Bold indicates image in text.
A
Abandoned House #4 (Durant), 56
Abandoned Works (Hirschhorn), 99
abject, 7-28
abjection
defined, 16
fascination with, 26, 27
Abramovi, Marina, 128, 133, 126,
127
Acconci, Vito, 128
actuality
defined, 183-4n34
in praise of, 127-40
Ader, Bas Jan, 154n29
Adorno, Theodor, 71, 93, 138, 153n22
aesthetic autonomy, 59, 100, 137
aesthetics
relational aesthetics, 103, 123, 134,
137, 151n4
of resistance, 40
Aesthetics and Its Discontents
(Rancière), 117
Aesthetic Theory (Adorno), 71, 93
affect, role of, 25
affect discourse, 120
"Against Interpretation" (Sontag),
181nl2
Agamben, Giorgio, 111, 149n22
aggression against the visual, 14
"Aggressivity in Psychoanalysis"
(Lacan), 90
agitprop, 35, 40
al-Qaeda, 66
altars, of Hirschhorn, 36, 37, 40, 106,
108, 112
Althusser, Louis, 116
anal eroticism, 20, 21-2, 149n24
Andrée, S. A., 50
Anger, Kenneth, 51
anti-aesthetic, 122, 137
antifetishistic critique/antifetishism,
117,118,119, 121, 175n26
Appadurai, Arjun, 174-5n22
archival, 31-60
archive reason, 159n67
Arendt, Hannah, 124
art-historical connections, 68
artist
as archivist, 34, 35, 43
as curator, 34
as ethnographer, 35
artistic critique, 172n6
artistic universality, 100
assimilation by camouflage, 24
Atget, Eugène, 53
Atlas (Richter), 60
Auster, Paul, 27
"Author as Producer" (Benjamin), 103,
116
autonomy, 113. See also aesthetic
autonomy
avant-garde
attraction of abjection to, 16
defiance in, 21, 22
defined, 4, 94-5
function of, 137
goal of, 17, 132
motives of, 94
"Avant-Garde and Kitsch"
(Greenberg), 137
В
Bacchus (Caravaggio), 69
Bachmann, Ingeborg, 37, 38, 41, 106,
112, 152nl6
Ball, Hugo, 91, 92-3, 94, 108
Ballard, J. G., 77
bare life, 111
Barney, Matthew, 133
Baroque art, 12
Barrada, Yto, 124
Bartana, Yael, 31
Barthes, Roland, 28, 119, 133
bashed ego, 94, 163n31
Basic Research (Genzken), 78, 84
Bataille, Georges, 13, 16, 19, 20, 24,
39, 40,105,108,109,136,137
Bataille monument (Hirschhorn), 101
The Battle of Orgreave (Deller), 131,
132
i88 Index
Baudelaire, Charles, 88, 93, 140,
162-3n27
Baudelairean modernism, 150n35
Bauhaus, 84, 85
Baum, Kelly, 183n29
Bayer, Herbert, 79
Beck, Ulrich, 166n6
Being and Nothingness (Sartre), 7
Bell, Daniel, 170nl
Benjamin, Walter, 24,46, 47, 53, 54,
88, 93, 95, 103, 110,112, 116,138,
140, 145-6n5,154-5n32, 180nll
Bennett, Jane, 120,121
Berlin Wall, fall of, 3
bête, 99,105,106,107
Beuys, Joseph, 104, 107, 110, 128
biennials, 127
big data, 123,134,177n37
Bismarckstrasse (Genzken), 82
Björk, 179n6
Blake, William, 176n28
blind spots, 52, 54, 157n46
Bloch, Ernst, 41, 106
"Blood and Soil," 106
Bloom, Allan, 170nl
Böcklin, Arnold, 71
body
breaching of, 25
damaged/violated bodies, role of, 27
maternal body, 13,16,17
Boltanski, Luc, 172n6
Bonami, Francesco, 151n4
Bonnet I (Woman) (Genzken), 87, 88
Bonnet II (Man) (Genzken), 87, 88
Bourriaud, Nicolas, 34, 123, 134
Bove, Emmanuel, 38, 152nl6
Brancusi, Constantin, 120
Brecht, Bertolt, 99, 104, 107, 116,
180nl0
Bredekamp, Horst, 175n23
Breton, André, 19, 20
Broch, Hermann, 71
