85, 86
Eyebeam Museum of Art and
Technology (DS+R), 88-9,
258n5
Fiat Lingotto Factory (Piano), 65
film,166-81, 218, 272-3nl,
273n4, 274n6, 274n8
First Machine Age, 3
Flavin, Dan
about, viii
on art, 202, 204
association with painters,
282n33
Bottle, 193
Goran's Broadway Flesh, 189,
198,200
"declaration" and
"divulgation", 205
The diagonal of May 25, 1963,
190,193,196
on early fluorescent works,
279nl3
on environmental art, 204, 205
icon V (Goran's Broadway
Flesh), 189, 198, 200
icons, 198, 279nl7
on illusionism, 192, 202
on immediacy and mediation,
201
on Letatlin, 193
on materiality and immateriality,
201
on Minimalism, 108, 182
"monument" 7 for V. Tatlin,
195
on multi-media, 282n34,
285n58
oscillation, 188-9
pink out of a corner (to Jasper
Johns), 202, 203
as reader of James Joyce,
279nl2
on sculpture, 277n2
on the utilitarian, 200
Fleetguard (Rogers), 26
Foster, Norman
on Pop design, 27
relationship with Piano, 56
relationship with Rogers, 20
Foster + Partners. See also Foster,
Norman; glass structures
about, ix, viii, X
Beijing Airport, 41-2, 44
Carré d'Art, 43
City Hall in London, 37, 38,
48
Commerzbank Headquarters,
36,37,41
Great Court at the British
Museum, 42, 43, 44
Great Glass House, 46
Hearst Tower, 34-5, 44, 45, 46
Hong Kong Airport, 41
Joslyn Art Museum, 44
Millennium Bridge, 49
Millennium Tower, 47
The National Botanic Garden of
Wales, 46
I n d e x 2 9 3
Palace of Peace and
Reconciliation, 50, 51
Reichstag, 39, 42, 43, 46,48, 49
Sackler Galleries, 44
Sage Music Centre, 37, 48
Sainsbury Centre for Visual Arts,
41
scope of, 253n3, 253n4, 253n5
Singapore Supreme Court, 48
Stansted Airport, 41, 42, 43
Swiss Re, 34, 35, 38, 41, 263-
4n34
Wembley, 28
Foucault, Michel, 173
Frampton, Kenneth, 67, 150, 151,
250n30, 268n41, 269n42,
269n44, 269n46
Freud, Sigmund, 253n6
Fried, Michael, 118, 214, 268n32,
271n62
Friedrich, Heiner, 109,110,118-9
Fuller, Buckminster, 4, 9, 50, 56
Fun Palace (Price), 5
Futurist architecture, 74, 85, 86
Garrels, Gary, 110
Gehry, Frank
Aerospace Hall, 13
Chiat/Day Building, 13
Experience Music Project, 14
Fish Sculpture, 14
Guggenheim Bilbao, 14,116,
221, 230, 263-4n34
influence of Neutra, 13-5
Jencks on, 263-4n34
Pop design, 10-3
as prime architect of digital
period, 86
Walt Disney Concert Hall, 14
Genoa harbor (Piano), 52
Giedion, Sigfried, 3, 106, 260n4
Giuliani, Rudolph, 101
Gluckman, Richard, 106, 108,
112,113
Gober, Robert, 110
Goethe, Johann Wolfgang von,
256nl7
Govan, Michael, 114, 115,
261nl5,280~ln26
Governors Island, 260n32
Graham, Dan, 285n56
Grandfey Viaduct (Maillart), 152
Graves, Michael, 1
Gray, Camilla, 192-3, 196
Great Court at the British Museum
(Foster), 42, 43, 44
Great Exhibition in London
(1851), 47-8
Great Glass House (Foster +
Partners), 46
"Great Utopia" exhibition, 77
Greenberg, Clement, 262n21
Greene, David, 4
Greenwich Peninsula (Rogers), 28
Greimas, A.J., 247n8
Gropius, Walter, 74,104,117
Guggenheim Bilbao (Gehry), 14,
116, 221, 230, 263-4n34
