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lssue 208 Contents
Columns
2 0
2 0
2 3
13
STATE OF THE ART
TRASH TALK
Learning to love the 2010S
BY AMY SHERLOCK
16
SATIRE
LETTER TO THE EDITORS
How to define a museum in the
gibst century?
BY TOM MORTON
18
IN THESE INTEMPERATE TIMES
LAUGHTER IN
THE DARK
Comedy is a starkly divisive art
BY LYNNE TILLMAN
20
THE DECADE IN: MEMES
CATS AND DOGES
How memes took over visual culture
BY ORIT GAT
23
THE DECADE IN: SEX
UNDER MY THUMB
A decade of Grindr changed gay life
BY EVAN MOFFITT
27
THE DECADE IN: MUSIC
LOOKING GOOD AND FEELING FINE
Was Lady Gaga's Artpop better thanyou
remember?
BY ANDREW DURBIN
31
THE DECADE IN: CIRCULATION
CONTENT AND ITS DISCONTENTS
Network fatigue 2.o
BY PABLO LARIOS
34
THE DECADE IN: WORK
STARTUP COSPLAY
Junkspace, corporate culture
and the aesthetics of WeWork
BY WILL WILES
38
THE DECADE IN: FRIEZE
WHAT DID WE MISS?
The world according tofrieze issue 128,
Jan/Feb 2010S
BY JENNIFER HIGGIT
FRIEZE NO.208 JAN • FEB 2020
lssue 208 Contents
Features
1 3 2
1 0 8
90
JOURNEYS INTO THE BRIGHT WORLD
For nearly 5o years, Ulrike Ottinger has
been filming faraway eultures and
`outsiders' cioser to home
BY AMY SHERLOCK
99
FOUR ARTISTS TO WATCH IN 2020
Jamie Crewe
Rodrigo Hernandez
Thao Nguyen Phan
Sung Tieu
108
VANITY & VAPOUR TRAILS
In our time of climate erisis, what ean be done
about the art world's addietion to flying?
BY KYLE CHAYKA
132
BEAR HUG
Nayland Blake and three decades of
making art that revels in the infinite
variations of identity and pleasure
BY SHIV KOTECHA
191
QUESTIONNAIRE
Annie Ernaux
122
MACHINE POLITICS
Hans Haaeke's longstanding mode of
institutional critique and the overdue
scrutiny of museum ethies
BY ALYSSA BATTISTONI
128
STUFF & THANGS
Lauren Halsey puts her
South-Central Los Angeles eommunity
at the eentre of her art
BY JONATHAN GRIFFIN
114
VISUAL ESSAY
NV: NIGHT VATER
Life Drawing, Drawing Session
BY PAUL MCCARTHY
FRIEZE N0.208 9 JAN • FEB 2020
lssue 208 Contents
Reviews
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160
MARK LECKEY
Tate Britain
LONDON
BY DANG FOX
162
BERLIN'S URBAN CRISIS
House of Statisties, KOW & Neuer Berliner Kunstverein
BERLIN
BY KITO NEDO
160-189
36 REVIEWS FROM 26 CITIES IN 15 COUNTRIES
Antwerp, Bangkok, Berlin, Braunsehweig, Bristol, Brussels, Chieago, Cologne, Düsseldorf,
Graz, Hong Kong, Irvine, London, Los Angeles, Lyon, Madrid, NewYork, Oakville, Okayama, Paris,
San Franeiseo, Säo Paulo, Singapore, St Louis, Stoekholm, Warsaw
Objektbeschreibung
| Katkey | 8175932 |
| Typ | |
| Dateiformat | application/pdf |
Beschreibung
| Katkey | Inhaltsverzeichnis 208 |
| Volltext | lssue 208 Contents Columns 2 0 2 0 2 3 13 STATE OF THE ART TRASH TALK Learning to love the 2010S BY AMY SHERLOCK 16 SATIRE LETTER TO THE EDITORS How to define a museum in the gibst century? BY TOM MORTON 18 IN THESE INTEMPERATE TIMES LAUGHTER IN THE DARK Comedy is a starkly divisive art BY LYNNE TILLMAN 20 THE DECADE IN: MEMES CATS AND DOGES How memes took over visual culture BY ORIT GAT 23 THE DECADE IN: SEX UNDER MY THUMB A decade of Grindr changed gay life BY EVAN MOFFITT 27 THE DECADE IN: MUSIC LOOKING GOOD AND FEELING FINE Was Lady Gaga's Artpop better thanyou remember? BY ANDREW DURBIN 31 THE DECADE IN: CIRCULATION CONTENT AND ITS DISCONTENTS Network fatigue 2.o BY PABLO LARIOS 34 THE DECADE IN: WORK STARTUP COSPLAY Junkspace, corporate culture and the aesthetics of WeWork BY WILL WILES 38 THE DECADE IN: FRIEZE WHAT DID WE MISS? The world according tofrieze issue 128, Jan/Feb 2010S BY JENNIFER HIGGIT FRIEZE NO.208 JAN • FEB 2020 lssue 208 Contents Features 1 3 2 1 0 8 90 JOURNEYS INTO THE BRIGHT WORLD For nearly 5o years, Ulrike Ottinger has been filming faraway eultures and `outsiders' cioser to home BY AMY SHERLOCK 99 FOUR ARTISTS TO WATCH IN 2020 Jamie Crewe Rodrigo Hernandez Thao Nguyen Phan Sung Tieu 108 VANITY & VAPOUR TRAILS In our time of climate erisis, what ean be done about the art world's addietion to flying? BY KYLE CHAYKA 132 BEAR HUG Nayland Blake and three decades of making art that revels in the infinite variations of identity and pleasure BY SHIV KOTECHA 191 QUESTIONNAIRE Annie Ernaux 122 MACHINE POLITICS Hans Haaeke's longstanding mode of institutional critique and the overdue scrutiny of museum ethies BY ALYSSA BATTISTONI 128 STUFF & THANGS Lauren Halsey puts her South-Central Los Angeles eommunity at the eentre of her art BY JONATHAN GRIFFIN 114 VISUAL ESSAY NV: NIGHT VATER Life Drawing, Drawing Session BY PAUL MCCARTHY FRIEZE N0.208 9 JAN • FEB 2020 lssue 208 Contents Reviews Komm 11111tueur ttioniu tallill-11111111IN lutaSemlisomonimemoncopinnininze11.11111.1. 111111110111111116111101111111111110•11111111111111111111111111111111110uil11141) 11ifilalili1111111111d11111111alinitilhiläj. ileln11111111111111111113111113111ileln11111111111111111113111113111r e L 241111113111111114iimonntingunewinurn '19111111111111310(111111111111e1301“17111 -A . 1 . 6 2 1 7 7 160 MARK LECKEY Tate Britain LONDON BY DANG FOX 162 BERLIN'S URBAN CRISIS House of Statisties, KOW & Neuer Berliner Kunstverein BERLIN BY KITO NEDO 160-189 36 REVIEWS FROM 26 CITIES IN 15 COUNTRIES Antwerp, Bangkok, Berlin, Braunsehweig, Bristol, Brussels, Chieago, Cologne, Düsseldorf, Graz, Hong Kong, Irvine, London, Los Angeles, Lyon, Madrid, NewYork, Oakville, Okayama, Paris, San Franeiseo, Säo Paulo, Singapore, St Louis, Stoekholm, Warsaw |
| Typ | |
| Dateiformat | application/pdf |