Broodthaers, Marcel, 154n29,167-
8n24
Bubble House, 44,45,46
Bubble House (Dean), 46
Buchloh, Benjamin, 60,104, 109
Buckingham, Matthew, 31,48, 176n31
"Bunk" (Paolozzi), 70
Burnett, Graham, 176n34
Burr, Tom, 31
Burroughs, William S., 50
Burton, Johanna, 128
Butler, Judith, 103, 104
Bynum, Carolyn Walker, 175n24
Byrne, Gerard, 31
С
Cabaret Voltaire, 91
Cage, John, 134
Caillois, Roger, 24
camouflage, assimilation by, 24
capitalist garbage bucket, 41, 95, 99
capitalist junkspace, 2, 53
capitalist nihilism, 95
Caravaggio, 69, 146-7n9
Carver, Raymond, 37, 152nl6
Case Study Houses, 55
The Cathedral of Erotic Misery
(Schwitters), 153nl7
Cattelan, Maurizio, 96
celebrity-spectacle complex, 41
Charlesworth, Sarah, 10
Chiapello, Eve, 172n6
Christiania, Copenhagen, 48-9
Church, Judson, 127
citation, in archival art, 35
Cities of the Red Night (Burroughs), 50
citizenship, 124
Civilization and Its Discontents
(Freud), 20
civil rights movement, 31
Clark, T. J., 138
collaboration, 136
commodification, 91, 137
commodity, 90, 100, 109, 118,121, 137
commodity culture, 79
commodity exchange, 109
commodity fetishism, 121
Communist, 35, 40
Conceptual art, 32
connecting what cannot be connected,
59
Constructivism, 4
contemporary art, characterization
of, 3
Index 189
conversations, marathon, 182n20
convulsive possession, 25
Cooper, Dennis, 27
corpse, as subject of abjection, 27
counter-hegemonic, 39
counter-repression, 158n56
Crary, Jonathan, I8O11II
creative indeterminacy, 134
critical art, 118, 122
critical iconoclasm, 174n20
criticality, 115, 173-4nl7, 181nl5
critical theory, 115, 116, 119, 120,
122, 170nl
critics
destructive critic, 119
emergence of, 122-3
positioning of, 116, 117, 119
critique
antifetishistic critique/antifetishism,
117, 118, 119, 121, 175n26
institution critique, 32
of representation, 2, 116
Cronenberg, David, 77
Crowhurst, Donald, 43-4
Crowley, Aleister, 51
Crowley group, 51, 52
Cultural Contradictions of Capitalism
(Bell), 170nl
cultural politics, 24, 41, 170nl
curatorships, 127
Dada/Dadaists, 87, 91-4, 95, 108,
146-7n9, 153n20
damaged/violated bodies, role of, 27
database art, 34
Davey, Moyra, 31
Da Vinci (Genzken), 84
Day for Night, Christiania (Koester),
48, 49, 49
Dean, Tacita, 31, 35, 41-8, 54, 55,
56,59
death drive, 150n35, 151n7
deconstruction, 116
defetishization, 122, 176n31
Deleuze, Gilles, 39, 103
Deleuze monument (Hirschhorn), 101
Deller, Jeremy, 31, 95, 131-2, 176n31
Derrida, Jacques, 111, 151n7
desublimation, 12, 146n6, 148nl8
détournement, 37, 106, 116
The Devil's Blind Spot (Kluge), 54
dialectical image, 140
dialectics, 59, 78, 80, 83, 85, 90, 122,
153n22,180nll, 182nl7
DiCaprio, Leonardo, 89
Dick, Philip K., 77
Didi-Hubermann, Georges, 175n23
Die Aesthetik des Widerstands (Weiss),
40
digital dividuals, 89
Dion, Mark, 32
dioramas, 67, 68
Direct Sculpture (Hirschhorn), 36
direct sculptures, of Hirschhorn, 36-7,
38
Disappearance at Sea I (Dean), 44,44
Disappearance at Sea II (Dean), 44
documenta 11, 39
Dol ven, Jeff, 176n34
dompte-regard (taming of the gaze), 10