Guggenheim Museum, 114
Habermas, Jürgen, 257n29
Hadid, Zaha
about, viii
attraction to total design,
257n26
Blueprint Pavilion, 77
Car Park and Terminus, 81
Cincinnati Contemporary Arts
Center, 88
Contemporary Arts Center, 71
emphasis on image, 256nl9
influences on, 256n20
2^4 Index
Landesgartenschau, 82-3
Lois Sc Richard Rosenthal
Center for Contemporary
Art, 72
London Aquatics Centre, 84
Ordrupgaard Museum
extension, 83
The Peak, 77, 78
Prado Museum extension, 77
Spiral House, 77
Victoria and Albert Museum, 79
Vitra Fire Station, 77, 80, 82
Wish Machine pavilion, 79
The World (89 Degrees), 75, 76
Hallen für Neue Kunst
(Raussmüller), 261nl4
Hamilton, Richard, 1, 8
Harrison, Wallace, 259n30
Hays, Michael, 95-6, 251n38
Hearst Tower (Foster + Partners),
34-5, 44, 45, 46
Heidegger, Martin, 173
Heizer, Michael, 117, 138, 218
Herron, Ron, 4
Herzog, Jacques, and Meuron,
Pierre de
about, viii, X
Eberswalde Technical School
Library, 124
"Essays and Lectures", 263n32
"faux phenomenology", 264n38
Goetz Collection, 124-5
as Minimalist, 108, 261nl3
Ricola Production and Storage
Building, 123
"surfaces for projection", 126
Tate Modern Project, 116, 127,
128
Hesse, Eva, 159
High Line, 101-3
High Museum (Piano), 53
Hollein, Hans, 261nl4
Holocaust Memorial Museum, 155
Holzer, Jenny, 110
Hongkong Sc Shanghai Bank,
40-1
Hong Kong airport (Foster), 41
House of the Future (Smithson),
3-4
Hudson River School art
movement, 118
Husserl, Edmund, 210
ICA, 252nl
IG (Independent Group), 1
INMOS Microprocessor
Factory (Richard Rogers
Partnership), 26
Institute of Contemporary Art
(DS+R), 87, 88
"International Style" exhibition, x,
245nl
"Into the Light: The Projected
Image in American Art",
273n2
Irwin, Robert, viii, 115, 183, 206-
9, 229, 283n39, 284n49
Isabella Stewart Gardner Museum
(Piano), 53
Isles, Chrissie, 274nl0
Izenour, Steven, 248n4
Jameson, Fredric, 246n3, 247n8
Jean-Marie Tjibaou Cultural
Center (Piano), 60-1,
254nl2
Jencks, Charles, 263-4n34
Jodido, Philip, 58
Johns, Jasper, 192, 240
Johnson, Philip, 77, 259n30
Joslyn Art Museum (Foster), 44
Joyce, James, 280-ln26
I n d e x Z 9 5
Judd, Donald, viii, 108, 134, 135,
145,182, 184, 185,187,
188,207-9, 218, 265n6,
277n2
Juilliard School, 100, 101, 259n30
Kahn, Louis, 23, 55, 150
Kandinsky, Wassily, 275nl6
Kansai International Airport
(Piano), 52, 53, 59
Kant, Immanuel, 211
Kaprow, Allan, 196
Kelly, Mary, 258nl4
Kiley, Dan, 259n30
Kimbell Art Museum (Piano), 53
Koolhaas, Rem
' Delirious New York, 11, 12
as influence on Hadid, 74, 77,
79
Office for Metropolitan
Architecture (ОМА),
250n32
Sea Terminal, 251n37
Seattle Public Library, 12, 50,
88,234
Kracauer, Siegfried, 285n57,
286n62
Krauss, Rosalind
influence of Smith, 278n5
onJudd, 184-5
on sculpture, 155, 157
"Sculpture in the Expanded
Field", 246-7n6
on site-specificity, 140
Krens, Thomas, 114
Krier, Léon, x
Kubier, George, 136
Kundera, Milan, 62
Landesgartenschau (Hadid), 82-3
Lapidus, Morris, 7
