Contents
i The Palazzo Foscarini in Venice and the Celebration Honoring the
Dukes of Modena (1749) in a Getty Research Institute Manuscript
Linda Borean
17 "First Surrealists Were Cavemen": The American Abstract Artists
and Their Appropriation of Prehistoric Rock Pictures in 1937
Elke Seibert
39 Critic and Catalyst: Pauline Gibling Schindler (1893-1977)
Thomas S. Hines
81 The New Arts Society: Failed Radicals
Elizabeth Buhe
107 Harald Szeemann and the Road Back to the Museum
Max Rosenberg
133 "Alcuni dei miei progetti": Aldo Rossi and the Editorial Impulse
Maura Lucking
SHORTER NOTICES
161 Forbidden Love in the Andes: Munia and Guaman Poma
Retell the Myth of Chuquillanto and Acoytapra
Alicia Maria Houtrouw
185 A Set of Eight Gurkha Campaign Copperplate Prints
Niklas Leverenz
Updating Records of Nazi Art Looting from an Art Dealer's Archive:
A Case Study from Gustav Cramer's Archive at the Getty
Isabella Zuralski-Yeager
Rethinking Provenance Research
Christian Fuhrmeister and Meike Hopp
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Contents
i The Palazzo Foscarini in Venice and the Celebration Honoring the
Dukes of Modena (1749) in a Getty Research Institute Manuscript
Linda Borean
17 "First Surrealists Were Cavemen": The American Abstract Artists
and Their Appropriation of Prehistoric Rock Pictures in 1937
Elke Seibert
39 Critic and Catalyst: Pauline Gibling Schindler (1893-1977)
Thomas S. Hines
81 The New Arts Society: Failed Radicals
Elizabeth Buhe
107 Harald Szeemann and the Road Back to the Museum
Max Rosenberg
133 "Alcuni dei miei progetti": Aldo Rossi and the Editorial Impulse
Maura Lucking
SHORTER NOTICES
161 Forbidden Love in the Andes: Munia and Guaman Poma
Retell the Myth of Chuquillanto and Acoytapra
Alicia Maria Houtrouw
185 A Set of Eight Gurkha Campaign Copperplate Prints
Niklas Leverenz
Updating Records of Nazi Art Looting from an Art Dealer's Archive:
A Case Study from Gustav Cramer's Archive at the Getty
Isabella Zuralski-Yeager
Rethinking Provenance Research
Christian Fuhrmeister and Meike Hopp