Douglas, Emory, 56
Douglas, Mary, 147nll
Douglas, Stan, 32
Dracula (Stoker), 50
Dracula trope, 178n2
D'Souza, Dinesh, 170nl
Duchamp, Marcel, 21, 68, 88, 90, 94,
95, 120, 133, 134
dumb looking, 106
Durant, Sam, 31, 35, 46, 54-9
Dürer, Albrecht, 87
с
Eames, Charles, 54
Eames, Ray, 54
Eco, Umberto, 133
Écrits (Lacan), 90
Eggers, Dave, lS9ti66
ego, 89-90. See also bashed ego
The Eighteenth Brumaire of Louis
Bonaparte (Marx), 123
Ellipsoids (Genzken), 78
Ellwood, Craig, 55
The Emancipated Spectator (Rancière),
118
190 Index
emergency, 99, 111, 112
Emergency Library (Hirschhorn), 98,
111
The Emigrants (Sebald), 47
Empire/Vampire, Who Kills Death
(Genzken), 79, 90
Enwezor, Okwui, 151n4
Erickson, Steve, 27
Ernst, Max, 92, 94
Etant donnés (Duchamp), 68
evil eye, 13,145-6n5
exaggeration, 92
exception, state of, 110
excremental impulse, 21
expenditure (dépense), 99, 108, 109
Experience (Höller), 135
Export, Valie, 128
Expressionism, 9
F
failed futuristic visions, 45, 47,154n31
the fan, 106
Fast, Omer, 32
feminist artists/art, 10, 32
festivals, of Hirschhorn, 108
fetishism, 117, 118, 120, 153nl7,
164n36,173nl7,174-5n22,176n29
fetishization, 121, 175n26
fiction
archival impulse in, 159n66
mimetic exacerbation as practiced
in, 164n37
fictional feelings, 71
Fischer, Urs, 133
Flight Out of Time (Ball), 91, 92
Fluxus, 134
Foer, Jonathan Safran, 164n37
Fontaine, Claire, 124, 178n2
Fontcuberta, Joan, 32
Ford, Henry, 70, 100
Forkert, Kirsten, 131
formlessness, 136, 138
Foucault, Michel, 28, 55, 116, 119,
133, 154n27
The Four Fundamental Concepts of
Psychoanalysis (Lacan), 7
Fraenkel, Knut, 50
Frankenstein trope, 178n2
Freud, Sigmund, 20, 21, 24, 60, 77-8,
89, 118, 119, 121
Freundlich, Otto, 37, 38, 40, 106, 112
Fried, Michael, 181-2nl6
Friedrich, Caspar David, 50
From the Travel of Jonathan Harker
(Koester), 50
Fuck the Bauhaus (New Buildings for
New York) (Genzken), 78
Fuck the Bauhaus #4 (Genzken), 79, 90
Futurism, 175n27
G
Gaddis, William, 164n37
Gaillard, Cyprien, 95
game of substitutions (le jeu des
transpositions), 19
Gauguin, Paul, 113
gaze
Lacanian diagram of, 8-9
in Sherman's work, 13-14
understanding of, 7-10, 24,145-6n5
Gehry, Frank, 180nll
Gell, Alfred, 174-5n22
Genet, Jean, 43
Genzken, Isa, 78-91, 95
Géricault, Théodore, 69
Gesamtkunstwerk (total work of art),
78
Giacometti, Alberto, 77, 120
Giddens, Anthony, 166n6
gift exchange, 109
Gillick, Liam, 32, 151n6
Girl Stowaway (Dean), 42,43
given, mimesis of the, 78
"Global Village Idiot" (Kessler), 75-6
Gober, Robert, 62, 64-70, 72, 77, 78,
80,91
"God and Guns," 106
Gordon, Douglas, 32, 33
Graham, Dan, 32
Gramsci, Antonio, 39, 40, 107
Gramsci Monument (Hirschhorn), 101,
102
Grass, Günter, 154-5n32
Green, Renée, 32, 154n29
Greenberg, Clement, 59, 71, 122, 137,
138, 173-4nl7
Index 191
H
Haacke, Hans, 124
Habermas, Jürgen, 122, 124
Hamilton, Richard, 79
happenings, 178 ni
Harrison, Rachel, 95, 162nl7, 178n2
Hayes, Sharon, 124, 131
Heartfield, John, 32, 98
"Heaven's Gate" (Kessler), 73, 75
Hegel, Georg Wilhelm Friedrich, 131