Laugier, Abbé, 150
Le Corbusier
about, X
Decorative Art of Today, 59-60
industrial structures, 117,
260nl
in relation to contemporary
architecture, 49, 74, 89-90
L'Esprit nouveau, 104
Ronchamp, 223, 224
Vers une architecture, 65, 104,
105,269n42
Villa Savoye, 256n22
Leibniz, Gottfried, 161
Leider, Phil, 207, 209
Levinas, Emmanuel, 275nl9
LeWitt, Sol, 84
Libeskind, Daniel, 251-2n39
"Light Construction" exhibition,
62,263n25
Lincoln Center (DS+R), 100, 101
Linder, Michael, 245n2
Littlewood, Joan, 5
Lloyd's of London (Rogers), 23-
4
Lloyd's Register (Rogers), 25
Lois & Richard Rosenthal Center
for Contemporary Art
(Hadid), 72
London Aquatics Centre (Hadid),
84
Loos, Adolf, 49-50, 246-7n6
Lord, Chip, 8. See also Ant Farm
Los Angeles County Museum of
Art (Piano), 53
Louis, Morris, 196, 204
Lower Lea Valley (Rogers), 28
Lynn, Greg, 256nl6
Maillart, Robert, 151, 152, 221
Maison Hermès (Piano), 63-4
296 Index
Makowski, Zygmunt, 55
Malevich, Kasimir, 72-3, 74-5,
76, 77
Marey, Étienne-Jules, 93
Markov, Vladimir, 198, 280nl9
Marquez, Hudson, 8. See also Ant
Farm
Martin, Agnes, 115
Marx, Karl, 63
Mass MoCA (Govan), 114
Matté Trueco, Giacomo, 65
MAXXI (Museum of XXI Century
Arts), 71, 73,116
McCall, Anthony
about, viii, xi
background of, 171-2
Between You and I, 167, 169,
275nl9, 276n22,
276n25
Breath, 174, 175
Breath II, 174,175-6
Breath III, 174,175,176
on cinema, 170-1
Coupling, 174, 176-7, 179,
275nl9
on film,273n4, 274n6,
277n30
"Into the Light: The Projected
Image in American Art",
273n2
on light, 168, 274-5nl4,
276n24
Line Describing a Cone,
166-7,272-3nl, 274nll,
275nl6
Meeting You Halfway, 174, 176,
177, 275nl9
neo-avant-garde aspect, 180
Room with Altered Window,
272-3nl
Skin, 275n21
Skirt, 275n21
on spiritual dimension, 178
terminology, 174
McLaren Technology, 36
Meier, Richard, 74
Menil Collection, 52, 56-7, 59
Merleau-Ponty, Maurice, 210
Michels, Doug, 8. See also Ant
Farm
Mies van der Rohe, Ludwig, 12,
49-50, 58, 74, 221
Miesian tower (Mies van der
Rohe), 12
Millennium Bridge (Foster), 49
Millennium Dome (Rogers), 26,
31-2
Millennium Tower (Foster), 47
Minimalism. See also sculpture
about, viii
afterlife of, 260n7
anti-illusionism of, 202
effect on simple objects, 83
full emergence of, 107
influence on Herzog and de
Meuron, 261nl3
overview, 104-29, 267n24,
271n66
Richard Serra on containment
of, 243-4
significance of, 261n9
Miss, Mary, 246-7n6
Mitchell, Michael, 246-7n6
Moholy-Nagy, László
light experiments of, 179-80
Light Prop for an Electric Stage,
180
Lightplay: Black/White/Gray,
181
Prom Material to Architecture,
180
The New Vision, 180
I n d e x 2 9 7
Painting, Photography, Film,
180
on transparency, 106
MoMA (Museum of Modern Art),
77,119,120,121,122,
262-3n23
Moore, Charles, 1
Morgan Library extension (Piano),
53
Morris, Robert, 145, 265n6,
282n35
Mosakowski, Susan, 92
Moscone Convention Center West
(DS+R), 98
Museum für Moderne Kunst
(Hollein), 261nl4
Museum of Modern Art (MoMA),
77,119,120, 121, 122,
262-3n23
Museum of XXI Century Arts
(MAXXI), 71, 73,116
Muybridge, Eadweard, 93
Nabisco, 115
Nasher Sculpture Center (Piano),
53
Natalini, Adolfo, 8. See also
Superstudio
National Assembly of Wales
(Rogers), 29, 31
National Botanic Garden of Wales
(Foster + Partners), 46
National Gallery extension
(Rogers), 28
Nauman, Bruce, 159, 232
Neutra, Richard, 13, 56
New Babylon project (Frampton),
250n30
New Museum, 120
Newman, Barnett, viii, 192,
266nl0,284n53
Niccolö Paganini Auditorium
(Piano), 53
Noland, Kenneth, 204
Nouvel, Jean, 124,126
Novalis, 285n60
Obrist, Hans Ulrich, 258n9
Office for Metropolitan
Architecture (OMA),
250n32
Oldenburg, Claes, 13, 249n21
Olitski, Jules, 204
OMA (Office for Metropolitan
Architecture), 250n32
Open Office, 115
Ordrupgaard Museum extension
(Hadid), 83
Ove Arup & Partners, 56, 253n2
painting, 182-214,277n2
Painting and Sculpture at MoMA,
262n21
Palace of Peace and Reconciliation
(Foster + Partners), 50, 51
Palermo, Blinky, 115
Parco delia Música (Piano), 53
Paternoster Square (Rogers), 28
Patscentre (Rogers), 26
Paul Klee Museum (Piano), 53
Paxton, Joseph, 47-8
Pevsner, Nikolaus, 3
Piano, Renzo. See also light
modernity; Pop design
about, ix, viii, X
Art Institute of Chicago, 53, 66
Beaubourg, 19-23
Beyeler Museum, 52-3, 54
Centre Pompidou, 10,19-20,
52, 56
Fiat Lingotto Factory, 65
Genoa harbor, 52
298 Index
High Museum, 53
influence of Rice, 21
Isabella Stewart Gardner
Museum, 53
Jean-Marie Tjibaou Cultural
Center, 60-1, 254nl2
Kansai International Airport, 52,
53,59
Kimbell Art Museum, 53
Los Angeles County Museum of
Art, 53
Maison Hermès, 63-4
Morgan Library extension, 53
Nasher Sculpture Center, 53
New York Times tower, 53—4,
55,58
Niccoló Paganini Auditorium,
53
on "the piece", 56-9
Parco delia Música, 53
Paul Klee Museum, 53
Potsdamer Platz, 52
Whitney Museum of American
Art, 53
Pollock, Jackson, 133, 196,
266nl0
Poons, Larry, 204
Pop design, 1-16, 107, 251-2n39
Postminimalism, 182
postmodernism, 7-8, 87-103,
255n3. See also DS+R
(Diller Scofidio + Renfro)
Potsdamer Platz (Piano), 52
Potts, Alex, 284n52
Powell, Kenneth, 20
Prado Museum extension (Hadid),
77
Price, Cedric, 5
Pritzker Architecture Prize, 71
Prouvé, Jean, 55, 56, 60
Qatari royal family, 252n7
Rappaport, Herman, 284-5n54
Rauschenberg, Robert, 192
Raussmiiller, Urs and Christel,
261nl4
Reichstag (Foster), 39, 42, 43, 46,
48,49
Reliance Controls Factory
(Rogers), 20-1
Renfro, Charles, 90. See also DS+R
(Diller Scofodio + Renfro)
Renzo Piano Building Workshop,
52, 54. See also Piano,
Renzo
Rice, Peter, 21, 26, 56
Richard Rogers Partnership (RRP),
21-3, 26, 27. See also
Rogers, Richard
Richter, Gerhard, 115
Ricola Production and Storage
Building (Herzog and de
Meuron), 123
Riegl Alois, 240
Riggio, Leonard, 117-8
Riley, Terence, 62, 122, 263n25,
263n28, 263n33, 264n37
Rodchenko, Aleksandr, 108, 192
Roebling, John and Washington,
221
Rogers, Richard. See also Pop
design
about, ix, viii, X, 252n5