Helms, Jesse, 19
Hesse, Eva, 158n56
Hirschhorn, Thomas, 31, 35, 36-41,
59,95,98, 99-113, 124
Hirst, Därmen, 96
historical exhibitions, 130
histories (Koester), 54
history, parallactic model of, 49
Hitchcock, Alfred, 32
Hobbes, Thomas, 111
Hoch, Hannah, 32
Höller, Carsten, 135
homophobia, 147nll
Honeycomb (Genzken), 81
Huelsenbeck, Richard, 92
Huyghe, Pierre, 32, 33, 123, 134,
176n31
Hyperboles (Genzken), 78
hypertrophy, 92
hysterical realism, 164n37
Icarian pose, 19, 20
The Ignorant Schoolmaster (Rancière),
104
image screen, 8-9, 9, 10, 11, 13, 16,
17, 25
Independent Group, 32
indeterminate, 34, 134
index of things, 53, 54
informe, 13, 24, 86, 137
Ingeborg Bachmann Kiosk
(Hirschhorn), 38
installation art, 175n26
installation format, 32
institution critique, 32
interactivity, 34, 151n4
Internet
algorithmization of operations of,
121
reformatting of art for, 95
role of in archival art, 34
Isa (Genzken), 83
J
Jacir, Emily, 124
Jackson, Michael, 106
Jameson, Fredric, 25
Jamie, Cameron, 95
Janeo, Marcel, 93
Jay-Z, 179n6
"Jean Genie" (song), 43
Jeinnie, Jean, 42,43
Johnson, Denis, 27
Joselit, David, 139,172n5
Joseph, Manuel, 166nl2
Judd, Donald, 173-4nl7
Julien, Isaac, 124
junkspace, 2, 4,53, 90, 95, ,
153n21,162nl7 ,
juxtaposition, 35, 77,156n39,166-
7nl4
К
Kalinin, Mikhail, 52
Kant, Emmanuel, 52, 59, 12 ,
The Kant Walks (Koester) 52 53
Kelley, Mike, 21, 22, 23 24,27,90,95
Kessler, Jon, 72-8, 80,9
Kienholz, Ed, 91
Kimball, Roger, 170nl
Kinsey, Alfred, 51 5
kiosks, of Hirschhorn, 36, 38,4U,
1°8 . Qn
kitsch, 37,41, w '
Klucis Gustav 35 , 5n27
Kluge, Alexander, 49,
Koening, Pierre, 55
Koester, Joachim, 30,31, 5 ,
56'59 Kolbowski, S-i,l v•i a, 1m
Koolhaas, Rem, 12»
Koons,Jeff,95,162nl7
Krauss, Rosalind 5 25
192 Index
Kruger, Barbara, 6, 10
Kundera, Milan, 71
L
Lacan, Jacques, 7-9, 24, 89, 90,
145-6n5
Lacanian diagram, 8-9, 10, 13
Lacanian psychoanalysis, 7, 69
Lambert-Beatty, Carrie, 179n7
Landscape Art (Emory Douglas)
(Durant), 56, 57
languages, mass-cultural, 41
La part maudite (Bataille), 108, 109
Lassry, Elad, 129
Latour, Bruno, 117, 118, 119, 120,
121, 124
the Left, 41, 60, 99, 106, 115
Léger, Fernand, 38,40
le jeu des transpositions (game of
substitutions), 19
Leonard, Zoë, 32
Les plaintifs, les bêtes, les politiques
(Hirschhorn), 104, 105,105, 107
Let's Talk (Kelley), 22
Leviathan (Hobbes), 111
Levinas, Emmanuel, 103
Levine, David, 178nl, 179-80n8
Levine, Sherrie, 10, 59
Lévi-Strauss, Claude, 167-8n24
"The Life of Infamous Men"
(Foucault), 154n27
lingua trauma, 27, 28
live events, 128
Live in Tour Head: When Attitudes
Become Form, 130-1
Louis Vuitton Foundation Museum,
180nll
Lumpen, 24
Lumpenprole (Kelley), 24
M
Maciunas, George, 133
Magritte, René, 68
Manzoni, Piero, 21
marathon conversations, 182n20
Marker, Chris, 32
Marx, Karl, 24, 106, 109, 116, 118,
119, 121, 123
mass-cultural languages, 41
materialism, vital, 120
maternal body, 13, 16, 17
Matta-Clark, Gordon, 158n56
Mauss, Marcel, 109
McCarthy, Paul, 21, 22, 24, 95
McElheny, Josiah, 32
McEwan, Ian, 27
McLuhan, Marshall, 75