Bankside, 28
Barajas Airport in Madrid, 27-8
Beaubourg, 19-23
Bordeaux Law Courts, 29, 30
Broadwick House, 25
Centre Pompidou, 10, 19-20, 52
Channel 4 Television
Headquarters, 25
I n d e x 2 9 9
Chiswick Park, 25
Coin Street Development, 28
Convoys Wharf, 28
European Court of Human
Rights, 29
Fleetguard, 26
Greenwich Peninsula, 28
Lloyd's of London, 23-4
Lloyd's Register, 25
Lower Lea Valley, 28
Millennium Dome, 26, 31-2
National Assembly of Wales,
29, 31
National Gallery extension, 28
Paternoster Square, 28
Patscentre, 26
Reliance Controls Factory, 20-1
Royal Albert Docks, 28
Silvertown Docks, 28
Terminal 5 at Heathrow, 27-8
Transbay Terminal in San
Francisco, 27
Waterside, 25
Zip-Up House, 21-2
Ronchamp (Le Corbusier), 223,
224
Rosenberg, Harold, 282n36
Rossi, Aldo, X
Rowe, Colin, 107, 126
Royal Academy of Arts, 44
Royal Albert Docks (Rogers), 28
RRP (Richard Rogers Partnership),
21-3, 26, 27. See also
Rogers, Richard
Rubin, William, 262n21
Ruff, Thomas, 123
Ruscha, Ed, 6-7
Russell, Bertrand, 147
Saarinen, Eero, 259n30
Sackler Galleries (Foster), 44
Sage Music Centre (Foster), 37, 48
Sainsbury Centre for Visual Arts
(Foster), 41
San Carlo aile Quattro Fontane
(Borromini),161
Sant'Elia, Antonio, 22, 256nl8
Scharoun, Hans, 221
Schmidt, Eric, 246n4
Schoeller textile factory, 261nl4
Schreier, Curtis, 8. See also Ant
Farm
Schumacher, Patrik, 75-6, 255nl2
Scofidio, Ricardo, 89. See also
DS+R (Diller Scofidio +
Renfro)
Scott Brown, Denise
about, 1
formation of, 248-9nl5
Learning from Las Vegas, 2,
6-7, 8,10,11, 248n4,
249n25
sculpture, 133-65, 215-21, 277n2
See also Minimalism
Sea Terminal (Koolhaas), 251n37
Seagram Building (Mies van der
Rohe), 58, 98, 251
Seattle Public Library (Koolhaas),
12, 50, 88,234
"Second Machine Age", 2, 3, 86,
257n26
Seitz, William, 192
Sej ima Kazuyo, 108
Semper, Gottfried, 150
Serra, Richard
about, viii, xi
Afanger, 141
Band, 235, 239, 241
on Baroque architecture, 161,
222-4
CATIA program, 270n53
Chamber, 140
Зоо I n d e x
on contemporary architecture,
234-7
Delineator, 232
Double Torqued Ellipse, 160,
162
The Drowned and the Saved,
154,155,157-8, 271n63
To Encircle Base Plate
Hexagram, Right Angles
Inverted, 137
on evolution of his work, 224-8
Exchange, 140
Gate, 151
Gravity, 155,156,157-8, 241,
271n63, 271n64
Hand Catching Lead, 219, 220
The Hedgehog and the Fox, 142
House of Cards, 137, 215-6,
220
industrial structures, 117
influence of Tatlin, 267n25
To Lift, 136-7
literal transparency in, 108
on "literalist dogma", 229
"The Matter of Time", 230,
231,286n3
on Minimalism, 134-5, 159,
243-4
Open Ended, 235
Philibert et Marguerite, 148
on the picturesque, 268n37
principles of, 140-1
Promenade, 237-9
on psychological dimension,
231-4
Richard Serra: Sculpture 1985-
1998, 134, 269n50
on sculpture, 133,147, 215-21,
264n2
Sequence, 235, 236, 237, 239,
241
on sequences, 240-2
Shift, 138,139
Sight Point, 140,141, 237, 239
Spin Out: For Bob Smithson,
138