memory industry, 159n67
mere similarity, state of, 25
Merleau-Ponty, Maurice, 7, 8
Merz (Schwitters), 90-1
Merz, Mario, 154n29
Merzbau (Schwitters), 35
Message from Andrée (Koester), 30, 50
methodological fetishism, 174-5n22
Miller, John, 21,22, 24
mimesis
of the given, 78
of regression, 20, 22
mimetic, 63-96, 137, 138
mimetic adaptation, 91, 92, 93
mimetic exacerbation, 78, 91, 92, 95,
108, 116, 138, 139, 162nl9, 164n37
Minimalist/ism, 55, 78, 131, 158n56,
176n30
"Mirror Stage" (Lacan), 90
MLR (Genzken), 78, 84, 85
mnemotechny of the beautiful, painting
as, 140
"Modernity—An Incomplete Project"
(Habermas), 153nl9
"Modern Vision" (Kessler), 73
Moholy-Nagy, László, 84, 87
Mondrian, Piet, 37, 40, 133
monuments, of Hirschhorn, 36, 38-9,
101-2, 107, 108
The Morgue (Burnt to Death)
(Serrano), 26
Morning of the Magicians (Koester),
51
Müller, Christian Philipp, 32
Murakami, Takashi, 95, 162nl7
Musée Précaire Albinet (Hirschhorn),
101, 101
museums
boom in new museums, 128
Index 193
as mausoleums, 135, 181-2nl6
as sites of activation, 134, 181-2nl6
My Brain (Genzken), 86, 86
N
National Gallery of Art (Washington),
181-2nl6
National Security Administration, 89
Nauman, Bruce, 128
"Negative Expressionism" (Benjamin),
93
Negt, Oskar, 175n27
Neoclassical, 9, 12
Neo-Concretism, 134
neoconservative Right, 170nl
neo-Gramscian, 139
neoliberalism/neoliberal capitalism, 3,
27, 100, 110, 117, 124, 131, 138,
172n5, 178n2
neo-Situationist, 139
Neutra, Richard, 55
New Buildings for Berlin (Genzken),
78,81,83
New Criticism, 133
The New Land(s) and the Tale of
Captain Mission (Koester), 50
Nietzsche, Friedrich, 93
nihilism, 95, 96, 116, 117,172n7
9/11
aftermath of, 67, 69, 70, 72, 73, 78,
110, 115
emergency as norm thereafter, 4
1989, significance of, 3
Nirvana, 149-50n31
No Ghost Just a Shell (Huyghe and
Parreno), 32
Nolde, Emil, 38, 40
nonexclusive public, 104, 108
Nordenskiöld, Nils A. E., 50
object gaze, 10
object-oriented ontology, 174n21,
181-2nl6
Obrist, Hans Ulrich, 136, 182n20
obscene, 13,14, 19, 107,146-7n9,
147nl2,148nl7
Oedipal, 20, 77
Oehlen, Albert, 178a2
Oldenburg, Claes, 77,108,164n36
"One Hour Photo" (Kessler), 73 74
129 Die (Warhol), 104
One Million Kingdoms (Huyghe), 33
Oppenheim, Meret, 38
Orozco, Gabriel, 152nl0
Osama Fashion Store (Genzken),
79-80, 80
Other Primary Structures, 130
Otolith Group, 32
Otto Freundlich Altar (Hirschhorn),
37
Owens, Craig, 59
P
The Palace at 4 а.м. (Giacometti), 77
The Palace at 4 A.M. (Kessler), 73, 73,
74,75
Pane, Gina, 128
Panofsky, Erwin, 135
Paolozzi, Eduardo, 70
paradigms, 1
parallactic model of history, 49
paranoia
according to Freud, 60, 77-8
in archival art, 60
models of visuality as tinged with,
145-6n5
Parker, Cornelia, 158n56
Parreno, Philippe, 32, 34
Parsons, Talcott, 123
Partially Buried Woodshed (Dean), 46,
56, 57, 58
participatory modes of art, 2, 123, 134,
135, 139, 179n7
part object, 120
Party Crasher (Kessler), 76
paternal law, 16, 20, 22
pathos, 70, 181nl5
pense-bête, 167-8n24
pensée sauvage, 167-8n24
père-version, 20
performances, institutionalization of,
127
performative modes of art, 2,26,
129-30, 132, 133,139, 179- 80n8,
182n20, 183n33
194 Index
The Phenomenology of Perception
(Merleau-Ponty), 7
Philosophy of Modern Music (Adorno),
93
picture-making, 9
Pile of Rubbish (Genzken), 80
Piss Christ (Serrano), 18, 19
plaintive, 105
political infotainment, 78
political kitsch, 78
political nihilism, 116
politics. See also the Left; the Right
and art, 19
cultural politics, 24, 41, 170nl
The Politics of Aesthetics (Rancière),
119
Polke, Sigmar, 78
Pop, 95, 96,108
Popova, Liubov, 38, 41
post-critical? 115-24
Postminimalism, 131
postmodernism, 25, 26, 32, 35, 59,
90,117
postproduction, archival art as, 34
poststructuralism, 20, 26, 27, 90,116,
122,176n34
potlatch, 109,110
Powell, Amy Knight, 135
Powers, Richard, 159n66
Powers of Horro (Kristeva), 14, 16
précaire, 99,100
precariat, 100-1, 102, 103
precarious
in art, 99-113
defined, 103
"Precarious Life" (Butler), 103
précarité, 100, 166nl2
preproduction, archival art as, 34
"Presence and Production," 103
Primary Structures, 130
Princess Diana, 37, 41, 106
process, 132-3, 135, 136
psychogeography, 53
public sphere, 35, 70, 95,108, 122,
123-4
pulsatile gaze, 13
puncture, 77
Pynchon, Thomas, 77, 164n37
Q
Quaternary Field/Associative Diagram
(Durant), 58
R
Raad, Walid, 32
Rancière, Jacques, 104, 117-18,119,
121
Raqs Media Collective, 32
Raunig, Gerald, 101
Rauschenberg, Robert, 32, 59, 77,
91
readymade, 32, 34, 79, 90, 95
Reagan, Ronald, 110
real
abject art in relation to, 25
as disturbing the symbolic, 69
as opposed to fantasy, 26
precarious as real form, 102
Sherman's turn to, 12
shift in conceptions of, 7
realism
hysterical realism, 164n37
speculative realism, 174n21,
181-2nl6
reenactments, 127, 129, 130, 131, 132,
178nl
regression, mimesis of, 20, 22
relational aesthetics, 103, 123, 134,
137, 151n4
relational art, 134
Renaissance, 8, 12
representation
critique of, 2, 116
subject of, 8-9, 9,10, 144n2
rhizome, 35, 152n9
Rhoades, Jason, 95
Richter, Gerhard, 60, 78, 87
the Right, 60, 106, 117, 160-ln3,
170nl
Rococo art, 12
Rodchenko, Alexander, 32
Romanticism, 134
Roof Piece Re-Layed (Trisha Brown
Dance Company), 128
Roth, Dieter, 91
Roth, Michael S., 171n2
The Russian Ark (Sokurov), 154n31
Index 195
Russian Constructivism, 4
Russian Eccentrics, 93
S
Sandra of the Tulipbouse or How to
Live in a Free State (Koester), 48, 49
Santner, Eric, 106
Sartre, Jean-Paul, 7, 8, 107
Saunders, George, 164n37
Scanlan, Joe, 181-2nl6
Schmitt, Carl, 94, 110
Schwitters, Kurt, 35, 40, 90
Scorsese, Martin, 32
The Sea of Ice (Friedrich), 50
Sebald, W. G., 47, 54
Sekuła, Allan, 124
self-criticism, 173-4nl7
Self-Portrait (Genzken), 86
Serra, Richard, 132
Serrano, Andres, 18, 19, 26
Seven Easy Pieces (Abramovic), 128,
126
sexual fetishism, 121
Sherman, Cindy, 10-15, 16
Shteyngart, Gary, 164n37
Shulman, Julius, 55
Simmons, Laurie, 10
Situationist/ism, 53, 116
Smith, Kiki, 17
Smith, Zadie, 164n37
Smithson, Robert, 46, 53, 54, 55, 56,
57, 58, 158n56
sociability, 123, 177n41