St. John's Rotary Arc, 222,
229-30
Strike: To Robert and Rudy,
135,137,216
Sub-tend 60 Degree, 141
on tectonics, 150-2, 221-2
Tilted Arc, 148, 221-2, 229-30,
269n48
Timber, 151
T-junction, 151
Torque, 141
on torqued pieces, 229-31,
237-9
Torqued Spiral (Right Left), 163
Between the Torus and the
Sphere, 265-6n9
Trunk, 148
Union of the Torus and the
Sphere, 265-6n9, 266
"Verb List", 136
Wake, 226, 111
"Weight", 271n61
Weight and Measure, 148
Writings, 265n7, 266nl0,
268n36, 269n45, 270n56
Silvertown Docks (Rogers), 28
Singapore Supreme Court (Foster),
48
Skidmore, Owings and Merrill,
49-50
Slither Building (DS+R), 258n5
Sloterdijk, Peter, 62
Slow House (DS+R), 90, 91, 96
Slutzky, Robert, 107, 126
Smith, David, 185, 186, 188
Smith, Tony, 134, 210-2
I n d e x 3 0 1
Smithson, Alison and Peter, 1, 2-4,
248n9
Smithson, Robert, 138, 159, 218,
278nl0, 281n30
Smithsonian Institution, 42
Spiral House (Hadid), 77
Staatsgalerie (Stirling), 261nl4
Stansted airport (Foster), 41, 42,
43
Stella, Frank, 265n6
Stella, Joseph, 152
Stern, Robert, 1
Sternfeld, Joel, 101
Stirling, James, 3, 261nl4
Stommeln Synagogue, 155
Superstudio, 8, 9-10
Suprematism, 85
Surrealism, 272n75
Swiss Re (Foster + Partners), 34,
35,38,41, 263-4n34
Sydney Opera House (Utzon), 234
Taniguchi Yoshio, 119,121,122,
263n25
Tate Modern Project (Herzog
and de Meuron), 116, 127,
128
Tatlin, Vladimir
Constructivism of, 108, 140,
192
Corner Relief, 77
Letatlin, 193
on icons, 280nl8
influence on Serra, 267n25
Monument to the Third
International, 193, 194,
266nl5
Selection of Materials, 198, 199
Taut, Bruno, 50, 125
Technical School Library, 123
tectonics, 150-2, 155, 221-2
Terminal 5 at Heathrow (Rogers),
27-8
Thames Valley University, 27
Toraldo di Francia, Cristiano, 8.
See also Superstudio
Transbay Terminal in San
Francisco (Rogers), 27
"Triumph of American Painting",
262n21
Tschumi, Bernard, 256n20
Turrell, James, viii, 183, 209-11,
229,283n46, 283n47
Urban Task Force, 29
Utzon, Jörn, 234
van Brüggen, Coosje, 13
Venturi, Robert
about, 1
Beaux Arts tradition, 248-9nl5
Complexity and Contradiction
in Architecture, 248n4
influence of Ruscha, 249-50n26
Learning from Las Vegas, 2,
6-7, 8,10, 11, 248n4,
249n25
Pop design, 5, 6
Victoria and Albert Museum
extension (Hadid), 79
Vidier, Anthony, x, 245n2,
264n37, 272n76
Villa Savoye (Le Corbusier),
256n22
Viola, Bill, 213
Vitra Fire Station (Hadid), 77, 80,
82
Wagner, Anne, 283n45, 284n53
Walt Disney Concert Hall (Gehry),
14
Warhol, Andy, 235, 278n3
302 Index
Warhol Museum, 110,113, 114
Waterside (Rogers), 25
Webb, Michael, 4
Wembley (Foster + Partners), 28
Werkbund Exhibition, 50
Whitman, Walt, 152
Whitney Museum of American Art
(Piano), 53
Wigley, Mark, 77
Willis Faber & Dumas, 40-1, 49
Wish Machine pavilion (Hadid),
79
Wölfflin, Heinrich, 161
World Trade Center, 32, 51
Wright, Charles, 110
Yamasaki Minoru, 50
Zenghelis, Elia, 74, 77
Zip-Up House (Rogers), 21-2
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