Social Facades (Genzken), 82, 84
social practice art, 139
Sokurov, Andrei, 154n31
Someone Takes Care of My Work
(Hirschhorn), 99, 100
Sontag, Susan, 181nl2
sound mirrors, 45-6
Sound Mirrors (Dean), 47
spectacle, 76, 77
speculative realism, 174n21, 181-2nl6
speech-act theory, 130, 179-80n8
Spielautomat (Genzken), 88, 89
Spinoza, Baruch, 39
Spinoza Monument (Hirschhorn), 39,
101
Spiral Jetty (Dean), 46
Spivak, Gaya tri, 116
Starr Report, 65, 160-ln3
state of exception, 110
Steinberg, Leo, 2
Steyerl, Hito, 124
Strindberg, Nils, 50
subject
becoming space, 25
gaze as attacking, 25
as parrying shocks of metropolitan
world, 88
subject-as-picture, 10, 11, 13
subject-object relations, 36, 109,
120
subject of representation, 8-9, 9, 10,
144n2
sublimation, 19, 20, 21, 148nl8
Surrealism, 4, 19, 77, 85, 120
Swinton, Tilda, 179n6
symbolic order, 4, 17, 19, 25, 60, 92,
107, 110, 147-8nl6, 147nl5
T
Tale (Smith), 17
Tate Britain, 181-2nl6
Tausk, Victor, 78
Teignmoutb Electron (Dean), 44, 45,
46
Thatcher, Margaret, 110
theory
critical theory, 115, 116, 119, 120,
122, 170nl
speech-act theory, 130, 179-80n8
thing theory, 120
Theory Garbage, Stuffed Animals,
Christ (Kelley), 22, 23, 24
"Theses on the Philosophy of History"
(Benjamin), 110, 113
Tiananmen Square, uprising at, 3
Tillmans, Wolfgang, 86
time readymades, 32
Tinguely, Jean, 77
Tiravanija, Rirkrit, 123, 137
totalitarian kitsch, 72
"A Tour of the Monuments of Passaic,
New Jersey" (Smithson), 57-8
transitive painting, 137
196 Index
trauma
fascination with, 26, 27
redefining experience in terms of, 27
treatment of, 28
Trecartin, Ryan, 95
Tribe, Mark, 131
Trisha Brown Dance Company, 128
trompe-l'oeil (tricking of the eye), 10
24 Hour Psycho (Gordon), 33
2013 Venice Biennale, 181-2nl6
U
The Unbearable Lightness of Being
(Kundera), 71
undead, 127, 178n2
unmonumental sculpture, 137
Untitled (Gober), 62, 64, 66, 67, 68
Untitled (Kruger), 6
Untitled (Presence) (Lassry), 129,129
Untitled #2 (Sherman), 10, 11
Untitled #190 (Sherman), 13, 15
Untitled #222 (Sherman), 12
Untitled #250 (Sherman), 14
untitled 1992/1995 (free/still)
(Tiravanija) 136
Ur-Collage (Hirschhorn), 106,107
use value, 103
Utopian ambition, 60, 106
"Visuality and Its Discontents," 21
vital materialism, 120
Vo, Danh, 32
Vollman, William, 159n66
von Heyl, Charlene, 178n2
W
Walker, Kara, 95
Wall, Jeff, 151n7
Wallace, David Foster, 159n66,
164n37
Wallinger, Mark, 95
Walser, Robert, 38, 105, 152nl6
War and Peace in the Global Village
(McLuhan), 75
Warhol, Andy, 104, 107, 108, 110
We Drank Some Cokes and Beat Our
Toys into Ploughshares (Miller), 21
Weiner, Lawrence, 89
Weiss, Peter, 40, 41
When Attitudes Become Form: Bern
1969/Venice 2013, 131
Where do I stand? What do I want?
(Hirschhorn), 112
Wood, James, 164n37
working-class America, 65
World Receiver (Genzken), 79
World War II, 81
X
X-Ray (Genzken), 86, 87
V
van der Rohe, Mies, 79, 82, 108
Verb List (Serra), 132
viewer, activation of, 134, 135
Virilio, Paul, 77
Virno, Paolo, 165n3, 172n5
Z
zombie trope, 178n2
Zürich Dadaists, 91-2